Star Wars reviews: Allegiance

Star Wars: Allegiance is a four issue miniseries published by Marvel Comics.  Allegiance is written by Ethan Sacks, drawn by Luke Ross, colored by Lee Loughridge, and lettered by VC’s Clayton Cowles.  Cover artwork is by Marco Checchetto.  The miniseries is set between the events of the movies The Last Jedi and The Rise of Skywalker.

SW Allegiance 1 cover

Back in 2015 Marvel published Shattered Empire, which was set after Return of the Jedi, in order to explore into some of the events that eventually led to The Force Awakens.  Marvel did not do one of these linking miniseries bridging The Force Awakens and The Last Jedi since there’s only a day or so between the two movies, which really doesn’t give much room to tell any stories of significance.  I suppose Marvel could have done a story about the Resistance packing up their base on D’Qar, but maybe they figured they’d be pushing their luck trying to stretch that out into a four issue miniseries.

In any case, The Last Jedi ended with the Resistance down to one ship and a couple of dozen people.  I’m sure a lot of people were left wondering what the heck was going to happen next, how the Resistance could possibly recover from their devastating losses to again pose any sort of impediment to the First Order.  I definitely was!  It certainly seemed there would have to be some gap in time between TLJ and the next movie during which the Resistance reorganized.

Indeed, Allegiance sees the Resistance attempting to acquire new ships, weapons, recruits, and allies.  Unfortunately the First Order is trying to prevent this by ruthlessly destroying any planet that give aid to the Resistance, or that has spoken to the Resistance, or possible has even simply heard of the Resistance.

The First Order’s action here are not surprising, given that it is ruled by Kylo Ren, a spoiled, entitled brat with no impulse control whose first instinct is to lash out at anyone that pisses him off, and who is served by such deplorable sycophants as General Hux, a petty sadist who is looking for an excuse to bully others.  The writing by Sacks and artwork by Ross depict the First Order’s actions in a very brutal a light, never glossing over their evil.

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The original plan for The Rise of Skywalker was to have General Leia Organa as one of the main characters.  The unfortunate death of actress Carrie Fisher in December 2016 obviously prevents this.  Reportedly Leia will appear in TROS via several minutes of unused footage from TLJ, but her role will no doubt be limited.

Keeping this in mind, it feels like the Allegiance miniseries sets out to rectify this by focusing on Leia, giving the character one last opportunity to  step into the spotlight and play a central, important role in the SW narrative.

Rey and Rose Tico are supporting characters in this story.  Rey is basically trying to figure out how to handle the burden of now carrying the legacy of the Jedi squarely on her shoulders.  Rose is fully on board with the Resistance movement.  It seems likely both women will have a lot of screen time in TROS, so Sacks understandably limits their roles here, instead focusing on Leia.  That said, Rey does get a couple of good action sequences, which are well-rendered by Ross.

Leia, accompanied by Rey, Rose Tico, Chewbacca and C-3PO, travel to the planet Mon Calamari to mourn the passing of her longtime comrade-in-arms Admiral Ackbar, as well as to ask for new ships for the Resistance.  Given how perfunctory Ackbar’s death was in TLJ, it was good to see Leia take the time to pay tribute to the character here.

Ackbar’s son Gial wants to help the Resistance, but others on Mon Calamari, witnessing the First Order’s violent crackdown on anyone who has aided them, and remembering the Empire’s brutal occupation of their planet, are extremely reluctant to offer assistance.

It is to Sacks’ credit that he offers no easy answers, demonstrating that sometimes people are only left with different bad choices.  Avoid fighting evil in an attempt to protect yourself and you may only be postponing your own subjugation.  Actively fight against evil and you will be placing not just yourself but your family and friends and neighbors squarely in the crosshairs.  Our own real-world history unfortunately has all too many examples of this bitter choice having to be made.  During World War II, the Nazis routinely responded to the actions of resistance groups throughout Europe by brutally massacring civilians.

The Mon Calamari do eventually provide ships & personnel to the Resistance, but at a very clear cost to them.  The miniseries ends on a very grim note, with the First Order descending on the planet, ready to exact retribution on the planet’s civilian population.

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The B-Plot of Allegiance is Poe Dameron, Finn and BB-8 searching for a cache of New Republic weapons while avoiding a gang of mercenaries who want to claim the bounty the First Order has placed on their heads.  This provides a more fun, light, humorous storyline to balance out the somber A-Plot of Leia on Mon Calamari.

