Doctor Who reviews: Timelash

Recently, Michele was working on a paper for school that examined how H.G. Wells’ The Time Machine influenced Doctor Who.  It was an excellent piece of writing.  I cannot believe that I’d never before noticed how significantly Terry Nation had borrowed from Wells when writing the first Dalek storyline, i.e. the Daleks equal the Morlocks, the Thals equal the Eloi, etc.

So, as she’s working on this paper, I happen to casually mention to Michele that on one occasion the Doctor actually met H.G. Wells.  Oops!!!  Suddenly she wants to see this story.  I tried to explain to her that “Timelash” is not a well regarded Doctor Who serial.  In fact, one commentator went so far as to point out that the title is an anagram for “lame shit.”  Michele was amused by this, but undeterred.  So I popped “Timelash” into the DVD player, and we watched it.  She ended up laughing at most of what came up on the television screen.

As I’ve written before, I am a big fan of Colin Baker’s Sixth Doctor, and on the whole I find his brief tenure on the series to be very enjoyable.  Even so, I will readily admit that “Timelash” is not an especially good story.  That said, I will argue that it is rather underrated… which basically translates to my saying that is nowhere near as awful as most other people claim!  Certainly Baker himself is in fine form, bringing his brash, argumentative, authoritative Doctor right to the forefront.  It definitely suits this story, given that he is handed a pair of larger than life adversaries to verbally fence with in the forms of the Borad and Maylin Tekker.

Doctor Who: Timelash DVD
Doctor Who: Timelash DVD

The plot by Glen McCoy definitely has potential, exploring what happens when the Doctor returns to a planet several decades after he had a prior (untelevised) adventure.  We very rarely see the lasting consequences of the Doctor’s actions anywhere, so this trip to Karfel offers us a chance to examine how a previous encounter with the Time Lord can affect a civilization for good or bad.

The main villain, the mutant Borad, is actually a novel, intriguing foe, one who is well played by actor Robert Ashby, with an excellent make-up job realizing the character.  Considering the Borad survives the events of “Timelash,” albeit as a deposed despot left to spend the next several centuries swimming about Loch Ness, I’ve always hoped that one day he would turn up again in another story.  Given the generally poor perception of “Timelash,” I doubt that Steven Moffat will be dusting off this vintage baddie any time soon, but there are still the Doctor Who audio plays and novels.

I think the main area where “Timelash” fails is in the budget.  It definitely had a very cheap, shoddy look about it, with plain sets and very drab costumes.  One of the worst offenses has to be the inside of the Timelash tunnel itself, which looks horribly tacky and is so obviously a glittery Styrofoam wall.

I really cannot fault McCoy for any of this, though.  He was a relatively new writer who had never worked on Doctor Who before.  In this case, I think the lion’s share of the blame should be laid at the feet of script editor Eric Saward.  It is all well and good for Saward to bemoan the fact that producer John Nathan-Turner forced him to work with a succession of inexperienced writers.  But it was Saward’s job to look at McCoy’s script, point out to him what was not achievable on the limited money allocated to the show, and suggest other alternatives.  Saward seems to have abdicated his responsibilities, though, content to let McCoy’s ambitious vision be poorly realized on a shoestring budget, all the while blaming JNT for the substandard end result.

Paul Darrow Timelash
Paul Darrow takes it to eleven as Maylin Tekker

I was also extremely underwhelmed by how the Doctor’s companion Peri was portrayed.  Nicola Bryant, as I’ve observed in past blog posts, was often handed subpar material to work with.  But this has to be one of the character’s all time worst stories.  Except for a few scenes where she’s squabbling with the Doctor, poor Peri spends nearly the entire serial running from trouble, getting captured, being left tied up, and screaming for her life.  Makes me appreciate how the character has been handled on the Big Finish audio plays all the more.

As I mentioned earlier, the Doctor meets H.G. Wells in  “Timelash,” although for almost the entire story he is just a young man named Herbert.  It’s only in the very last scene that the Doctor discovers his full name, and realizes that he’s probably had a huge impact on the future author.  There was definitely — and again I use the word — potential to a fictional encounter between the Doctor and Wells, the real-life writer whose influence on the series cannot be denied.

