Comic book reviews: Black Adam – The Justice Society Files

I’ve been so busy I haven’t had an opportunity to do too much blogging. I finally have a chance to take a brief look at Black Adam – The Justice Society Files, a series of four double-sized comic book specials released by DC Comics as prequels to the live action Black Adam movie.

I’m probably not going to have the opportunity to do a full-length review of Black Adam itself, so I’m also going to include some thoughts on the movie itself.

Black Adam – The Justice Society Files: Hawkman cover by Kaare Andrews

The Justice Society Files specials spotlight Hawkman, Cyclone, Atom Smasher, and Dr. Fate, the members of the Justice Society of America who appear in the Black Adam movie. A fifth story is the serial “Lost & Found” running through the back of all four issues. That story alternates between Teth-Adam & his family in ancient Khandaq when it was under the oppressive rule of King Ahk-Ton, and Professor Adrianna Tomaz & her teenage son Amon in present-day Khandaq as they seek to prevent the high-tech crime syndicate Intergang from acquiring specimens of the mystic metal eternium.

I already touched upon Black Adam – The Justice Society Files a couple of months ago in my blog post “Hawkman is now black… and that’s okay” but here are some further thoughts.

The writing on the four specials is not especially complex or in-depth. Co-writers Cavan Scott & Bryan Q. Miller admirably achieve the task of introducing the characters, situations & concepts that are then developed in-depth within the actual Black Adam movie. It’s perfectly acceptable work, fun & entertaining, and it achieves its goal of generating interest in the movie. That was certainly the case with me. Prior to reading these specials I really didn’t have much interest in seeing Black Adam in the theater. But afterwards I was definitely looking forward to seeing the live action version of the Justice Society previewed in these comics.

I feel the major draw on these specials is the high-quality artwork. Kaare Andrews certainly does an outstanding job on all four covers. His drawing of of Dwayne Johnson as Teth-Adam on the Hawkman cover is absolutely dead-on in capturing the actor’s distinctive likeness.

Black Adam – The Justice Society Files: Hawkman written by Cavan Scott, penciled by Scot Eaton, inked by Norm Rapmund, colored by Andrew Dalhouse and lettered by Rob Leigh

Hawkman is penciled by Scot Eaton & inked by Norm Rapmund. Cyclone is drawn by Maria Laura Sanapo. Atom Smasher is drawn by Travis Mercer. The credits are unfortunately missing from the Dr. Fate special, but according to the official DC Comics website the artist is Jesús Merino. The “Lost & Found” back-up story is drawn by Marco Santucci.

The work by Sanapo on Cyclone is my favorite. That was actually the first issue I bought, and I got it for her art. I enjoyed the comic, and I also saw that Sanapo’s husband, the equally-talented Santucci, was drawing the back-up serial, so I decided to purchase the other three specials. Eaton & Rapmund, Merino also do quality work. Merino certainly drew a good depiction of actors Pierce Brosnan as Dr. Fate.

I wasn’t a huge fan of Mercer’s work on the Atom Smasher special, though. It was a bit too loose and manga-inspired for my tastes. Although I suppose that sort of suited the more comical tone of this particular story. However Mercer did utilize some effective layouts & storytelling.

My only other major complaint was that I thought Dr. Fate’s helmet looked ridiculous without eyeholes! But that’s totally down to the costume & visual effects designers of the movie itself. The artists on The Justice Society Files had to work with what they were given.

Black Adam – The Justice Society Files: Cyclone written by Canan Scott, drawn by Maria Laura Sanapo, colored by Arif Prianto and lettered by Becca Carey

Editing all four books was Michael McAlister, with Katie Kubert as senior editor. I have to say, it brought a smile to my face to see Kubert, the granddaughter of legendary artist Joe Kubert, editing a book featuring Hawkman, a character her grandfather drew so memorably over the decades.

Moving on to the actual Black Adam movie, I enjoyed it. Honestly, I do not get the hate I’ve heard from some people. It was a fun movie with a good balance of action, drama & comedy. As a long-time Justice Society fan it was great to see Dr. Fate and Hawkman in live action. Absolutely, positively a huge improvement over Batman V Superman. If the people in charge of the DC superhero movies keep making enjoyable flicks like this I will definitely be happy.

