Mocca Arts Festival 2014: a convention report

Since I’m now working again, I was able to put together some extra money and attend this year’s Mocca Arts Festival, once again organized by Museum of Comic and Cartoon Art and the Society of Illustrators. Michele and I were there on Saturday afternoon. There were a lot of great creators and publishers with some really interesting books for sale. I wish I had more money (and room in the apartment) so I could have picked up more stuff.

It was also very crowded. On the one hand, that’s a pain, since it gets hot & difficult to move. On the other hand, it is awesome to see so many younger people of diverse backgrounds interested in comic books & graphic novels. As I’ve said before, most of the really interesting, innovative material nowadays is definitely coming out through smaller companies or self-publishing.

Mocca Arts Fest 2014 banner

My one big purchase at the show was the new Dean Haspiel graphic novel Fear, My Dear: A Billy Dogma Experience featuring, naturally enough, Billy Dogma and Jane Legit. I’ve really enjoyed Dean’s Billy Dogma stories in the past. It’s been some time since he published a new installment of the endearingly bizarre misadventures of “the world’s last romantic antihero,” and so I’ve been looking forward to Fear, My Dear since it was first announced a few months back. Dean had done a drawing of Billy Dogma for me in my sketchbook a few years back, so when he offered to do a quick piece inside the graphic novel, this time I asked for Jane Legit.

Jane Legit Dean Haspiel

I stopped by the Dare2Draw table and said hello to Simon Fraser, who has done a great deal to help organize & promote that program. Simon is a really good guy, as well as an extremely talented artist. He was kind enough to do a lovely drawing of the First Doctor in my Doctor Who theme book. He really captured the personality of actor William Hartnell. Simon had drawn the First Doctor in the Prisoners of Time miniseries published by IDW last year. Now that the comic book license is in the hands of Titan Comics, Simon will be the regular artist on the upcoming Doctor Who: The Eleventh Doctor ongoing series. I’m certainly looking forward to seeing his work on it. I also picked up a copy of the Dare2Draw Sketchbook, which has several beautiful black & white pieces by Simon, as well as a number of other artists, including one by my friend Fred Harper.

First Doctor Simon Fraser

I also saw Charles Fetherolf and Justin Melkmann. I’m not sure if I’ve had the opportunity to go to any of Justin’s World War IX gigs in the past year, so this might be the first time I’ve seen him since the 2013 Mocca Fest. I know I hadn’t seen Charles in the last year, but we’d been in contact on Facebook. He really felt that he did not do that good a job on the Madame Vastra sketch at the show last year. In his defense, he was unfamiliar with the character, I had limited reference, and it was a quick drawing. But Charles insisted he wanted a second crack at the character, so I arranged a commission with him. He did an absolutely beautiful illustration of Vastra on the cover of his sketchbook, and I picked it up at the show. I definitely recommend contacting Charles Fetherolf for commission work. He’s an amazing artist.

Madame Vastra Charles Fetherolf

One other creator who I was looking forward to meeting was Rachel Dukes. She was profiled on Comic Book Resources only a few days ago. Her mini comic Frankie Comics about her cat looked absolutely adorable, a really cute look at quirky cat behavior. I saw that Rachel was going to be at Mocca Fest, so I definitely wanted to stop by her table and purchase a copy of her book. She showed me a photo of Frankie, who looks very much like one of my two cats, Nettie Netzach. Judging by the antics Rachel portrays in her comic, they also act alike. Michele suggested they could be long lost sisters. You never know.

Frankie Comics #1

I also picked up the latest issue of Copra, a series by Michel Fiffe, whose work I first discovered several years ago in the awesome “Twisted Savage Dragon Funnies” back-up stories in Erik Larsen’s Savage Dragon. I stopped by Alisa Harris’ table and congratulated her on her successful Kickstarter campaign. I’m looking forward to receiving my copy of The Collected Counter Attack in the near future. I purchased one of animator & cartoonist Bill Plympton’s books as a gift for Michele. And, while we were walking around the show, Michele and I ran into Fred Harper, Jamal Igle and Steve Ellis. It was nice to catch up with them.