Sacks does a good job of scripting both Poe and Finn, having the two play off each other as they sort of bumble their way through their heist.  They get some humorous exchanges.  I laughed out loud at one particular moment…

Finn: This is shaping up to be the easiest mission we’ve ever had.

Poe: Why… why would you say something like that? Don’t you realize that’s just asking for trouble?

The miniseries has really nice artwork by Luke Ross.  He is an artist who has definitely grown immensely since he entered the comic book field in the mid 1990s.  He started out with a very Image Comics inspired style on New Gods and Spectacular Spider-Man.  A decade or so later he worked on several issues of Captain America.  I found his work there impressive.  Now, in the present, looking at Ross’ art for Allegiance, it is obvious he has continued to improve, turning in art that is even better.

Ross does a great job with the likenesses here.  As I’ve said in the past, I think likenesses on licensed comic book series can be a real balancing act.  You don’t want to go too photorealistic, because that can seem too posed & artificial, standing out from the rest of the art.  I feel it’s more important to capture the essence of the characters, their personalities and mannerisms, than it is to exactly capture the features of the actors.  Ross certainly does that here.

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Marco Checchetto has worked on several previous SW comic book series, including the aforementioned Shattered Empire.  His covers for Allegiance are beautiful.  The four covers link together to form one larger image, an impressive montage of the new trilogy’s characters.

Of course when Marvel collected Allegiance into a trade paperback, they put out four different editions, one with each cover.  They don’t seriously expect us to buy four copies of the same collected edition, do they?  I hope not.  I mean, it’s not like Disney to engage in a shameless Star Wars money grab, is it?

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AHEM!!!  Well, looking on the bright side, the multiple trade paperback covers do allow you to buy whichever one has your favorite image.  And if you really want to put them all side-by-side to get the full picture by Checchetto, just look for copies of the original single issues.  Or, y’know, do a Google search online for the complete image…

SW Allegiance covers

As a longtime Star Wars fan I enjoyed Allegiance.  I did go into it recognizing that obviously too much could not actually happen in Sacks’ story.  The big character and plot developments are being saved for The Return of Skywalker.  Nevertheless, it is an entertaining, thoughtful story that works well to bridge the two movies.  It is also an excellent opportunity to have the quieter, more subtle character moments that sometimes get lost in the action-centric pace of the movies.  At the very least Allegiance serves as a nice spotlight on Leia Organa, helping to bring some closure to a character many of us grew up watching on the big screen.

Star Wars reviews: Shattered Empire

Over the past few months I’ve been doing something of an informal countdown to The Force Awakens on this blog, reviewing some of my favorite Star Wars spin-offs. Today I’m looking at Shattered Empire, which was released in October by Marvel Comics.

Confession time: I haven’t been following the Star Wars comic books since they returned to Marvel, mostly because I’ve gotten the impression that they suffer from an extremely decompressed style of storytelling. But I decided to get Shattered Empire since it was a four issue miniseries and it was released on a weekly basis.  That meant I’d have the entire story in hand very quickly.  I waited until all four chapters were released and read it in one sitting.

Oh, yes, according to the indicia, the full title of this miniseries is Journey To Star Wars: The Force Awakens – Shattered Empire. What a mouthful!  I’m just going to call it Shattered Empire for simplicity’s sake.

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Shattered Empire is billed as a canonical prequel to the events of The Force Awakens. Writer Greg Rucka and artist Marco Checchetto examine how events unfolded across the galaxy in the weeks and months following Return of the Jedi.  We see these developments through the eyes of Lieutenant Shara Bey, aka Green Four, a pilot in the Rebel Alliance, and her husband Sergeant Kes Dameron, a commando in Han Solo’s strike team.

The Battle of Endor was undoubtedly the Alliance’s greatest, most important victory yet. Both Emperor Palpatine and Darth Vader were killed, and the second Death Star was destroyed.  However, as we see in this miniseries, this was not the end of the struggle against the Empire.

I was only seven years old in 1983 when Return of the Jedi came out. Even at that young age I briefly questioned if this really did mark the end of the Empire.  Yes, I was obviously too young to comprehend such concepts as the difficulties in dismantling the remnants of a vast dictatorship, the challenges of establishing a stable democratic government, and the likelihood of ruthless opportunists taking advantage of the sudden vacuum of power.  Nevertheless I distinctly remember thinking that much of the Imperial fleet at Endor apparently survived the battle, and it seemed odd to me that they would all surrender.

