Magneto vs. the Red Skull round two: March to Axis

This is the second part of my examination of the enmity between the mutant revolutionary Magneto and the Nazi war criminal the Red Skull.  For those who missed it here is a link to the first part.

After their confrontation during “Acts of Vengeance,” it would be years before Magneto and the Red Skull would again encounter one another. They would finally come face-to-face once again in the prologue to the Avengers & X-Men: Axis crossover.

Magneto 9 cover

Although he has gone by several aliases during his lifetime, Magneto’s real name is Max Eisenhardt.  A Jew, Max was born in Germany in the late 1920s. After the rise of the Nazis, Max’s family faced severe discrimination, and they were eventually imprisoned in the Auschwitz concentration camp.  There the young Max saw his entire family murdered.  Max himself became a Sonderkommando, a Jew who under threat of death was forced to remove the victims of the gas chambers and place them in the ovens to be cremated.

This nightmarish existence was made all the worse by the abuses heaped upon Max and his fellow prisoners by a sadistic Nazi officer named Hitzig. At the time Max’s mutant powers were gradually beginning to manifest, and he sought to use them to kill Hitzig.  But between his young age, and his severe state of malnutrition, Max’s control of magnetism was much too weak, and he failed in the attempt to slay his tormenter.

Magneto 9 pg 6

The unimaginable horrors which Max endured left lasting emotional scars upon him. Years later, after he was prevented by a bigoted mob from saving the life of his daughter Anya, his traumatic memories were re-awakened.  Looking upon the gradual emergence of mutants and humanity’s resulting fears, Max became convinced that a new Holocaust was all but inevitable.  Determined to prevent this, he adopted the ruthlessly proactive identity of Magneto, a figure who would crush humanity before they could perpetrate genocide against mutant-kind.

In the ongoing Magneto series, writer Cullen Bunn has portrayed the title character as a driven, brutal individual. In his quest to protect mutants, and to avenge crimes against them, Magneto has regularly utilized violence and torture.  He has maimed or killed his adversaries with scarcely any remorse, fanatically convinced of the necessity and righteousness of his actions.  Bunn very much captures the extremely fine line that can exist between freedom fighter and terrorist.

In issue #9, by Bunn and artist Gabriel Hernandez Walta, with a cover by David Yardin, Magneto finally learns that the Red Skull has grafted Charles Xavier’s brain to his own, gaining immense telepathic powers. The Skull, with his S-Men and Ahab, has relocated to the island of Genosha, where they have constructed a “mutant reeducation camp” i.e. a concentration camp for the extermination of mutants.  Magneto’s greatest fear given concrete form, he sets out to destroy the Red Skull.  He was never ever able to kill Hitzig, but perhaps he can expunge the guilt he feels for his failure by slaying the Skull.  “After all this time, I’ll get some reprieve from my disgrace.”

Magneto 9 pg 19

Magneto confronts the Red Skull, echoing the words he uttered to the fascist mastermind years before when he buried him alive in a bomb shelter. “I told you once before, Nazi… I am your better!  But where I once showed you clemency, this time I have brought you nothing but death!”  Unfortunately Magneto’s powers are on the wane, and he is overwhelmed by the S-Men, who beat him into submission.

As the next issue opens, the Red Skull mocks the now-imprisoned Magneto. Using his mental powers, the Skull conjures up a psychic projection of Hitzig in an effort to break the Master of Magnetism.  This manifestation pursues Magneto through a lifetime of memories, inserting itself into each of them as a monstrous apparition, reminding him of his myriad failures.

Magneto 10 pg 4

Finally back in the real world, Magneto finds that he has been left at the mercy of Mzee, the member of the S-Men who resembles a humanoid turtle. Mzee is ready to make Magneto suffer.  As the S-Man reveals “As a child, I watched your minions slaughter my family.  Those moments… their screams… were endless.  And no one came to help me.  I’ll make sure your misery lasts just as long.”  Here we see the cost of Magneto’s crusade made tangible.  In his barbarous quest to protect mutants by subjugating humanity, Magneto has created yet another generation of victims who learned to hate and who now seek vengeance.  By his actions Magneto has not changed anything, but instead perpetuated the cycle of hatred.