That’s about it. Here are a few photos I took at Mocca Fest with my crappy cell phone camera:

Dean Haspiel sketching in Fear, My Dear: A Billy Dogma Experience.

 

Rachel Dukes enthusiastically promotes Frankie Comics.

 

A giant Charlie Brown balloon hovered over the festivities
A giant Charlie Brown balloon hovered over the festivities

In conclusion, the 2014 Mocca Arts Festival was a lot of fun, as well as very well organized. As I said before, my only regret is that I wasn’t able to afford to purchase more of the cool books that I saw. But hopefully the large turnout of people meant that the numerous talented creators at the show did good business.

Doctor Who reviews: The Crimson Horror

Things have been really busy, and I didn’t have an opportunity to watch last week’s Doctor Who episode, “The Crimson Horror,” until this afternoon.  Thank you, DVR!  So here, at last are my thoughts on it.

The year is 1893.  Madame Vastra, Jenny Flint and Strax are in Yorkshire, investigating a rash of mysterious deaths that have left people colored blood red, the eponymous Crimson Horror.  The last victims of this strange ailment were investigating Sweetville, a model community that has been organized by Mrs. Gillyflower and her blind daughter Ada as a supposed refuge against the coming apocalypse.

Jenny, posing as a convert to Gillyflower’s movement, infiltrates Sweetville.  There, hidden in a locked room, she finds none other than the Doctor, himself a victim of the Crimson Horror.  He is still alive due to his alien physiology, but mostly paralyzed and in terrible pain.  Jenny manages to get him into a revival unit in the factory and, restored to his usual eccentric self, the two go in search of Clara.  She, along with most of the other recruits to Sweetville, has been frozen in suspended animation.  Gillyflower intends to unleash a prehistoric plague to wipe out humanity, and then revive the assembled population of Sweetville to form a “perfect” community on the now-desolate Earth.

The highlight of “The Crimson Horror” was the casting of Diana Rigg and her daughter Rachael Stirling as Mrs. Gillyflower and Ada.  Writer Mark Gatiss had been working in a play with Stirling and, learning that she had never acted opposite her mother, drafted this episode exactly with that in mind.  I quite liked Stirling’s previous Doctor Who performance in the Big Finish audio play “Trail of the White Worm.”  So it was nice to see her make the leap to an actual television episode.  And, of course, Diana Rigg was amazing.  Even at age 74, she’s still a real firecracker, and can probably out-act most people in the profession who are a third her age.  Gatiss really came up with an interesting, complex, troubled mother-daughter dynamic for Rigg and Sterling to act out in this story, and both play their roles extremely well.

It was an interesting choice to have the Doctor and Clara absent from the first fifteen minutes or so of the episode, having the story told from the point of view of Vastra, Jenny, and Strax.  I did enjoy seeing Jenny, portrayed by Catrin Stewart, getting to work solo for some of the episode, and then do a bit of ass-kicking, coincidentally or not coming across much like a later day Emma Peel.  She’s certainly a credit to Dame Diana’s proud legacy of tough, independent women.

No, really, all you need is an umbrella to go with that bowler hat, and you'll look just like Patrick MacNee.
“No, really, all you need is an umbrella to go with that bowler hat, and you’ll look just like Patrick Macnee.”

I enjoyed the whimsical, retro flashback sequence as Jenny is brought up to speed by the Doctor on how he and Clara got involved in the Sweetville investigation.  There is this faux-grainy film stock intermingled with still photos.  Very effective, and it suits the mood of the story perfectly.

As I mentioned in my review of “The Snowmen,” the character of Strax the Sontaran was rather annoying, and his constant use as comic relief fell flat.  I found him much more acceptable in “The Crimson Horror,” probably because he actually got to do stuff, rather than just stand around acting silly.  And when Strax was humorously oblivious or belligerent, it just seemed to work better.