Yes, the whole “heroes fight each other over a misunderstanding / overinflated egos before teaming up against a common foe” thing has been done on numerous occasions, but at least it’s fairly well executed here.

Black Adam – The Justice Society Files: Atom Smasher written by Canan Scott, drawn by Travis Mercer, colored by John Kalisz and lettered by Rob Leigh

Dwayne Johnson is an actor not exactly known for his vast range, but he was perfectly cast as Teth-Adam. Given that he spent years working to get the Black Adam movie made, he obviously has an affinity for the character. And he certainly looks a great deal like him. Johnson definitely brought to life the ruthless anti-hero developed by Jerry Ordway, David S. Goyer and Geoff Johns in the pages of The Power of Shazam, JSA and 52.

As with a lot of others, I feel that Pierce Brosnan as Dr. Fate pretty much stole almost every scene he was in. I love how he brought a combination of somber gravitas and wry humor to the role. Subsequently reading an interview with Brosnan about his work on the movie, I was really struck by what he had to say:

“Well, Kent Nelson had a wife. Inza was his wife. In my books, he is a widower. And so, my wife Keely (Shaye Smith) – I love watches, and she gave me a beautiful Blancpain 15 or 20 years ago. And the inscription is, ‘Time flies on love’s wings.’ And so I thought it was very fitting to wear it as a time piece for this character. And the wedding ring is my wedding ring. And there’s a silver amulet on my right wrist that is Heidr art, which is the (Nordic) mythology of the whales. You know, those three objects became Talismen for me. I don’t normally wear them in movies.”

Considering Black Adam is a slam bang popcorn flick, I was impressed that Brosnan took the time to research the character of Dr. Fate and then invested such subtle, personal touches towards informing his performance. It really demonstrates that he took the role seriously.

Black Adam – The Justice Society Files: Dr. Fate written by Cavan Scott, drawn by Jesús Merino, colored by Ulisses Arreola and lettered by Rob Leigh

I’m going once again address on the live action version of Hawkman being black, since actor Aldis Hodge himself discussed it in an interview last year:

“I think about the representation aspect of that, because I didn’t grow up watching superheroes that look like me. I remember in my early-teens maybe we came into Spawn and Blade, and that was awesome. So, to know that young kids are going to be able to see that and see opportunity, and have an awareness that I didn’t have at a young age about what they can accomplish, that really is fantastic.”

As I’ve said before, representation matters. Black Adam has a fairly diverse cast, both in terms of the ethnic backgrounds of the characters and the actors who are portraying them, and the majority of the movie is set in the Middle East.

I found it interesting that Black Adam actually presented a very direct criticism of American foreign policy. Intergang has been occupying Khandaq for two decades when the story begins, oppressing its people, looting its wealth. Yet it is only after Teth-Adam returns and begins violently fighting Intergang that the Justice Society is sent to Khandaq to intercede, because the United States is suddenly worried that this incredibly powerful, brutal superhuman will upset the global status quo. A furious Adrianna Tomaz (played by actress Sarah Shahi) angrily points out that hypocrisy to the team of superheroes.

I feel that the conflict between Hawkman’s “heroes don’t kill” stance and Black Adam killing, well, pretty much everyone in sight works because the story took the time to show there’s a certain validity to both their points of view. I like that the movie acknowledged there are certain moral ambiguities without cynically, depressingly attempting to deconstruct superheroes for the umpteenth time.

Black Adam – The Justice Society Files: Hawkman “Lost & Found” Chapter 1 written by Bryan Q. Miller, drawn by Marco Santucci, colored by Michael Atiyeh and lettered by Rob Leigh

To a certain degree the movie also subverts the whole “superhero as savior” trope. Towards the end it’s stated that the people of Khandaq do not need a hero; what they actually need is freedom. No single individual, no matter how powerful, can save a country or a world. What is necessary is for all the people to stand up and fight alongside one another for life & liberty.

So, yes, I found Black Adam to have a surprising degree of depth, while also being a slam-bang action flick.

Now if only they’d given Dr. Fate’s helmet some eyeholes! Oh, well, maybe next time. So bring on the Justice Society movie, please.