Regrettably, the meeting between the two does not come off especially well.  For most of the story, Herbert is written as a naïve bumbler who is in way over his head, as well as a bit of a wet blanket.  I think David Chandler gives it his all, though.  I had always hoped, as with the Borad, that we would see another meeting between the Doctor and Wells, hopefully when the later was an older, more seasoned individual.  I think Chandler expressed interest in reprising the role.  Even though that never did occur on television, Wells does meet both the Tenth Doctor and the Victorian incarnation of Torchwood in the comic book special The Time Machination by Tony Lee and Paul Grist which was published by IDW in 2009.

H.G. Wells meets Torchwood in Doctor Who: The Time Machination
H.G. Wells meets Torchwood in Doctor Who: The Time Machination

Before closing out any look at “Timelash,” I would be extremely remiss if I did not mention Paul Darrow in the role of Maylin Tekker.  To say that it is a broad performance would be a vast understatement.  Reputedly this was inspired by Colin Baker’s appearance as a larger-than-life space pirate, Bayban the Butcher, on Darrow’s series Blake’s 7 a few years previously.  When Darrow was then cast in “Timelash,” he apparently wanted to see if he could out-ham Baker’s earlier performance.

I honestly do not know if Darrow’s over-the-top villainy should be considered one of the most risible aspects of the serial or if it takes a mediocre production and rockets it into high melodrama.  I will tell you this, though: I half-suspect the reason that that there’s so little scenery in “Timelash” is not the result of budget problems but due to Paul Darrow chewing it up.

Doctor Who reviews: The Reaping

Continuing to discuss performances by Colin Baker in the Big Finish audio plays, today I’m taking a look at “The Reaping,” written by Joseph Lidster. I originally listened to it three years ago. The main reason why I decided to re-visit it now is the book Chicks Unravel Time, published by Mad Norwegian Press (you can see my December 4th blog entry for more info on that).

One of the excellent essays in Chicks Unravel Time is “The Problem With Peri,” written by Jennifer Pelland. In it, Pelland takes a look at the unfortunately subpar use of the character of Peri Brown, the Doctor’s companion in the mid-1980s who was portrayed by actress Nicola Bryant. Pelland, in examining Peri’s portrayal during Season 22 of Doctor Who, noted that she unfortunately served as a poor role model, especially in comparison to the other strong female characters seen on the screen that year.

As I have said before, the Big Finish audios have given Colin Baker a chance to shine, providing him with a higher quality of scripts to work with. This has allowed him to really demonstrate just what he could have done if he had been given material this good to work with on the actual show. Well, the same, fortunately, applies to Nicola Bryant as Peri.

I very much agree with the sentiments addressed by Pelland in her essay. Peri was often ill-used throughout much of her time on the show. She was constantly whining & complaining. Often her relationship with the Doctor was written to consist of little more than squabbling. All that, and the producer seemed more interested in sticking Bryant in costumes that showed off her cleavage than in giving her well-written dialogue. The writers of the Big Finish audios have done a great deal to rectify these problems with the character of Peri.

It is implied in Peri’s debut story “Planet of Fire” that she has issues with her family. She certainly does not get along with her stepfather in that serial. This is fertile ground for Joseph Lidster to explore in “The Reaping.” His script delves deeply into Peri’s background. We finally meet her family and friends, and find out about her relationships with them, relationships that have been severely strained due to her long absence while she was off traveling with the Doctor.

Having just sat through “The Reaping” again, I was certainly impressed with the depth and nuance of the material. The script certainly gives Nicola Bryant a great deal to work with. I would go so far as to say that Peri received more character development in “The Reaping” than she did during her two years on the television show.

Doctor Who: The Reaping
Doctor Who: The Reaping

Thousands of years in the future, the Doctor and Peri visit the Gogglebox, an archive of humanity’s history archived in the hollowed-out Moon. A curious Peri decides to check the records concerning her home town of Baltimore, Maryland in the 1980s. Coming across a news report from that time, Peri learns that the father of her good friend Kathy has been brutally murdered. Shocked and upset, Peri has the Doctor take her back to Baltimore in September 1984 for the funeral. At the graveyard, Peri is reunited with her mother Janine. And all is not well.

Peri, as the audience knows, has been traveling all about in time & space with the Doctor for the last two years of her life. But from the point of view of Janine back in 1984, her daughter just up and vanished one day, with a word to no one, and could not be bothered to telephone or even send a letter to let her mother know that she was safe.