The thing is, once the Doctor gets revived, bam, Matt Smith pretty much steals the show.  It felt like the Paternoster Gang was pushed off to the side in the second half of the episode.  So, I spent the early part of “The Crimson Horror” wondering where the Doctor and Clara were, and the later part hoping that Jenny, Vastra, and Strax would pop up again.  It was maddening.  We certainly didn’t see nearly enough of Madame Vastra, as played by the wonderful Neve McIntosh.

That was the episode’s major weakness: there were just too many characters fighting for screen time.  I really wish that this one could have been longer.  “The Crimson Horror” had a hell of a lot of potential, with solid writing and acting.  There were definitely a lot of great scenes.  But at the end it just felt like too much had been left out due to time constraints.

This is why I would so much like to see the Paternoster Gang receive a special or miniseries.  It would be great to see them step out from the Doctor’s shadow.  I definitely think that there is a hell of a lot of potential to Vastra, Jenny and Strax.

Anyway, yeah, while “The Crimson Horror” did have certain problems, on the whole it was quite good.  Not a perfect episode, by any means, but certainly not a bad one, either.  I guess I’d say it was above average.  That said, I wouldn’t mind watching it again, which is always a good sign.

Doctor Who reviews: The Snowmen

It’s about time I did a write-up of the 2012 Doctor Who Christmas Special “The Snowmen.”  Well, it snowed here in NYC last night, so that’s as good a reason as any.

Written by Steven Moffat, “The Snowmen” follows on from the events of “The Angels Take Manhattan,” which witnessed Amy & Rory being lost in time, with the Doctor fated to never see them again.  At the end of that story, River Song urged the Doctor not to travel alone, to find new friends to share his adventures with.  Well, in “The Snowmen” we find that the Doctor has ignored his wife’s advice, much to his detriment.  Alone, bitter over the loss of Amy, the Doctor has retired to London in the year 1892.  Consumed by melancholy, angry at the universe for continually taking away everything that matters from him, the Doctor refuses to become involved in events once again.

Clara, a barmaid who moonlights as a governess, discovers that something mysterious is going on, that the snow in London is beginning to behave in strange ways.  Encountering the Doctor, she is immediately intrigued by him.  She attempts to convince him to investigate the snow, but he will have nothing to do with it.  As Clara later tries to contact the Doctor again, she attracts the attention of the Silurian samurai detective Madame Vastra and her human companion Jenny Flint.  The pair has also been futilely working to shake the Doctor out of his brooding, and they come to realize that the intelligent, fiery Clara is just the person to finally drive some sense into the Time Lord.

It turns out the snow is being animated by a mysterious disembodied alien mentality.  This force first made contact with a lonely, emotionally isolated child half a century before.  The now adult Dr. Simeon is in collusion with the alien entity to wipe out humanity and replace it with a species of beings that are a hybrid of ice creatures and human DNA.  Finally roused from his lethargy by Clara, the Doctor sets out to thwart Simeon and his unearthly ally.

“The Snowmen” was, on the whole, a good episode.  It was certainly an improvement over the previous two Christmas stories, both of which were too saccharine.  The ending of “The Snowmen” did veer into this territory, with a rather sappy resolution hinging on the power of human emotion.  Admittedly Moffat did set this up early on when the Doctor explained to Clara that human mental energies are able to affect the properties of the snow.  But it did still feel rather like a deus ex machina.

I felt that the strongest aspect of “The Snowmen” was the return of Vastra and Jenny, previously seen in “A Good Man Goes To War.”  The pair must have become instant fan favorites with that episode.  I was certainly happy to see them back.  The previously implied romantic relationship between the two is now elaborated upon as their having married.  I appreciate that Moffat did a fair job showing them as a loving couple, rather than tossing in perhaps the more obvious gay jokes (such as those which seem to follow around Captain Jack Harkness when he pops up).  After all, when you have the union of a human being and a prehistoric reptile woman, the fact that both are of the same gender is probably the least unusual aspect of their relationship.