Before Mzee can act, though, Havok, Rogue and the Scarlet Witch intervene. In the pages of Uncanny Avengers #24 written by Rick Remender, the three members of the Avengers Unity Squad had been abducted by the S-Men and brought to Genosha.  They managed to escape, and they free Magneto.  The three mutant Avengers try to convince the weakened Magneto not to continue his fight against the Red Skull, but to lay low with them while they contact the rest of the Avengers for reinforcements.  Magneto, though, will have none of that, and even accuses Rogue of betraying mutant-kind.  “I forgot you abandoned Charles’ dream.  No longer an X-Man, merely another stooge of the human establishment.”  Rogue is understandably outraged by this, as well she should be.  As a member of the Avengers, she played a crucial role in saving the entire world from being destroyed by the Celestials.  But do not bother telling that to Magneto; so long as mutants are safe, the rest of humanity can burn for all he cares.

The argument between Magneto and the Avengers is abruptly halted when they are discovered by the Red Skull, Ahab, and the S-Men. As Uncanny Avengers #25 opens, with writing by Remender and artwork by Daniel Acuna, the Skull has frozen them all in place with his telepathy.  The fascist takes this opportunity to once again poke & prod at Magneto’s insecurities.

Uncanny Avengers 25 pg 2

Commenting upon Magneto’s state of mind, the Skull mockingly observes “It doesn’t take a mind reader to know why it frightens you so, Magnus. It is not the evil that might be uncovered within – it is the emptiness.  A willingness to do whatever it takes to achieve your means.  Including the gross manipulation of your own daughter.  Tsk tsk.  Oh, dear, she despises you, Magnus.  A hatred that matches my own.  Used by her father.  Driven mad for his purpose.”

As he previously did in “Acts of Vengeance,” the Red Skull is attempting to point out that he and Magneto are more alike than not. And this time the Skull brings Magneto’s daughter, the Scarlet Witch, into his argument.  Remender really hit the nail on the head with this, making a connection I had previously missed.  The Skull used and abused his own daughter, Sinthia, manipulating her into an instrument of his will, a warped reflection of his own sick mind.  As a result, Sinthia absolutely despises him.  And this is all too similar to Magneto’s relationship with his daughter the Scarlet Witch.  On numerous occasions he attempted to utilize Wanda’s reality-warping abilities as a weapon in the cause of mutant revolution, not caring what harm it caused her.  The result is that the Witch would very much prefer to have nothing to do with her father.

Unknown to the Red Skull, when Magneto was freed by the Avengers he took the opportunity to ingest a dose of Mutant Growth Hormone. His powers now restored almost to normal levels, he knocks out the Skull, releasing the Avengers from mental control.  Rogue, Havok and the Scarlet Witch engage the S-Men and Ahab.  Magneto, discovering several lobotomized mutants in one of the concentration camp buildings, furiously declares “This is what they do to our people, Wanda!  And so long as they draw breath there can be no unity.”  Enraged, Magneto uses his powers to seemingly kill the S-Men.  He then proceeds to physically assault the Skull, brutally beating him.  Defiant to the end, the Skull continues to verbally taunt Magneto.  Then, before the Witch’s horrified eyes, Magneto kills the Skull in cold blood, shattering his head with a block of masonry.

Uncanny Avengers 25 pg 16

The Scarlet Witch, Rogue and Havok are horrified. At first speechless, Rogue finally gasps “What have you done?”  Magneto attempts to justify his act, announcing that he has “killed evil incarnate” and “saved countless lives.”  Rogue mere responds “You – after all your words – you’re no better than him.”

Of course, that is not the end of things. By killing the Red Skull, Magneto inadvertently set loose something that was buried deep within Xavier’s mind.  Onslaught, the psionic entity that was once born out of the combined subconscious darkness of the Xavier and Magneto, lives again.  And it is now controlled by the twisted consciousness of the Red Skull.

Uncanny Avengers 25 pg 21

Thus is the stage set for “The Red Supremacy,” the first act of Avengers & X-Men: Axis. I will be taking a look at that miniseries, and the continuing struggle between Magneto and the Red Skull, in the near future.

Click here to continue on to round three of the war between Magneto and the Red Skull.