New York Comic Con 2022 Artists Alley spotlight

New York Comic Con 2022 was held on October 6th to 9th at the Jacob Javits Center in Manhattan. It was an exhausting but fun experience. One of my favorite parts of the convention was once again Artists Alley, which featured a large, diverse selection of comic book creators.

Here are some of my favorite creators who I met at New York Comic Con this year. I have included links to their work, so you can check them out for yourself.

One of the great things about NYCC is it gives you the opportunity to meet creators who are visiting from outside of United States. I’ve been enjoying the work of Italian artists Marco Santucci and Maria Laura Sanapo over the past few years for DC Comics and other publishers. I’ve been interacting with them on social media, so it was definitely nice to actually get to meet them.

In my mind Dan Jurgens is one of the definitive, all-time great Superman artists. I loved his work on the character in the late 1980s thru the mid 1990s. He also did very good work on Captain America for Marvel Comics and the Image Comics series Common Grounds. It was a pleasure to finally meet him and be able to let him know how much I have enjoyed his work.

It was good to see The Hero Business creator Bill Walko at NYCC again. He’s got a really fun art style. The Hero Business is such an enjoyable series. If you haven’t read it yet then I highly recommend ordering the upcoming The Hero Business Compendium to be published by New Friday Comics, the creator-owned division of Lev Gleason Publishing.  The Compendium will be a 472 page book in oversized graphic novel format collecting the complete ten year The Hero Business saga and is scheduled for release next month.

It’s also always good to see artist Russ Braun at comic cons. He’s a genuinely good guy and a talented artist, having drawn the classic Batman storyline “Venom,” War of the Gods and Fables for DC Comics, as well as regularly collaborating with writer Garth Ennis on a number of projects, among them Battlefields, The Boys and Jimmy’s Bastards.

Not to sound like a broken record, but it was also great to see Andrew Pepoy again at NYCC, back for the first time since before the pandemic. He’s an amazing artist and a good person. Andrew has a few advanced copies of this long-awaited new The Adventures of Simone & Ajax book Lemmings and Tigers and Bears! Oh, My! at the show. I’m looking forward to receiving my copy in the mail soon.

Alex Saviuk and Keith Williams were the art team on Web of Spider-Man from Marvel Comics when I was in high school in the early 1990s. I really enjoyed their work on the series. I don’t know if it was coincidence or design, but they ended up sitting next to each other in Artists Alley, so I wanted to get a photo of the two of them together.

Lynne Yoshii has a beautiful art style. I first discovered her work on the great Gotham City Garage series. She since drawn stories for several DC Comics anthology specials. I’m looking forward to reading the recently released Nuclear Power graphic novel from Fan Base Press that she illustrated.

Bought a copy of Empty Graves: 31 Horror Portraits by Dave Fox which contains some incredible, creepy artwork. Dave Fox has been working on a series of horror portraits over the past few years, and it’s nice to have them all collected together. He really knocked these out of the park, capturing the spooky, eerie essence of some of horror cinema’s most iconic villains & monsters.

These were just a few of the talented creators at New York Comic Con. It was an enjoyable show, and I’m grateful I had the opportunity to attend it.

Hawkman is now black… and that’s okay

Last month I bought the Black Adam – The Justice Society Files: Cyclone special published by DC Comics. And, yeah, that IS an unwieldy title! This is one of several comic book tie-ins to the upcoming live action Black Adam movie. I actually got it because I’m a fan of artist Maria Laura Sanapo, who does incredible work.

So I’m reading the Cyclone special, I get about halfway through, and then I come to this…

Black Adam – The Justice Society Files: Cyclone written by Cavan Scott, drawn by Maria Laura Sanapo, colored by Arif Prianto and lettered by Becca Carey

Yes, it’s Hawkman… and he’s black.

I’ll be honest: initially I did a double take. But after a moment’s surprise, I just shrugged. Hey, why not make Hawkman black?

Yes, okay, the reason he’s dark-skinned in this story is because in the Black Adam movie the character is going to be portrayed by African American actor Aldis Hodge. But, honestly, think about it for half a minute. Hawkman is the reincarnation of the ancient Egyptian monarch Prince Khufu; it makes a lot more sense for him to be depicted of African descent than as a blonde-haired white guy like was in the past. (And let’s not even go into the Silver Age version of Hawkman, who was from an entirely different planet, meaning he wasn’t even human… but he still looked like a WASP.)

