Star Wars reviews: The Bad Batch season two part one

We’re now at the halfway point of the animated series Star Wars: The Bad Batch season two, so I wanted to take a quick look at the episodes so far. The incredible Dee Bradley Baker returns to voice the entire Bad Batch and every single other male clone character on the series, with Michelle Ang as the Batch’s young ward, the teenage female clone Omega.

With the Batch believed dead and their former comrade Crosshair having thrown all-in with the Galactic Empire, the members of Clone Force 99 now hope to extricate themselves from their obligations to the Trandoshan smuggler Cid (voiced by Rhea Perlman) so they can go on their own path and secure a stable future for Omega. Cid suggests the Batch travel to Serenno, where the Empire is preparing to ship offworld the massive war chest accumulated by the late Count Dooku during his time leading the Separatists. The Batch’s efforts to make off with a portion of the wealth quickly goes pear-shaped, and they barely make it off Serenno in one piece.

I found the two-parter “Spoils of War” and “Ruins of War” to be somewhat underwhelming. Probably the strongest aspect of the story was the Batch meeting the elderly Romar Adell (voiced by Hector Elizondo), one of the few survivors of the Empire’s invasion of Serenno.

Adell informs the Batch that Dooku’s war chest was acquired not just by the Count looting the worlds of the Republic but his own home planet. It’s a vivid demonstration of how very far the former Jedi had fallen. In the recent Tales of the Jedi anthology series showed how Dooku’s disillusionment with the Republic was caused by him realizing how many of the politicians in the Senate were lining their own pockets at the expense of the people they were supposed to be representing. Now we see once again that, by joining Darth Sidious, Dooku ultimately became everything he started out fighting against.

“The Solitary Clone” was a definite improvement. The episode focused on Crosshair, whose blind loyalty leaves him isolated even from the other clones still serving the Empire. The ruthless, ambitious Admiral Rampart (Noshir Dalal) places Crosshair under the command of Commander Cody and dispatches them to the planet Desix to rescue Imperial Governor Grotton (Max Mittelman). The Governor has been taken hostage by the former Separatist Tawni Ames (Tasia Valenza) and her band of freedom fighters in a desperate attempt to safeguard their world’s independence.

This episode is a very effective inversion of the format established in The Clone Wars animated series. Cody leads a squad of clone troopers against the Separatist droid army to liberate a world… and I very quickly found myself rooting not for the clones but for Ames and her battle droids.

Cody genuinely believes he is doing the right thing, fighting for peace & security. He manages to talk down Ames, getting her to surrender, and is then horrified when Grotton orders her to be executed on the spot, an order Crosshair carries out without hesitation. Witnessing the start of the Empire’s brutal occupation of Desix, a shaken Cody at last realizes he’s on the wrong side.

Later, back on Coruscant, Cody confronts Crosshair about his unquestioning loyalty to the Empire:

“You know what makes us different from battle droids? We make our own decisions, our own choices. And we have to live with them too.”

The next day Crosshair is once again summoned before Rampart, who informs him that Cody has gone AWOL, further cementing the Admiral’s conviction that the Clone Army needs to be replaced with conscripted Stormtroppers who will be blindly loyal to the Empire.

Episode four, “Faster,” shifts the focus back onto the Batch as Tech, Wrecker and Omega accompany Cid to the planet Safa Toma where her droid TAY-0 is an entrant in a violent, high-speed “riot race.” TAY-0 loses when crime lord Millegi (Ernie Hudson) has his own racers cheat, and Cid finds herself heavily in debt. Tech participates in a second race to win Cid’s freedom.

This felt like another fairly standard episode but unremarkable, except for two things. One, we at long last got an episode spotlighting Tech. Two, at the end Millegi, handing Cid back to the Batch, he questions why the clones are risking their lives for her, attempting to warn them that she’s not worth their loyalty. Omega refuses to heed Millegi’s advice, but it does once again establish that, while the Batch working for Cid may have been a necessity in the short term to ensure their survival, in the long run they’re better off not being beholden to the smuggler.

“Entombed” was another fun but seemingly-throway episode as Cid’s sassy space pirate associate Phee Genoa (Wanda Sykes) convinces the Batch to accompany her on a search for a legendary treasure. This felt like an affectionate homage to Raiders of the Lost Ark, complete with ancient ruins, puzzles, death traps, and music that evoked John Williams’ scores for the Indiana Jones movies.

