I’m finally caught up on my Doctor Who viewing. Here are a few thoughts on the episode “Sleep No More” written by Mark Gatiss and directed by Justin Molotnikov.
1) Found footage
I am generally not a fan of so-called “found footage” movies. I found The Blair Witch Project to be one of the most overrated pieces of $#!+ that I have ever seen. On the other hand, I did enjoy Paranormal Activity, although part of that may have been due to not having very high expectations in the first place.
You can imagine how I felt when I started watching “Sleep No More” and realized that it was that type of story. Fortunately this was actually a good episode. Gatiss wrote a scary, unnerving script that made very good use of the format.
Molotnikov did very solid work directing. Rather than the confusion and motion sickness that Blair Witch left me with, “Sleep No More” with its cutting back-and-forth between security cameras and character POVs resulted in, for the most part, genuine suspense. While there were chaotic moments of storytelling, for the most part those contributed to the atmosphere of the story, since the audience was left just as uncertain about what was going on as the characters.
2) In space no one can hear you sleep
Humanity once again manages to make a mess of things. Yeah, leave it to capitalists and scientists to get together for the oh-so-brilliant idea of cramming people’s need for eight hours of sleep into a mere five minutes, leaving us able to work non-stop for almost an entire day. I’m sure that in the real world there are people actually attempting to find a way to do just this, all in the name of greater profits.
Of course, since this is Doctor Who, things inevitably go pear-shaped. The Doctor falls into his standard role of calling out humanity on its arrogance and short-sightedness. Due to the format of this episode Peter Capaldi only has a couple of short monologues regarding the foolishness of the Morpheus program. Nevertheless, in these few brief moments he invests them with both a genuine sense of outrage at humanity’s audacity and a philosophical contemplation of the value of sleep.
3) Enter Sandmen
The Sandmen are, when you come down to it, a ridiculous concept. Fortunately the episode moves at such a fast clip that you aren’t left considering for too long that a bunch of people-eating monsters have been formed from “dream dust.”
The low lighting and herky-jerky camerawork also, for the most part, results in the Sandmen not being seen too clearly. Good decision, since from the few good glimpses we get of them they look very much like humanoid lumps of oatmeal. I expect that it a well-lit room they would appear quite silly. Molotnikov did a pretty good job filming the Sandmen in an effective, menacing manner.
4) Universe building
If you ever watched any of Doctor Who stories made in the 1960s and 70s that were set in the future, for the most part everything was very white and very British. That began to change a bit in the 1980s, and since the show returned in 2005 we really have seen a number of future eras occupied by different ethnic groups.
Gatiss had an interesting concept in “Sleep No More” for how in the 38th Century India and Japan combine into a massive superpower with colonies throughout the solar system. It gave “Sleep No More” a distinct flavor and backdrop. As with the best universe building, Gatiss mostly leaves these as background elements and hints of a larger culture.
5) To be continued?
“Sleep No More” appears to end on a cliffhanger, which left me believing that this was another example of the two episode structure that has occurred throughout Series Nine. So I was a bit surprised when I then watched “Face the Raven” and it was completely unrelated, the first installment of a three episode season finale.
I wonder if at some point the dangling plotlines of “Sleep No More” will be picked up in a future episode. After all, the character of Nagata, played by Elaine Tan, survives. She heads off with the Doctor and Clara in the TARDIS to Neptune, where they hope to shut down the Morpheus program. Or perhaps we really are going to be left with the episode’s final unsettling minutes, kept in the dark as to exactly how things worked out in the 38th Century.