Uncanny Avengers: Rogue is grumpy

If you have been reading Uncanny Avengers, written by Rich Remender and published by Marvel Comics, you are no doubt aware that one of the ongoing subplots deals with the tension between reluctant teammates Rogue and the Scarlet Witch.  Rogue is carrying a grudge, angry that Wanda, during her recent period of madness, cast her reality-warping “No more mutants” spell and nearly wiped out mutant-kind. As far as Rogue is concerned, this set into motion the chain of events that eventually led to Charles Xavier’s death during the AvX crossover.

There is, of course, a hell of a lot more going on in Uncanny Avengers: the Red Skull grafting Xavier’s brain onto his own, time traveling Avengers arch-foe Kang attempting to alter history in his favor by abducting the so-called “Apocalypse Twins” in their infancy, the efforts by the now-adult Twins to derail Kang’s plans and assure mutant supremacy of the Earth, the tension between Havok and Captain America over who is the actual leader of the “Avengers Unity Squad,” Cap’s disapproval of Wolverine’s wet works activities when he was leading X-Force, the debate over whether or not mutants ought to assimilate into humanity or remain apart.  Remender is juggling a heck of a lot of balls right now.  I read Uncanny Avengers #9 a few days ago, and once again I cannot wait for the next issue to come out.

But, all that aside, getting back to Rogue, I had a revelation of sorts.  It concerns John Cassaday, who illustrated the first four issues of Uncanny Avengers and remained as the cover artist for subsequent issues.  There was a quality to Cassaday’s depiction of Rogue which reminded me of something.  That sour expression he gave her just looked sooooo darn familiar, but I couldn’t put my finger on it.  Until yesterday, that is, when suddenly it hit me:

Rogue and Grumpy Cat

Yep, Rogue has been walking around the pages of Uncanny Avengers with an expression on her face that matches the famed scowl of Tarder Sauce, aka Grumpy Cat, the internet’s grumpiest cat, the feline who launched a thousand memes. I can’t believe I didn’t catch it before.  At this rate, next thing you know, Rogue will be telling us “I was an Avenger once. It was horrible.”

Comic book reviews: Uncanny Avengers #1-5

One of the few Marvel Comics titles I am currently following is Uncanny Avengers.  For years now, I have wanted to see a book that established some sort of ties between the Avengers and X-Men teams.  It never made sense to me that Captain America, who fought against the Nazis during World War II and who witnessed first-hand the horrors of the Holocaust, would just stand idly by while mutants were persecuted.  I’d always hoped that at some point Cap would actively recruit mutants to join the Avengers and publicly speak out in support of acceptance for the mutant community.

Uncanny Avengers #1
Uncanny Avengers #1

In the aftermath of the recent Avengers vs. X-Men crossover, we finally see Cap taking steps in this direction.  We are told that, following the events of AvX, fear & hatred towards mutants is at an all-time high.  This spurs Cap to form an “Avengers Unity Division” that demonstrates humans and mutants working side-by-side to protect the Earth.  He approaches long-time X-Factor leader Havok to head up the team.

While Havok and Cap are busy organizing this new Avengers squad, the Red Skull resurfaces.  He steals the body of Professor Xavier, who died during AvX.  The Skull somehow succeeds in implanting Xavier’s brain into his own, gaining the Professor’s formidable telepathic powers.  The Skull then sets out to ignite a race war between humans and mutants.  Following in his mentor Hitler’s footsteps, the Skull identifies a vulnerable minority who can be used as a scapegoat for all of society’s ills, in this case mutants instead of Jews.  The Skull utilizes his stolen telepathy to magnify bigotry against mutants, hoping to rally humanity to his side.

Just as I have wanted to see more of a connection between the Avengers and X-Men, so too have I long hoped that the Red Skull would one day become a major foe of the entire Avengers, not just Captain America.  And given his bigoted nature, I’m surprised that the Skull never really had any major encounters with the X-Men.  So I certainly appreciated the set-up of the first four issues of Uncanny Avengers, pitting an all-star line-up of Avengers and X-Men against the Red Skull and his bizarre lackeys, the so-called “S-Men.”

