Writer David Quinn is a versatile and imaginative creator. Although he is best-known for co-creating the adult horror comic book series Faust: Love of the Damned, and for writing Doctor Strange for two years at Marvel Comics, Quinn has written a wide range of material over his 30 year career.
Quinn’s newest project is in collaboration with illustrator Ashley Spires. Go to Sleep, Little Creep is a rhyming picture book about baby monsters and their monster parents who are trying to get them to go to bed.
Quinn was kind enough to e-mail me a preview copy of Go to Sleep, Little Creep. It was a very charming read. Quinn’s prose is sweet and humorous. Spires’ wonderful illustrations are adorable and funny. The designs of the baby monsters are wonderfully sweet.
By the way, as a huge fan of both cats and scary stories, I think the Mummy Cat, the pet of the Baby Mummy, is very cute.
Go to Sleep, Little Creep is for children ages 2 to 5, although I honestly think older readers, and even adults, will find it charming. It is scheduled for release on July 24, 2018 through the Crown Books for Young Readers imprint of Penguin Random House.
Previews and behind-the-scenes info can be found on David Quinn’s blog, In Walked Quinn, where he discusses the conception and development of the book.
I definitely recommend Go To Sleep, Little Creep to genre fans, both those with and without children. No matter how young or old you are, it is an enjoyable read.
Go to Sleep, Little Creep, Published by Crown Books for Young Readers
It can be a mixed experience revisiting a piece of your childhood, equal parts joy and surprise.
I’ve been a fan of science fiction and horror and monsters ever since I was a kid in the early 1980s. As I’ve mentioned before, I was definitely a geek. I didn’t have many friends; instead most of my free time was taken up by books and movies and cartoons.
The school library at Davis Elementary in New Rochelle had a handful of books about monsters, the kinds from movies, the ones from myth, and the supposedly-real creatures hiding just out of sight. These were a real pleasure for me, a momentary escape from the tedium of homework and book reports.
One of the books from the library was Monsters Who’s Who, published in 1974 by Crescent Books. It was a huge illustrated encyclopedia containing profiles on a diverse selection of strange, scary beings… at least that’s how I remembered it. I hadn’t seen that book in literally decades, but last week on a whim I decided to see if it happened to be on Amazon. Much to my surprise there were quite a few used copies available dirt cheap. I ordered one for a mere 84 cents… plus $3.99 shipping & handling. You have to laugh when postage is more than four times what you’re paying for the book!
The book arrived in the mail, and with it were a couple of surprises. The first was that it had a completely intact dust jacket. I’d never seen the cover before; the school library copy was missing the jacket. It’s actually a rather nice illustration.
As for the second surprise… hey, wasn’t this book much bigger?!? When I was a kid Monsters Who’s Who seemed immense! My memory of it was that it was a huge, thick volume. Instead the reality is that it measures 11 by 8.5 inches and is only 122 pages.
Oh, yeah, after all these years I’ve finally learned just who wrote Monsters Who’s Who. Seriously, there’s no author credit inside the book itself. But the front flat of the dust jacket reveals that it was penned by none other than Dulan Barber! Um, wait… who?!? That has got to be a pseudonym.
Okay, putting aside my unreliable 30 year old memories of Monsters Who’s Who, it actually is a neat book. I’m not at all surprised that I was so interested in it when I was a kid. It contains a really diverse selection of subjects. Yes, the write-ups are for the most part extremely short. But the photos & illustrations are great.
Among the absolutely-fictional entities profiled in Monsters Who’s Who are such iconic figures as Dracula, Frankenstein, the Phantom of the Opera, King Kong and Godzilla. A variety of mythological creatures including the Chimera, the Hydra, Medusa, the Sphinx and the Unicorn are also found in these pages. Third, there are the real and possibly-real beings, such as dinosaurs, the Loch Ness Monster and the Yeti.
Some of the profiles of mythical beasts are accompanied by very old artwork. Very few of them are credited, regrettably, but they are certainly beautiful. And occasionally you have an odd piece like this one…
This might have been the first occasion when I heard of Cerberus, the fearsome three-headed dog that guards the entrance to the Greek underworld. Even at eight years old I found this illustration to be not so much fearsome as forlorn. All three of Cerberus’ heads wear a sad expression, as if they want nothing more than to receive a nice tummy rub!
There are also a few comic book characters, specifically from the pages of Marvel Comics. I had forgotten that Monsters Who’s Who was the first time I ever learned of the oddball Incredible Hulk character known as the Bi-Beast. The Hulk himself also has a profile in the book.
Actually, the writer plays very fast & loose with the term “monster.” The Fantastic Four and Spider-Man (spelled as “Spiderman”) have entries in this book. Admittedly this does make a certain amount of sense. The early Marvel universe devised by Stan Lee, Jack Kirby and Steve Ditko was definitely a weird, unsettling place populated by strange beings which did not neatly fall into the categories of “good” and “bad.”
There were also a few profiles of Doctor Who monsters! Seriously, the timing of me discovering Monsters Who’s Who in the school library was perfect. I’m not totally certain, but I think it was in 1984 when I was eight years old. I had just started watching Doctor Who on PBS station WLIW Channel 21 only a couple of months before, first seeing the final season of Tom Baker and then the beginning of Peter Davison’s run. Finding this book right on the heels of that helped me understand that the show had been around for quite a few years, and that the Doctor had fought some interesting monsters in the past. I remember wondering if any of them would ever show up in the episodes I was now watching.