Janine is played by Claudia Christian, who appeared on Babylon 5 as Commander Susan Ivanova for four seasons. I really enjoyed Christian’s performance on that series, where she made Ivanova one of my favorite characters. Christian does an equally good job in “The Reaping,” playing an angry & disappointed mother whose dissatisfaction with her daughter turns to amazement as she learns what Peri has really been up to all this time.

Bryant, likewise, does excellent work in her portrayal of Peri, who is grief-stricken at her friend’s loss, and deeply hurt by her mother’s disapproval. The character experiences an emotional gauntlet in “The Reaping,” and Bryant really brings her to life.

The relationship between the Doctor and Peri is also explored. We see that, underneath all of the bickering, the two care deeply for one another. At one point, fearing the Doctor might be dead, Peri admits to Janine and Kathy that the Doctor is her best friend. I wish we had seen the friendship between the two characters explored to this degree on the television show. My compliments to Lidster for delving so deeply and movingly into their relationship.

As a quick glance of the cover to “The Reaping” will show, the Cybermen are the villains of the story. Even though they are actually used rather sparingly, they are nevertheless very effective. Inserting them into the mundane domesticity of 1984 Baltimore makes them appear even more alien and menacing than usual.

Lidster taps into the simultaneously horrific and tragic nature of the Cybermen. The Doctor sadly retells the Cybermen’s origins, how in order to survive on the dying planet Mondas, they slowly but surely began replacing organic flesh with metal, plastic, and computer circuits. Their cybernetics was a means to an end, a desperate gamble for survival. But they ended up replacing too much of themselves, and lost their ability to feel emotion. Survival became an end unto itself, as they marched out across the galaxy, determined to convert all organic life.

That is exactly what the Cybermen are doing in “The Reaping.” Their numbers severely dwindled after multiple defeats, they want the Cyber race to survive. And so they travel back in time to convert all of humanity. They see this as an improvement, believing that the elimination of messy feelings & emotions will end chaos and bring about order. That is the true horror of the Cybermen. They don’t want to conquer the world or destroy it; instead, they wish to transform everyone into logical, emotionless Cybermen. In so many ways, that is a fate worse than death.
In the classic serial “Tomb of the Cybermen,” the Cyber Controller coldly informs a group of captive humans “You belong to us. You shall be like us.” Lidster has the Cybermen in “The Reaping” reiterate that chilling pronouncement.

On the whole, “The Reaping” is a very strong story. But there are a few weaknesses. The Cybermen’s plan seems to rely on a couple of big coincidences. The ending of the story is unnecessarily downbeat, and cuts off potential future storylines. And there is at least one unresolved subplot left dangling.

On that last point, I realize Lidster was setting things up for a semi-sequel, “The Gathering,” which is the next entry in the Big Finish audio series. I still haven’t listened to that one yet. Hopefully I’ll have an opportunity to pick it up at some point in the future.

In any case, despite a few criticisms, I found “The Reaping” a well written production, with quality acting by Colin Baker, Nicola Bryant, and Claudia Christian.

Doctor Who reviews: Attack of the Cybermen

I have always felt Colin Baker was one of the most underrated actors to have portrayed the Doctor.  A lot of this had absolutely nothing to do with Baker himself, but was due to outside factors beyond his control.

First of all, Baker’s debut Doctor Who story “The Twin Dilemma” was not particularly well-received.  I personally think it was a decent effort.  Most other fans have a much less positive view of that story, though.  The main problem with it was the decision by the production team to have the Doctor experience a traumatic post-regeneration crisis which causes him to behave in a dangerously unstable manner for the majority of that story.  One especially ill-considered aspect of this was having the Doctor, in a fit of paranoia, attempting to strangle his traveling companion Peri, portrayed by Nicola Bryant.  Even though the Doctor was not in control of his actions, and he quickly realized that he’d made a dreadful mistake, I think this one particular scene left a really bad first impression of the Sixth Doctor with many viewers.

Second, as I understand it, Baker wanted to play his incarnation of the Doctor as a darker, more alien figure.  Accordingly, he had hoped to have a somber, austere outfit to suit this characterization.  Instead, the producer of Doctor Who saddled Baker with the opposite: a tacky, tasteless, multicolored monstrosity of a costume.