The happy couple: Madame Vastra and Jenny
The happy couple: Madame Vastra and Jenny

Returning with Vastra and Jenny is the exiled Sontaran warrior Strax, now working as the couple’s manservant.  When we last saw Strax, he was dead.  But sci-fi is no barrier to overcoming the afterlife, and in a throw-away line of dialogue the Doctor explains Strax has been resurrected.  Unfortunately for our Sontaran, he lost a number of brain cells in the process, and is now quite dim.  Moffat uses the character for comic relief here.  I think he was a joke that rather soon wore out his welcome, at least for me.

That said, it bears repeating that Vastra and Jenny are awesome, and I really look forward to seeing Neve McIntosh and Catrin Stewart reprise their roles again.  Others have already suggested giving them their own spin-off.  I do not know if they are ready to get an ongoing series, but definitely give them a miniseries or one-off special, at the very least.

(We are told by Simeon that many in Victorian London suspect Vastra and Jenny have inspired Arthur Conan Doyle to create Sherlock Holmes and Dr. Watson.  I would like to see an encounter between the author and the Sapphic detectives.  If anything, it would officially bring Conan Doyle into the Doctor Who television universe, as the novel Evolution by John Peel showed him meeting the Fourth Doctor and Sarah Jane Smith.)

I was also impressed with Matt Smith’s performance in “The Snowmen.”  We have become so familiar with the character of the Doctor over the decades that it can be easy to forget that he is an alien being with certain negative qualities, and has the capacity to be quite unlikable.  The aloof, disinterested figure we see in “The Snowmen” really brings to mind William Hartnell’s initial characterization of the Doctor when we first met him back in the first season of Doctor Who.  Smith ably channels this darker aspect of the Doctor’s side.  It really ties in well with some of the other things done with the Eleventh Doctor, such as in “A Town Called Mercy,” where Amy pointed out how detrimental it is for him to travel alone for too long.

Jenna-Louise Coleman makes her debut as the Doctor’s new traveling companion Clara… sort of.  Viewers, but not the Doctor, saw that Clara is seemingly the same person as Oswin Oswald, the woman whose voice he heard throughout “Asylum of the Daleks,” and who sacrificed herself in the far future to defeat the Doctor’s arch-enemies.  Spoiler alert: Clara dies again, this time in 1892.  The Doctor, seeing her full name on her tombstone, realizes the two were one and the same.  It seems Clara somehow exists in multiple points throughout time & space, and the Doctor resolves to find her again.  Once again, as with “Asylum,” there is obviously so much more to Clara than she appears to be, and it looks like this is going to be a thread running through the remainder of the season in 2013.

Along with the rather convenient resolution that I mentioned above, I felt the weakest aspect of “The Snowmen” was Dr. Simeon.  The casting Richard E. Grant, a really fantastic actor, was a missed opportunity.  He does little more than stand around looking morose and ominous as Simeon.  There were the occasional hints that there was more to the character than just that, but Grant was unfortunately never given the opportunity to develop any of them.

Oh, yes, one last thing.  Throughout “The Snowmen” we see that Simeon is in charge of some sort of institute with the initials G.I.  It’s never explained what that stands for until the very end, when the Doctor looks at one of Simeon’s business cards.  G.I. = Great Intelligence.  I think I must have blurted out a “Holy shit” when that came on the screen.  The Great Intelligence was the villain from a pair of Patrick Troughton Doctor Who serials aired in the late 1960s, “The Abominable Snowmen” and “The Web of Fear.”  Suddenly it all made sense: the alien consciousness controlling events, the obsession with snowman-related servants, the wildly impractical plan to invade Earth.  Yes, all the earmarks of the Second Doctor’s old foe from those two stories.  I really should have seen it coming!

Anyway, while it was not an unqualified success by any means (I think Moffat was attempting to juggle too many balls at once) “The Snowman” was still quite good.  It effectively sets up some intriguing subplots for the next several episodes, gives us a look at a different side of the Doctor, and reintroduces Madame Vastra & Jenny.  On that last note, the pair is apparently going to be back in at least one more episode in 2013, if not more.  Looking forward to it.