Although Sensation Comics #11 starring Wonder Woman came out over a month ago, I was only just able to pick up a copy of the issue last week. It made an impression on me and I wanted to discuss it here.
“Vendetta” by writer Josh Elder and artists Jamal Igle & Juan Castro is an incredibly well-told story. In the past I have commented on the fascinating dichotomy of the character of Wonder Woman, in that she is both a warrior and a diplomat. Elder’s story addresses these seemingly disparate roles head-on.
Diana has been asked to help negotiate a ceasefire in Itari, an African nation that is plagued by civil war. The long-simmering conflict between Itari’s two major tribes, the Uwange and the Mbindi, has exploded into full-fledged violence. Both sides are committing atrocities, and thousands are already dead.
Wonder Woman’s already-difficult task of bringing the two factions into peace talks are complicated by the war god Ares who wishes for the bloodshed to continue. He raises an army of inhuman monsters to kill Diana, the UN representatives, and any members of the two tribes who are considering peace.
Despite the fantasy trappings, Elder sets up a scenario that is very much rooted in the real world. There are no good guys or bad guys. The Uwange and the Mbindi each have legitimate grievances against the other. Both ethnic groups contain factions that have engaged in war crimes and acts of brutal persecution. For decades each tribe has passed down their hatred & distrust of the other from one generation to the next, perpetuating the violence.
Elder depicts Wonder Woman as a warrior whose goal is to make herself obsolete by ending war. He opens the story with an appropriate quote by General Douglas MacArthur:
“The soldier above all other people prays for peace, for the soldier must suffer and bear the deepest wounds and scars of war.”
Diana knows that, as terrible as the past actions of the Uwange and the Mbindi against one other have been, if they continue to focus on them, on obtaining so-called “just” vengeance, the conflict will never end. Yes, it is important not to forget the past. But at the same time one must also learn from the past so as not to keep making the same mistakes over and over again.
Elder utilizes some of the ideology of Wonder Woman’s creator William Moulton Marston, his espousing of “loving submission” to bring an end to conflict, and insightfully applies them within this story. Diana advises the leaders of Itari’s two tribes:
“We Amazons believe that war is a contest that may be won, but peace is a gift that must be freely given. If there is truth to our philosophy, then peace will only be achieved if both of you surrender – to each other.
“For all unions that endure – be they between two people or two peoples – are built upon a foundation of mutual submission and interdependence, a commitment to compromise, and a willingness to forgive.
“That is my counsel. The path will be difficult. The risk, great. But the alternative is certain death and despair for friend and foe alike.”
The story closes with the fate of Itari undecided; peace is a possibility, but so is continued conflict. Elder recognizes that Diana, for all her powers & abilities, is not a messiah or miracle-worker. It is the responsibility of the Uwange and the Mbindi peoples to decide for themselves if they will continue on the path of war or set aside their hatred and attempt to chart a new course for their nation.
“Vendetta” is set within the post-Crisis revamp of Wonder Woman by George Perez. It definitely demonstrates just how effective and influential Perez’s work on the character was, as all these years later many of the creators working on Sensation Comics have set their own stories within that now-classic era.
Like Perez before him, Elder draws heavily on Greek mythology. In a dark sequence, Ares explains the origins of his I inhuman army:
“Take heed, oh soldier, to the tragic tale of Cadmus, he who slew a great dragon, then sowed the dragon’s teeth into the earth. The seeds bore fruit, and from the soil rose a poison crop: the Spartoi, red of hand and black of purpose.”
Obviously that was part of the inspiration for the now-iconic final battle in the 1963 movie Jason and the Argonauts, when the Hydra’s teeth are sown by King Aeetes to “grow” an army of seven skeleton warriors. As a fan of Ray Harryhausen, I enjoyed seeing the mythological basis for this iconic sequence utilized by Elder in his story.
The artwork by Jamal Igle & Juan Castro on “Vendetta” is absolutely amazing. I’ve been looking forward to Sensation Comics #11 ever since it was announced several months ago that Igle would be penciling a story in it. He is an incredibly talented artist, and I have been a fan of his work for a long time.
Igle does excellent work penciling this story. He is great with both action sequences and quiet character moments. As with all the great Wonder Woman artists, he draws her as a figure that is simultaneously beautiful and strong and determined and kind. Some artists appear to struggle to successfully convey that broad range of characteristics & emotions within Diana. But Igle very much succeeds.
I am not too familiar with Castro, but his inking appears to be well suited to Igle’s pencils. I’ve seen Castro’s name in the credits of other DC Comics series, and those stories looked good. There are some nice before & after examples on Castro’s Deviant Art page that demonstrate what his inks bring to the finished artwork.
After reading Sensation Comics #11, I found myself wishing that Elder, Igle & Castro were the creative team on the regular Wonder Woman series. Yes, I do realize that Igle is busy on his creator-owned title Molly Danger, which is very much a labor of love. He’s doing excellent work with it and I’m looking forward to the next installment. Having said that, if Igle has any free time in the future and is asked to draw Wonder Woman again then I would be very happy.
Sensation Comics #11 is topped off by a cover illustrated by Stephane Roux. Due to the anthology nature of this book, most of the covers regrettably have very little to do with the material inside. It would have been nice if the editors could have coordinated things so that Roux had drawn a cover that reflected the story.
Oh, well, even if it is more of a pin-up than a cover, the talented Roux does beautiful work on it. And I guess you could say that Roux’s art does tie in with the story thematically, as we see Diana with a white dove, which can be regarded as a symbol of peace.
As is the case with nearly all anthology titles, Sensation Comics is inevitably an uneven series. Nevertheless I have enjoyed most of the stories featured in it over the past year. Issue #11 is definitely one of the highlights.