Third, in the mid-1980s, the then-management of the BBC apparently had little confidence in or love for Doctor Who.  The show was not receiving the support it needed to function as an effective production.

Nevertheless, despite all these obstacles, I believe Colin Baker did the very best he could, and I look back quite fondly upon his all-too-short tenure as the Doctor.

“Attack of the Cybermen” is Baker’s second serial, and it is a tremendous improvement over “The Twin Dilemma.”  Really, a very strong argument could be made that “Attack” should have been Baker’s debut story.

Doctor Who: Attack of the Cybermen DVD
Doctor Who: Attack of the Cybermen DVD

The credits for “Attack of the Cybermen” list “Paula Moore” as the author.  In reality, it was written by script editor Eric Saward, with a plot assist by continuity advisor Ian Levine.  The reasons for Saward not getting credit are complicated, and are covered in “The Cold War,” a making of feature on the DVD.

The plot of “Attack of the Cybermen” is, admittedly, a bit complex.  The Doctor’s old foes the Cybermen have traveled back in time to 1985 to prevent the destruction of their home planet Mondas, an event chronicled in the 1966 serial “The Tenth Planet.”  Crossing their path is the alien mercenary Lytton (icily portrayed by the very effective Maurice Colbourne), who had previously been stranded on 20th Century Earth in the Saward-penned “Resurrection of the Daleks,” broadcast the year before. Onto the scene come the Sixth Doctor and Peri, who have detected Lytton’s distress beacon.  The Cybermen capture them all and take them back to their base on the planet Telos, last seen in the classic 1967 serial “Tomb of the Cybermen.”

As you can see, there are a lot of references to previous Doctor Who stories in “Attack of the Cybermen.” I guess a newcomer to the show could be confused.  Luckily, I had already read the novelizations of “The Tenth Planet” and “Tomb of the Cybermen,” and seen “Resurrection of the Daleks” on television.  So I was pretty clear about what was going on when I first viewed “Attack of the Cybermen” in the mid-1980s.

Admittedly, there are a couple of confusing plot points that didn’t get cleared up for me until a few years later, when Saward novelized “Attack of the Cybermen.”  But that’s minor, and this story is a lot more straightforward than, say, “Time-Flight,” which is nearly impenetrable.

In any case, I do like Saward’s writing on “Attack.”  His dialogue is cracking and clever, containing very memorable, often humorous lines.

Doctor Who: Attack of the Cybermen novelization by Eric Saward
Attack of the Cybermen novelization by Eric Saward

One odd thing about “Attack of the Cybermen” is the animosity the Doctor has towards Lytton.  The two of them barely met in “Resurrection of the Daleks.”  But in “Attack” the Doctor acts like he knows Lytton well, and cannot stand the sight of him.  Admittedly, the last time the two saw each other, Lytton did take a shot at the Doctor, barely missing, so that could explain some of the Doctor’s anger.

Baker does a good job as the Doctor in “Attack of the Cybermen”.  He has mostly settled into his new incarnation, although, as Peri puts it, he is still somewhat “unstable” from his recent regeneration, prone to the occasional mood swing and temporary absentmindedness.  Baker’s Doctor is brash, egotistical, flippant, and sarcastic.  But on several occasions we see that underneath all the bluster, he is a caring, sensitive individual with a burning desire to set right injustice and oppression.  And, when confronted with his mistakes, he is contemplative and remorseful.  From this story, it is apparent that there was tremendous potential to Baker’s Doctor.

The relationship between the Doctor and Peri is also better written here.  It is still a bit too adversarial, perhaps, and Peri is on the whiny side.  But Baker and Bryant are given much better material to work with here than in “The Twin Dilemma.”  You can start to get a slightly better indication that, despite the dramatic changes to the Doctor’s persona, these two are still friends and do like to travel together.

The direction on “Attack of the Cybermen” is top-notch.  Matthew Robinson, who also worked on “Resurrection of the Daleks,” really has a good feel for action sequences.  He also frames a great many of his shots in an incredibly striking, inventive angles, really helping to drive home the drama and tension.