I feel the season started to get back on track with “Tribe,” the sixth episode. The Batch are running yet another errand for Cid, delivering forged chain codes to a group of droids on a space station, until Omega discovers those droids have a prisoner, a young Wookie. Impulsively leaping to the Wookie’s rescue, Omega learns that Gungi (Jonathan Lipow) is actually a Jedi, one of the few survivors of Order 66. The rest of the Batch immediately drop their mission and fight their way off the space station, taking Gungi with them.

Transporting Gungi back to Kashyyyk, the Batch are horrified to learn the Wookie homeworld is being pillaged by Trandoshian slavers working with the Empire. Citing the fact that the Wookies were their allies during the Clone Wars, the Batch join Gungi and a tribe of Wookies in fighting off the Empire.

This was a good one because it saw the Batch once again realizing that they have better things to do than getting tangled up in Cid’s criminal enterprises, that they’re much better off helping others who are being oppressed by the Empire. It was also nice to see the bond form between Omega and Gungi.

That brings us to the shocking mid-season two-parter “The Clone Conspiracy” and “Truth and Consequences.” On Coruscant, Admiral Rampart is aggressively pushing the Senate to pass into law the Defense Recruitment Bill which will phase out the Clone Army and enable the Empire to begin drafting its citizens into a new force of Imperial Stormtroopers.  Several Senators are opposed, with Riyo Chuchi (Jennifer Hale) forcefully arguing that the clones, having done their duty to protect the galaxy, should not just be cast aside, as well as questioning why, with the Separatists defeated, the new Empire even needs a standing army.

“After all they have sacrificed, you now wish to discard them? Leave them with nothing? Is that how we repay them for our service? How can we debate commissioning a new army without a plan in place to care for our current one?”

Star Wars has been political right from the beginning. Despite the preponderance of British accents among Imperial officers, it’s clear that George Lucas regarded the Galactic Empire as the dark side of the United States. That really comes to the fore with these two episodes.

Rampart argues there simply isn’t the money to both support the veterans of the Clone Wars and to fund a new military, so the former will have to be sacrificed in favor of the latter. That is exactly the position we’ve seen again and again here in America.

Somehow there’s always the money available to build billion-dollar tanks & airplanes and to wage unending wars in the Middle East in the name of “national security.” But when it comes to helping veterans struggling with physical wounds and PTSD, to finding them housing, to funding the Military Health System and the Department of Veterans Affairs, well, suddenly politicians will start arguing for “fiscal responsibility” because now we seemingly cannot afford any of that. It is an absolute disgrace.

There’s an uncomfortable scene in “The Clone Conspiracy” where a group of clone troopers, realizing they are going to be cast aside, and not knowing if they are even going to have a future now that the galaxy no longer needs them, are experiencing a mixture of fear, disbelief and outrage.

Captain Rex summons the Batch to Coruscant in “Truth and Consequences” to help Chuchi expose that Rampart had Kamino and its cloning facilities destroyed so that the Empire would be forced to transition to an enlisted army. The Batch is able to locate evidence of the cover-up and gets it to Chuchi, who presents it before the Senate. However, the Emperor (Ian McDiarmid), ever the consummate chessmaster, quickly spins this to his advantage. Appearing before the Senate, the Emperor feigns shock & outrage and orders Rampart arrested. The Admiral is dragged off, all the while protesting that he was only following orders.

The Emperor then addresses the Senate and argues that the fact that the clones unquestioningly followed Rampart’s orders to destroy Kamino is proof that the galaxy needs to switch to the new Stormtroopers. A dispirited Chuchi watches as the Senate finally passes the Defense Recruitment Bill, ensuring the Emperor will have his standing army.

While most of the Batch were infiltrating Rampart’s star destroyer to recover evidence of the plot, Omega joined Chuchi in the Senate. Omega asked Chuchi what a Senator does, and the latter replied that Senators represent their people, serve as their voice in the government.

At least, that is supposed to be how it works. We see in these two episodes that all-too-many of the members of the Senate are complicit in helping Rampart push through the Defense Recruitment Bill because it’s a way for them to amass more wealth & political power.

Authoritarian despots such as the Emperor rely on such ambitious, avaricious public officials to maintain their grip on power.  Like Rampart, those officials all think they’re going to come out ahead, only to be shocked when, their usefulness at an end, they get cast aside by their supreme ruler. And all the other lackeys & functionaries, despite witnessing this happening again and again, somehow manage to convince themselves “It won’t happen to me.” We saw this repeatedly during Donald Trump’s time as President, and, really, this is always a fixture of governments headed by narcissistic sociopaths. In the end despots are only loyal to one person: themselves.