As we see in Shattered Empire, there are indeed Imperial forces throughout the galaxy that have no intention of relinquishing power. Their defiance is spurred on by none other than Palpatine himself.  Master chess player that he was, the Emperor left in place a deadly contingency plan to be implemented in the event of his demise.  Via technology and loyal agents, many of the Empire’s officers are convinced that Palpatine still lives.  They are given orders to implement Operation: Cinder, the total devastation of numerous inhabited worlds.  Clearly the Emperor intended that if he couldn’t have the galaxy then no one would.

Shara and Kes’s elation at the victory at Endor, their optimism for the future, gradually gives way to weariness and despair, as the promised end to hostilities fails to materialize. Instead the couple is forced to face the possibility that they will have to spend the rest of their lives fighting against an adversary that is unwilling to capitulate.

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I’ve enjoyed Greg Rucka’s work in the past on Whiteout, Queen & Country and Gotham Central. He is definitely good at writing interesting, well-rounded characters.  Certainly he does a fine job developing Shara Bey.  She is a welcome addition to the Star Wars universe.  Her husband Kes Dameron is given somewhat less “screen time,” and is consequently not explored nearly as much.  Nevertheless, given the requirements of fitting such a large amount of material within four issues, Rucka succeeds at establishing both characters.

One of the subplots in Shattered Empire involves Princess Leia and Shara Bey visiting Naboo. This provides Rucka with a good opportunity to connect some of the strands from the original trilogy and the prequels.  Naboo is a peaceful democracy, but it was also the homeworld of the late Emperor.  Its people are understandably horrified and ashamed by this, and are quite eager to support Leia’s efforts to organize the New Republic.  Unfortunately this possibility was foreseen by Palpatine, and Naboo is one of the planets targeted by Operation: Cinder.  Leia, Shara and Soruna, the current queen of Naboo, are forced to pilot decades-old fighter craft in a desperate effort to fight off the orbiting Imperial fleet.

The final issue sees Shara joining Luke Skywalker infiltrating an Imperial facility on a rescue mission. The object that they seek to retrieve from the Empire is unusual, to say the least.  Well, perhaps that was why Luke only brought along one other person to help him, because he didn’t want to endanger anyone else on what might have been a questionable task.  This does give Rucka the opportunity to write an exciting action sequence showing Luke using his full Jedi abilities against a squad of Stormtroopers.

There’s another nice sequence Rucka has where he shows the Alliance have learned from past losses. In issue, #2, fighting against the Empire on Sterdic IV, the Rebels are pitted against an Imperial Walker.  Obviously remembering their devastating defeat on Hoth, this time the Rebels launch a group of Y-Wings to fly above the AT-AT, dropping clusters of magnetized bombs onto it.

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As Shattered Empire comes to a close, Shara and Kes have both put in the paperwork to muster out of active service. Shara explains her conflicted feelings concerning this decision to Luke…

Shara: I’ve got a son I’ve barely seen since he was born. A husband I get to see for an hour at a time every couple of weeks, if we’re lucky. I’m tired, and I feel guilty for even saying so. I feel like I’m abandoning the Rebellion.

Luke: But if the cost of our struggle is the lives we fought to protect, the future we hoped to see, then what is it we were fighting for?

At first I was a bit surprised that Shattered Empire ended without much resolution. Thinking it over, I realized that it did have closure as far as Shara and Kes are concerned.  And at its best Star Wars has always been concerned with how the lives of individuals and families unfolded amidst vast galactic events and upheavals.

Besides, until The Force Awakens actually begins showing, there is no way to know if Shattered Empire actually does set up any characters or subplots for the new movies.

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Marco Checchetto, with assists by Angel Unzeta and Emilio Laiso, provides the artwork for this miniseries. Checchetto’s work is very detailed.  He also lays out his pages dramatically.   Checchetto is definitely well suited to drawing both ground combat and space battles.

Checchetto is also good with the quieter, character-driven moments. That’s important, since the relationship between Shara and Kes is a central element of this story.

For the most part I found Shattered Empire to be a strong, enjoyable miniseries. Hopefully Marvel and Disney will ask Rucka and Checchetto to return to chronicling the Star Wars universe in the future.