It is also to Robinson’s credit that he was the one who suggested making the alien Cryons female.  Despite Saward’s arguments against it on the DVD making of feature, this was a clever decision, as it really puts them in contrast to their towering, emotionless cyborg foes.  There were very few female non-humans seen in classic Doctor Who (fortunately that unbalance has been somewhat rectified in the current-day show) and so the Cryons really are striking.  In spite of their apparently delicate appearance, they’ve been waging a relentless guerilla campaign against the Cybermen, making them one of the series’ most admirable alien races.

I like that in “Attack of the Cybermen” Saward brings back something that really had not been addressed in the series since the 1960s.  The Cybermen were once human, but they allowed themselves to be overcome by their own technology, becoming emotionless cyborgs, and now they seek to do the same to other organic life throughout the universe.  In this story, the danger of being killed by the Cybermen pales in significance to the possibility of being captured & converted, with death being a preferable alternative.  That is really what helps to make them horrifying monsters.

“Attack,” like a number of other stories by Saward, is quite violent.  A lot of people have complained that Saward’s violence is gratuitous.  Perhaps at times it was.  But a look at Doctor Who history shows that, from the very beginning in 1963, many stories had high body counts (especially the ones with the Daleks).  The difference is that typically characters would be killed off by a laser blast or disintegration ray, a bloodless death.  Saward, on the other hand, demonstrated in his stories that killing is a nasty, messy, violent business.

Another difference is that, before Saward’s tenure as a Doctor Who script editor and writer, most stories’ casualties were not particularly well developed.  This is especially blatant in the early 1970s, when numerous UNIT soldiers would be wiped out by whatever alien menace was invading Earth that month.  The majority of those killed were nameless grunts who would die ten seconds after coming onto the screen.  There was no real impact when they got killed.  In contrast, many of the characters Saward killed in his stories were developed beforehand.  They had names and personalities, and we would get to know them before they were dispatched in a particularly awful manner.  When they died, it often felt genuinely sad and tragic, a real waste of life.  Saward didn’t glamorize violence; he showed how brutal and ugly it really was.

Things get violent: Lytton (Maurice Colbourne) is tortured by the Cybermen
Things get violent: alien mercenary Lytton (Maurice Colbourne) is tortured by the Cybermen

There is some great incidental music in “Attack” by Malcolm Clarke.  He is one of my favorite Doctor Who composers from the 1980s, composing excellent scores for such Peter Davison serials as “Earthshock” and “Enlightenment.”  His work on “Attack” is just perfect.

On the other hand, the story has some very weak set design.  The Cybermen’s base on Earth looks too similar to their command center on Telos.  When the story cuts between the two, there’s some confusion over which location is which.

More significantly, the Cybermen’s tombs on Telos look nothing like they did in “Tomb of the Cybermen.”  In 1985, “Tomb” was missing from the BBC archives (it was fortunately re-discovered in the early 1990s) but there were photos of the sets available.  So if the designers wanted to, they could have easily checked to see what the Telos tombs looked like.  Instead, they re-designed them completely.  It’s very jarring, especially nowadays when “Tomb” is easily available for viewing.  Besides, the 1967 sets look much better than the 1985 ones.

The DVD of “Attack of the Cybermen” has a lot of great extras.  Colin Baker, Nicola Bryant, Terry Molloy, and Sarah Berger provide an entertaining audio commentary.  The aforementioned “The Cold War” feature is an informative half-hour behind-the-scenes piece.  “The Cyber Story” is a 23 minute history of the Cybermen, with plenty of clips.  I enjoyed being able to view a couple of minutes of “The Tenth Planet.”  I’ve never been able to watch that serial, because (as far as I know) it has never been broadcast or commercially released here in the States, as the final episode is missing. Maybe one of these days it’ll finally be recovered.  Either that or the BBC can redo it in animated form, as they did very effectively for the missing episodes of “The Reign of Terror” and “The Invasion.”

In any case, while not perfect, “Attack of the Cybermen” is a very good, entertaining, intelligent story.  The acting is top-notch, and Matthew Robinson’s direction is solid.

As far as Colin Baker goes, in addition to this story, also check out “Vengeance on Varos,” “Mark of the Rani,” and “Revelation of the Daleks” to see him in top form.  And, if you have the opportunity, pick up some of the Big Finish Doctor Who audio plays he has starred in.  I plan on doing write-ups on at least a couple of those in the near future.  They really do demonstrate what Baker can do as the Doctor when given very well-written material to work with.