“Truth and Consequences” ends with the Batch realizing they’ve been outmaneuvered by the Emperor. Echo decides that his place is no longer with the Batch, but with Captain Rex, helping their fellow clones who now more than ever will have to fight for their rights & freedoms. The implication is that the rest of the Batch are now also going to seriously reconsider their future.

Hopefully the second half of the season will follow on from the interesting character & plot threads set up throughout these first eight episodes and have a more focused direction.

Star Trek and Star Wars signings at New York Comic Con 2021

New York Comic Con 2021 was held a couple of weeks ago, and it was a tremendous amount of fun! After a one year absence due to the COVID-19 pandemic, it was great to have NYCC return to the Big Apple.

In addition to a wide variety of comic book creators (please read my write-ups on First Comics News) I got to meet a couple of actors who have been involved in Star Trek and Star Wars.

It’s odd: I’ve been a fan of both series for many years, but until now I’ve never obtained autographs from actors who appeared in those franchises. Well, okay, in the past I met a few people who had appeared in Star Trek, but I got their autographs for other roles. So I’m glad I was finally able to rectify that with two great actors who appeared in Star Trek and Star Wars, respectively.

I’ve been a Star Trek fan since I was a little kid, watching reruns of the original series on WPIX Channel 11 on Saturday evenings in the early 1980s. It was definitely a thrill to meet actor George Takai, who portrayed Hikaru Sulu on the show and in the first six movies. I really admire the fact that Takai has utilized his fame from Star Trek to promote progressive political & social causes.

They Called Us Enemy, the graphic novel George Takei wrote about his childhood imprisoned in an internment camp, is a sad, moving book. I am Jewish, and when I was growing up I was taught about the Holocaust, about the Nazis forcing the Jews into concentration camps. So I remember that when I first learned about the internment of Japanese Americans I was horrified to discover that nearly the same thing had happened here, in this country. It is definitely one of the darkest chapters in American history. Unfortunately I now realize that there are many dark events and periods in this nation’s history. So I am grateful for works like this. They bring those failures to light, and serve as warnings as to what can happen again if we do not learn from the the past. They Called Us Enemy is a great example of how comic books & graphic novels can play a valuable educational role.

Takei came across as a good person. It was a pretty long line to get his autograph, but he took the time to speak with everyone for a minute or two. The day after I got Takei’s autograph, he had a panel discussion at NYCC. He was such an engaging, entertaining speaker.

Another guest at NYCC 2021 was Dee Bradley Baker, the actor who voiced Captain Rex and all of the other Clone Troopers in the Star Wars: The Clone Wars animated series, among his many, many other voice acting credits in numerous other series.

My father and grandfather took me to see The Empire Strikes Back in the theater for my fourth birthday, and I’ve been a Star Wars fan ever since. Admittedly, I only saw a few episodes of The Clone Wars during the original run from 2008 to 2014, and at the time I didn’t really care for it. However, I recently watched the entire series on Disney Plus. While the first two seasons were uneven, there were still several good episodes. The show then got consistently good with season three, and steadily improved from there. George Lucas, Dave Filoni & their collaborators also did a great job utilizing the show to explore adult topics such as war and politics, loss and faith, duty and patriotism. The later seasons are among the best SW material ever.

I was on line to get Dee Bradley Baker’s autograph, and at 45 years old I was literally the oldest person waiting to meet him. Everyone else on line was either in their late teens or in their 20s. These fans literally grew up on The Clone Wars animated series. For them, this is their Star Wars, just as the original trilogy was my generation’s Star Wars. I think it’s great that The Clone Wars became an entry point for a new generation of fans.

So I got Baker’s autograph… but until now I had no idea Momo and Appa were in the Grand Army of the Republic. Hmmmm… Star Wars / Avatar: The Last Airbender crossover, anyone? Now I’ve got this image stuck in my head of Ahsoka Tano riding around on a flying bison!

Seriously, I was saying to myself “Oh no! Did he mean to write ‘Captain Rex’ instead but I distracted him by gushing about how much I loved his work on Clone Wars and Bad Batch?” Eh, whatever the reason, it doesn’t really matter. I mean, it’s still his signature, and I got it personalized, so I’m obviously not going to be reselling it, and I got to meet him, which was very cool. I guess the Avatar reference just adds to the piece’s uniqueness.