It is an interesting concept, having the Red Skull gain the awesomely powerful mental abilities of Professor Xavier.  On more than one occasion it has been shown that Xavier had the ability to affect literally millions of other minds.  However, he was a very principled individual, and usually refused to use his abilities for selfish ends.  Even so, on occasion Xavier did use his mental powers in morally questionable acts.  So, the question arises, what would then happen if those same abilities were gained by someone with no moral scruples, a man considered the human embodiment of evil, the Red Skull?  Scary thought, isn’t it?

It's a Red Skull kind of world.
It’s a Red Skull kind of world.

On writing duties for Uncanny Avengers is Rick Remender.  I’ve been a fan of his past independent work, such as Black Heart Billy, Crawl Space: XXXombies, and Sea of Red.  I haven’t really been following much of his material at Marvel.  Uncanny Avengers is certainly an interesting blending of traditional superhero action and Remender’s bizarre sensibilities.  In particular, having the Red Skull graft Xavier’s brain to his own stands out as a very Remender-ish twist. The oddball S-Men also are quite characteristic of his style.

One complaint I did have concerning the first four issues is that they did seem rather padded out.  The opening arc with the Red Skull might perhaps have worked better as a more tightly plotted three part story.

Issue #5 was an improvement as, in the days after the Skull’s attack, the Avengers Unity Division work to properly organize.  There is quite a lot of tension going on between the various members, and Remender does a good job examining these conflicts.

Havok is supposed to be the leader of this team, yet already we have seen his opinions and strategies being questioned by Captain America, the very man who appointed him.  At times Cap has a tendency to take charge uninvited, and it will be interesting to see how the dynamic between him and Havok plays out in future issues.

Okay, so who's in charge here, anyway?
Okay, so who’s in charge here, anyway?

There’s also a great deal of tension between Rogue and the Scarlet Witch.  Rogue blames Wanda for previously having tried to de-power mutant-kind, an act that set in motion a series of events which eventually led indirectly to Xavier’s death.  Rogue sees the Witch as a potential menace waiting to explode.  One of the main reasons why Rogue is sticking around is to keep an eye on the Witch, in case she eventually needs to be taken down.  This is an interesting reversal of status, because years ago Rogue was the outsider and one-time enemy with out-of-control powers who was reluctantly accepted by a suspicious X-Men team who kept a wary eye on her.  One would think Rogue, knowing what it is like to be in that position, would realize the hypocrisy of distrusting Wanda.  But, of course, that’s the thing about people: they are flawed & inconsistent like that.

The art on the first four issues is courtesy of John Cassaday.  He is a very talented artist who does amazing work.  The problem is he is also quite slow.  That resulted in a few delays in these issues coming out.  From what I understand, going forward Cassaday is sticking around as the cover artist, but the interior art will be handled by Daniel Acuna.

I liked the guest art team of Olivier Coipel & Mark Morales on issue #5.  Coipel previously penciled the main Avengers book about a decade ago.  I really enjoyed his work back then on the “Red Zone” arc which featured, yep, the Red Skull.  It’s too bad the Skull wasn’t in this issue, because I’d have liked to have seen Coipel draw him again.  Perhaps in a future issue?  As for Morales, he is an inker who has done consistently good, solid work in the past on such artists as Jim Cheung, Steve McNiven, and Leinil Francis Yu.  He seems to be well paired with Coipel here.  If Acuna needs someone to spot him on a future issue, I hope that editor Tom Brevoort will call in Coipel & Morales again.

The one thing I don’t like about Uncanny Avengers is the price tag.  Yep, four bucks is a bit steep.  Okay, yeah, I don’t mind as much having to fork over $3.99 for something published by Image or IDW or Dark Horse.  Those guys are smaller publishers, so they have to charge more to pay the bills.  But Marvel is owned by Disney, and this is one of their flagship titles.  They really do not need to be asking that extra dollar in order to turn a profit.  That is why I buy so little from Marvel nowadays, that $3.99 price they have on so many of their titles.

Uncanny Avengers is the exception, because I really like Remender’s writing, I definitely enjoy the characters he’s using, and I really want to see where this series goes.  I reached the end of issue #5 and thought to myself “Damn it, what happens next? Oh, hell, I actually have to wait a month to find out? Damn!”  I guess that’s the mark of a good book.