As with many, many other comic book fans, I was deeply saddened by the announcement this week that longtime artist & writer George Perez has been diagnosed with cancer, and has been given an estimated life expectancy of six months to one year. Perez is one of the all-time great creators to have worked in American comic books over the last four and a half decades.
While I have mentioned Perez on this blog in passing, regrettably I’ve never taken any sort of in-depth look at his art or writing before. I really want to rectify that now, while Perez is still among the living. And so I am going to showcase several examples of his work on one of the characters with whom he is most identified: Wonder Woman.
People like to throw around the word “definitive” but that is exactly the term I would use to describe George Perez’s iconic run on the Wonder Woman series from 1987 to 1992. In my mind, he wrote and drew one of the definitive versions of the character.
I had one heck of a time narrowing it down to just 10 examples!
Let’s start at the beginning. Here is George Perez’s beautiful cover for the first issue of Wonder Woman volume two (Feb 1987). Perez’s intricately detailed work superbly depicts Princess Diana, Queen Hippolyta, the Amazons, the Greek gods, and the island of Themyscira.
I really believe that Perez’s post-Crisis On Infinite Earths reboot / revamp of the Wonder Woman mythos is one of the primary reasons why the character of Princess Diana has subsequently become such a major character. Or, as acclaimed comic book writer Gail Simone put it:
“The hottest artist of the day, with a string of hits behind him, decided to cast his ridiculous talents on Wonder Woman. And it changed EVERYTHING.”
I don’t know if Perez deliberately set out to top the first issue’s cover when he illustrated the fold-out cover to Wonder Woman #10 (Nov 1987), the first chapter of “Challenge of the Gods,” but he definitely succeeded.
The introduction of the post-Crisis version of the villainous Silver Swan was heralded by Perez’s incredibly striking cover for Wonder Woman #15 (April 1988). Perez’s utilization of highly detailed work, an unsettling layout and negative space all combine to really make this one stand out. I wish I knew who did the coloring on this, because it certainly complements Perez’s work.
I would be absolutely remiss if I did not showcase an example of Perez’s interior work. “Who Killed Myndi Mayer?” in issue #20 (Sept 1988) finds Diana investigating the brutal murder of Myndi Mayer, her vivacious yet troubled publicist. On the final page of this story Diana at long last learns the tragic truth behind Myndi’s passing. Perez’s storytelling & dialogue combine to deliver a shocking, somber emotional moment.
“Who Killed Myndi Mayer?” was written & laid out by Perez, from an idea by Carol Flynn (Perez’s wife), with finishes by Bob McLeod, letters by John Costanza and colors by Carl Gafford. It was justifiably chosen for inclusion in the collection Wonder Woman: The Greatest Stories Ever Told published in 2007.
Another hyper-detailed Perez cover graces Wonder Woman Annual #1 (Nov 1988), in which Diana takes her good friend Julia Kapatelis and her teenage daughter Vanessa to visit the Amazons on Themyscira. John Stracuzzi’s vibrant colors enhance Perez’s work. Lettering is by Todd Klein.
A talented line-up of artists drew the different chapters of Perez’s story for Wonder Woman Annual #1. One of the more interesting artistic teams on the Annual was Silver Age Wonder Woman penciler Ross Andru inked by Perez himself. Andru is an underrated artist, and his storytelling on this chapter is solid, beautifully enhanced by both Perez’s inking and Carl Gafford’s coloring.
Kudos to Todd Klein for effectively lettering Perez’s script for this Annual. That was one of the great aspects about Perez’s Wonder Woman stories; they were very dense & intelligently written, the exact opposite of decompressed storytelling.
When I started reading DC Comics in the early 1990s, the 16 issue loose-leaf edition of Who’s Who in the DC Universe edited by Michael Eury was an absolutely invaluable resource. Eury recruited an all-star line-up of artists to create the profile images for the DC heroes and villains. Of course he asked George Perez to draw Wonder Woman, who was cover-featured in Who’s Who #4 (Nov 1990). Coloring is by Tom McCraw.
As I previously touched upon in my post on the 80th birthday of Wonder Woman, my first exposure to the series was during the “War of the Gods” crossover… which was probably the absolute worst time to start reading it! I was completely lost as to who these characters were and what was going on with these various different plotlines.
Nevertheless, Perez’s stunning covers, as well as the beautiful interior art by penciler Jill Thompson & inker Romeo Tanghal, caught my attention enough that when several months later DC Comics presented a jumping-on point for new readers with incoming writer William Messner-Loebs, I dove in. Soon after I started to read the earlier Perez stories via back issues and collected editions.
In any case, here’s Perez’s atmospheric cover for Wonder Woman #59 (Oct 1991) featuring guest appearances by Batman and Robin.
George Perez’s epic run on Wonder Woman came to an end with issue #61 (Feb 1992). Nevertheless, he has subsequently drawn Princess Diana on several occasions since then, and his return to the character has always been welcome. Here is one of those, the gorgeous pin-up Perez drew for the Wonder Woman Gallery special (Sept 1996). Coloring is by Tatjana Wood. I scanned this from my copy of the book, which I got autographed by Perez at a comic con in the early 2000s. I’m glad I got to meet him.
A few years ago on Twitter writer Gail Simone shared the first page of Wonder Woman #600 (Aug 2010) with the following explanation:
“When George Perez specifically requests you to write his farewell story to Wonder Woman and this is just the first page.”
Perez has an absolute penchant for drawing literal armies of characters, and that is definitely on display here! Diana leads some of DC Comics’ greatest female heroes into battle on this dynamic opening page. “Valedictorian” was written by Gail Simone, penciled by George Perez, inked by Scott Koblish, colored by Hi-Fi and lettered by Travis Lanham.
During an astonishing career that stretched from 1974 to 2019, Perez drew literally thousands of comic book characters. Nevertheless, his work on Wonder Woman will always be one of the absolute highlights.