Anyway, Baker is incredibly talented, I love his amazing work on the various Star Wars animated series, so it was cool to meet him & get his signature.

Star Wars reviews: The Bad Batch part one

We are now halfway through the first 16 episode season of Star Wars: The Bad Batch on Disney+, which makes this a good time to look at the animated series so far…

A group of experimental and defective clone troopers created by the Kaminoans, the Bad Batch made their debut last year in the seventh and final season of Star Wars: The Clone Wars.  When I first heard these characters were getting their own series I was skeptical. My first impression of them was that they were a set of broadly-drawn stereotypes, i.e. the level-headed leader, the brainy intellectual, the big, angry strong guy, the brooding lone wolf, and the battle-scarred veteran. I really didn’t know if they could carry a series on their own.

So I was pleasantly surprised at how good the premiere episode “Aftermath” actually was. It definitely went in directions that I wasn’t expecting, and left me looking forward to seeing more.

I think the game changer was the introduction of Omega, a young female clone created by the Kaminoans as part of a mysterious experiment. Plucky teen sidekicks can be a tricky feat to pull off, but The Bad Batch succeeds admirably. Omega is just the right mix of clever and innocent. Her presence also pushes the Batch members into unfamiliar territory. Now, instead of a military squad, they are a family, and they have to raise Omega. That really changes the dynamic of the show.

Omega definitely has had a visible impact on Wrecker, the aforementioned big, angry strong guy. Wrecker was previously my least-favorite member of the Batch, but Omega’s presence has really brought out another side of the character. Wrecker is really just a big kid; consequently he and Omega establishing a sibling-like bond which is actually really sweet & funny. I loved the bomb disarming sequence with the two of them at the beginning of this week’s episode.

The Bad Batch has been exploring a number of questions Star Wars fans have had for quite some time: After the Clone Wars ended, what exactly happened to the clone troopers and the droid armies? How did the Republic transform into the Empire? What were the beginnings of the Rebel Alliance? I like that The Bad Batch is exploring these topics, and getting some pretty good stories out of them in the process.

“Cut and Run,” the second episode of The Bad Batch, sees the return of AWOL clone trooper Cut Lawquane, his wife Suu and their children, who previously appeared in The Clone Wars episode “The Deserter.” I was happy to see them again. Cut and his family are actually the perfect characters to appear at this point.

Back in “The Deserter” Cut was trying, unsuccessfully, to convince Captain Rex that the clones were only being used, and that it was more important that they find their own purpose, instead of fighting & dying for the Republic. The audience, of course, knew Cut was actually correct, because we knew how the Clone Wars would end in Revenge of the Sith. So it’s nice to return to Cut, to a point where the rest of the characters have realized that he was right, that the clones were nothing more than pawns used by Palpatine / Darth Sidious to eliminate the Jedi.

Additionally, I felt this episode was a good illustration of creeping fascism. It is very rare that people go to sleep in a free democracy and wake up the next day in an absolute dictatorship. Usually the process is much more gradual, some might even say insidiously gradual (yes, deliberate choice of wording there), with liberties slowly being eroded and freedoms surrendered bit by bit.

Here we see the nascent Empire acting in a seemingly-reasonable way to make its citizens feel that, hey, these new “chain codes” are actually a great development and everyone should be happy to have them. Only a handful of people realize that the chain codes are how the Empire is going to keep track of and monitor the entire populace of the galaxy.

“Cut and Run” also did excellent work showing Omega’s first experiences on an alien world, and Hunter having to adjust to being a parental figure rather than a squad leader.

The Bad Batch also brings back Trace and Rafa Martez from the final season of The Clone Wars. While I felt the four episode arc with the Martez sisters on that show was padded out, I nevertheless thought it was a very necessary one, because it showed the Clone Wars from the point of view of the average person on the street, and caused Ahsoka to realize just how badly the Jedi had become disconnected from the people they were supposed to be protecting.

So I’m glad to see the sisters return in episode six, “Decommissioned.” It once again allows for these events, the transformation of the democratic Republic into the fascist Empire, to be seen from the POV of ordinary people.

Some people were writing off “Decommissioned” as “filler.” I don’t think it’s a good idea to write off something as filler because you often don’t know if it’s actually setting up something for a big payoff later. I mean, when I was watching Rebels, I initially thought the space whale episode was just a throw-away story… and then two seasons later we got to the series conclusion, and it became hugely important.