Besides, anyone arguing that this isn’t “faithful” to the character is flat-out ignoring how many times Hawkman’s history has been rebooted & retconned over the past eight decades.

Black Adam – The Justice Society Files: Cyclone cover drawn & colored by Kaare Andrews

As can be seen from the above cover drawn by Kaare Andrews, Cyclone, the protagonist of this story, is also dark-skinned. Again that’s undoubtedly down to casting, as in the Black Adam movie Cyclone will be played by the bi-racial Quintessa Swindell.

I hadn’t heard of Cyclone before this, but a quick look at Wikipedia reveals that originally the character was a white girl with red hair. I think Maxine Hunkel has a sufficiently low profile, and is all-but-unknown to the general public, that changing her ethnicity is not a big deal.

Nubia #1 written by Stephanie Williams, penciled by Alitha Martinez, inked by Mark Morales, John Livesay & Alitha Martinez, colored by Alex Guimaraes and lettered by Becca Carey

I also picked up the recent four issue Nubia: Queen of the Amazons miniseries. This is another one I got for the artwork, since it’s penciled by the amazing Alitha Martinez. Hawkman’s longtime ally (and on-again, off-again romantic interest) Hawkgirl guest-stars in that story, and I see she’s now being depicted as dark-skinned. I believe her alter ego Kendra Saunders has been revealed / retconned to be of Hispanic heritage.

Oh, yes, as you no doubt gleamed from the title, the queen of the Amazons is now the very dark-skinned Nubia who is originally from Africa… Madagascar, to be precise.

Nubia #1 written by Stephanie Williams, penciled by Alitha Martinez, inked by Mark Morales, John Livesay & Alitha Martinez, colored by Alex Guimaraes and lettered by Becca Carey

Why am I bringing up all of this? Well, it’s primarily because of the God-awful kerfuffle caused by racist white people who are full anger that Ariel in the live action version of The Little Mermaid is black.

As I commented on Facebook, you must be a ridiculously insecure loser if a dark-skinned mermaid causes you to fly into a blind rage. Alternately, as my friend Mitchell Brown astutely observed:

“Remember, this isn’t about their lack of imagination, or their fragility at the thought of living in a world that doesn’t look like them. They are doing this to deny everyone who doesn’t look like them what they have taken for granted their entire lives. The last thing they want is for POC folks to feel comfortable in their own skin, to not be reminded 24/7 that they’re the “Others” in a world designed around the wants and demands of one group.”

Black Adam – The Justice Society Files: Cyclone written by Cavan Scott, drawn by Maria Laura Sanapo, colored by Arif Prianto and lettered by Becca Carey

Several years ago I did a blog post that looked at how Ben Grimm, aka the Thing from the Fantastic Four, was revealed to be Jewish, and how much it meant to me as a Jewish comic book fan. I’m going to repeat what I wrote there:

It is crucial to have diversity in pop culture.  Just as I really wanted, and needed, for there to be Jewish heroes in the stories I read and watched, so too do women, blacks, Hispanics, Muslims, the LGBT community and other groups want and need the same thing.

In other words, representation is vitally important. It really does matter.

Black Adam – The Justice Society Files: Hawkman written by Cavan Scott, penciled by Scot Eaton, inked by Norm Rapmund, colored by Andrew Dalhouse and lettered by Rob Leigh

And that’s why I am perfectly fine with Hawkman, Hawkgirl and Cyclone now being depicted as dark-skinned, and with the Amazons’ monarch now being African, because I recognize that there are readers, especially younger ones, who will really appreciate it, to whom it will be genuinely important.

Besides, the overwhelming majority of characters in mainstream superhero comic books are still white heterosexual Christians. No one is being “erased” or anything ridiculous like that. Fictional worlds are merely taking steps to reflect the fact that reality is actually a much more diverse place than it has previously been depicted to be in Western pop culture.

I’m not sure if I’ll have a chance to do full write-ups on either Black Adam – The Justice Society Files or Nubia: Queen of the Amazons, so I’ll just say I’ve enjoyed both and recommend them.