It must have been only a week or so later and I was at home one weeknight watching Doctor Who. The TARDIS had landed in some dark caves. A bunch of soldiers armed with ray guns were searching for something, not realizing that they were being hunted by these two mysterious androids. Next thing you know the soldiers had come across the Doctor and his companions. After the usual misunderstanding where they assumed the Doctor was their enemy, they joined forces when those androids showed up and started shooting.
And then the episode came to a completely shocking cliffhanger ending when the beings controlling the androids were revealed… at which point my eyes jumped out of my head. Silver robot-like creatures with handles on the sides of their heads? There’d been a photo of them in Monster Who’s Who, hadn’t there? Oh, how I wished I had the book beside me at that moment! The next day at school during lunch I broke land speed records getting to the library, grabbed Monsters Who’s Who off its bookshelf, and flipped rapidly through it. Yes, it was them! It was the Cybermen!
That was my very first Doctor Who related geek-out. Obviously it left a major impression on me to remember it so vividly 32 years later. I know I was equally thrilled when that night episode two of “Earthshock” aired on WLIW and contained actual clips from old Doctor Who stories.
I think that in the 21st Century we often take for granted the immense amount of information that we have at our fingertips. Just hop on any computer, or turn on your smart phone, and within minutes you can Google any subject or look it up on Wikipedia. You can download old movies and television shows with little effort. It’s very easy to forget how things were in the pre-digital, pre-internet age, when discovering a book like Monsters Who’s Who was like unearthing a geek goldmine.
Don’t worry, I’m not going to start with one of those “when I was your age” tirades. I am not that bad. Well, at least not yet! Nevertheless it is nice to recall some of my more pleasant childhood memories. Just me and some monsters taking a stroll thru the past.
With the hurricane having shut down a lot of NYC, and the subways out of service for the next few days, it looks like my Halloween is pretty much going to be confined to watching horror movies and reading graphic novels at home. So here’s another good spooky read:
Neal Adams Monsters is, of course, the work of legendary comic book artist Neal Adams. Here he also takes on the role of writer. Originally serialized in the Echo of Future Past anthology published in the mid-1980s by Continuity, the material in Neal Adams Monsters was collected together in English for the first time in 1993 by Vanguard Productions.
In his introduction to the volume, Adams writes of his childhood fondness for monsters, stemming back to the old Universal Studios films. One of the things Adams speaks of is his disappointment that there never was a genuine all-out battle between Frankenstein’s Monster, Dracula, and the Werewolf in any of these movies. He cites Frankenstein Meets the Wolf Man as a half-hearted attempt that ultimately failed to deliver. I have to admit I agree with him on that point. I watched that movie on television years ago. I don’t remember very much about it, but I do recall the promised grudge match between the two creatures did not materialize until the very end of the movie, when the pair sort of grappled around for about two minutes, only to be interrupted when the villagers blew up the local dam, flooding them away. It was quite disappointing. So I can certainly understand how a young Neal Adams, watching this, thought to himself that he could do better.
What Adams has set out to do in Monsters is to deliver a story in the tradition of the Universal and Hammer Studios films, yet one that is unencumbered by budgetary and special effects limitations. One of the extraordinary strengths of the medium of sequential illustration is its potential to depict literally anything, no matter how fantastical or ambitious. The only limits are the imagination & the abilities of the artist. Adams clearly recognized that when he originally wrote & illustrated the Monsters story.
The writing on Monsters is, admittedly, not nearly up to par with the art. I have always felt that Adams was a much stronger artist than writer. That is not to say his writing on Monsters was bad, though. It was just that I felt certain elements did not come together nearly as well as they might have. Nevertheless, Adams’ plotting on Monsters achieves the requisite task of putting all of the characters & elements into place for a huge, cataclysmic confrontation.
Whatever any weaknesses of his writing might be, Adams artwork is absolutely magnificent. He is such an amazing storyteller, utilizing dramatic layouts & panel designs. His eye for detail is superb. There are a number of intricately illustrated sequences that are simply breathtaking.
The aforementioned climax is spectacular. There is perhaps the problem of the Werewolf being sidelined for most of this sequence, but I can forgive Adams this oversight, as the struggle between Count Dracula and Frankenstein’s Creature is incredibly dramatic, a brutally stunning action sequence. As Adams no doubt intended, he very much achieved his childhood goal of having the classic monsters of gothic literature and horror movies meet up in an unforgettable battle to end all battles.
I would be remiss if I did not cite the vivid coloring by Louis Douzepis, Cory Adams & Zeea Adams. The colorists’ work is extremely effective & vibrant. It really helps to bring Neal Adams’ line work to full, dynamic life.
There are several extra pages to the Monsters collection, featuring concept designs that Adams produced for several movies, as well as his work as a cover illustrator on Marvel Comics’ horror magazines in the 1970s. I would have liked to have seen more of this bonus material. What I found most fascinating were Adams’ designs for an unrealized film adaptation of Arthur C. Clarke’s novel Childhood’s End. Viewing these, this is one project that I’m sorry never materialized.
Neal Adams is almost exclusively thought of for his work on such superhero titles as Batman, Green Lantern/Green Arrow, Avengers, and X-Men. What is often forgotten is just what a great horror artist he is. He did a superb job in the early 1990s for an issue of Now Comics’ Twilight Zone series, illustrating the Harlan Ellison story “Crazy as a Soup Sandwich.” That was a great issue. And, of course, with Monsters now collected and available from Vanguard, one can see another fantastic example of Adams’ work in this genre. It’s a fun, brilliantly illustrated read, and I highly recommend it.