The Bad Batch also returns to the subject of the “inhibitor chips” which caused the clone troopers to carry out Order 66 and execute the Jedi. I know some fans didn’t like the inhibitor chip retcon. However, reiterating what I’ve said before, I think that once The Clone Wars became an ongoing animated series it was an essential change. It enabled Dave Filoni and the other writers to develop the clones into actual three-dimensional characters and still have a plausible reason for why they would then immediately turn on the Jedi the instant Sidious told them “Execute Order 66.”

In the way, the clone troopers were just as much victims as the Jedi were, having their free will stolen from them, forced to betray their oath of loyalty, turning them into murderers. That’s definitely the case here, with Crosshair being the only member of the Batch to have his chip activate, turning him against his friends. Throughout the next several episodes the audience, if not the Batch themselves, were aware that the chips were bombs just waiting to go off, and it was shown that Wrecker’s was bothering him for several episodes, before becoming active in “Battle Scars.”

“Battle Scars” also elaborates on the effect the inhibitor chips have on the clones, first through Rex’ recalling his experiences during Order 66, and then by Wrecker’s chip activating. As they each explain to the other members of the Batch, they were aware that they were being controlled and made to act against their will, but they were completely powerless to do anything about it. That is just horrifying.

Anyway, I’m glad that The Bad Batch got the business of the chips getting removed out of the way in “Battle Scars” because I really don’t know how much more suspense I could have taken, wondering each week if Wrecker or one of the others would get activated and turn on everyone else.

The voice acting on The Bad Batch is impressive. Dee Bradley Baker returns to voice the clone troopers, including all of the members of the Bad Batch. Baker has always done an amazing job at giving the physically-identical clones individual personalities with his performances. He’s definitely upped his game with the members of the Batch, all of whom sounds different from one another. If you didn’t look at the credits you might think they were each of them was being portrayed by a different actor. This video on the Entertainment Weekly website of Baker going through the voices of each of the Batch members really demonstrates his talent.

New Zealand actress Michelle Ang also does a good job voicing Omega. I was surprised to learn that Ang is actually 37 years old. She does a convincing job making Omega sound like a genuine teenager.

Fennec Shand, the highly skilled assassin played by Ming-Na Wen on The Mandalorian, appears in episode four, “Cornered.” Fennec has been hired by someone (the Kaminoans?) to retrieve Omega. Wen returns to voice this younger version of her character. That’s definitely an advantage of animation: it allows you to play a character in live action who is your own age (57 in Wen’s case, although she certainly doesn’t look it) and then voice the same character in stories set three decades earlier.

Likewise, in the debut episode we briefly see young Jedi padawan Caleb Dume, who a decade and a half later, having adopted the alias Kanan Jarrus, is one of the main characters in Rebels. Freddie Prinze Jr. returns to voice Dume, and does a credible job at performing a teenage version of his character.

Andrew Kishino, who voiced the younger version of guerilla fighter Saw Gerrera on The Clone Wars, returns to the role. Here we see Gerrera immediately transitioning from fighting the Separatists to fighting the Empire, as unlike most of the galaxy he is immediately aware that Palpatine has set himself up as a dictator.

Cory Burton once again voices Cad Bane, that incredibly dangerous and ruthless bounty hunter with a fondness for wide-brimmed hats. Seriously, the second this guy showed up in today’s episode I was like “Uh oh!” Burton has stated that he used Peter Lorre’s voice as inspiration of Bane, and it definitely always results in a creepy performance.

The format of The Bad Batch is effective, with each episode being mostly self-contained, yet nevertheless setting up and advancing various different subplots that arc throughout the entire season. The most recent episode, “Reunion,” does end on a cliffhanger, though, with Cad Bane having captured Omega, and the rest of the Batch being pursued by Crosshair and the Empire. And now I have to wait a week to find out what happens next!

Dave Filoni, head writer Jennifer Corbett, supervising director Brad Rau and everyone else involved have done a fine job with these first eight episodes of The Bad Batch. The stories are well written, the characters are engaging, and the quality of the animation is fantastic. I’m looking forward to seeing where they go with the second half of the season.

(For some great detailed reviews of the individual episodes of The Bad Bach, I recommend heading over to the blogs Star Wars: My Point of View and Star Wars Thoughts.)