Sal Buscema: fifty years of comic books

Sal Buscema is one of my favorite comic book artists.  This month, November 2018, is the 50th anniversary his professional debut.

Sal is the younger brother of artist John Buscema.  While he was still working on honing his craft, Sal would occasionally do uncredited background inking on John’s artwork.  In 1968 Sal finally felt he was ready to enter the comic book industry on his own, and brought sample pages to Marvel Comics.  He was quickly hired by editor Stan Lee.

Sal’s very first credited work for Marvel Comics was on Rawhide Kid #68, inking Larry Lieber’s pencils. According to Mike’s Amazing World of Comics, this issue went on sale on November 5, 1968.

Rawhide Kid 68 pg 1

Sal’s second job also came out that month, on November 19th.  Silver Surfer #4 was penciled by his brother John.  It is now well-known that John was often critical of inkers, believing that only a few really knew how to do his pencils justice.  He would have preferred to do full artwork, pencils and inks, but time and financial constraints often prevented this.  John, from having had Sal assist him in the past, knew that his brother would do a faithful job inking his pencils on this issue.

“The Good, The Bad, and the Uncanny” features an epic confrontation between the Surfer and Thor, who have been manipulated into combat by Loki.  It is often regarded as one of the high points of John’s artistic career, and from all indications he was satisfied with Sal’s inks on it, as well as on the next three issues.

(For an in-depth look at Silver Surfer #4 please head over to Alan Stewart’s blog Attack of the 50 Year Old Comic Books.)

Silver Surfer 4 pg 34

Sal had initially intended to focus on inking, but he was very quickly recruited by Marvel to pencil.  He was immediately thrown into the deep end, assigned the team book Avengers.  His first work was penciling the cover to issue #67, and a month later did the full interior pencils for #68, paired with writer Roy Thomas and inker Sam Grainger.  The issue featured the Avengers in a titanic tussle with the diabolical robot Ultron.

Sal went on to have a very successful career in comics.  He worked on nearly every Marvel title published in the 1970s and 80s.  Beginning in the mid 1990s he also began working for several other publishers.  Sal was blessed with speed, an incredible work ethic, and a strong sense of storytelling.  This meant that he could always be relied upon to turn in a quality job on time.

Avengers 68 pg 1

Although officially retired, Sal continues to work in comic books, primarily as an inker, most often paired with penciler Ron Frenz, who he has inked on numerous occasions over the past two decades, on a long run on Spider-Girl, as well as several other series.  Sal is also currently working with Guy Dorian Sr. on several projects.  Among these was the Rom storyline “Battle Scars” which saw Sal’s return to the cult classic Space Knight.

For a really good, informative look at Sal’s career and artwork, I highly recommend the excellent book Sal Buscema: Comics’ Fast & Furious Artist by Jim Amash with Eric Nolen-Weathington, from TwoMorrows Publishing.  The cover artwork is a wonderful showcase of Sal’s dynamic artwork, an explosive illustration by Sal of the Incredible Hulk and his longtime adversary the Abomination slugging it out.

Sal Buscema Fast Furious cover

I want to offer my congratulations to Sal Buscema on creating a half century of amazing comic book artwork. He has brought enjoyment to so many readers over the past five decades, myself included.  Thanks, Sal!

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I blame Orrgo the Unconquerable for this weather

I’m looking out the window right now and all I see is snow.  Yep, more snow.  I am so sick of snow.

Winter is a funny thing.  When it’s late December you think to yourself “Wouldn’t it be nice to get a little snow, have a White Christmas for once?”  It usually doesn’t happen.  But then January rolls around and you start getting snow… and more snow… and still more snow.  So much snow that by the time you hit March and you’ve spent most of the last month suffering from a bad cold you’re literally shaking your fist and crying out “No! Not more snow! When is this winter going to end?!?”

I’m starting to think that Orrgo the Unconquerable is responsible for all of this snow.

Oh, the weather outside is frightful...

Oh, the weather outside is frightful…

Orrgo the Unconquerable is one of those numerous oddball monsters who first appeared between the mid 1950s and early 60s in stories published by Marvel Comics before they began their groundbreaking superhero revival in late 1961.  These were pretty formulaic affairs which involved some seemingly-unstoppable menace from beyond threating the whole of humanity, until the day is saved in a convenient last-minute (and often left-field) twist.

What caused many of these monsters to stand out were the bizarre designs they were given by artists Jack Kirby and Steve Ditko, plus the offbeat names that writer / editor Stan Lee gave them.  That’s certainly the case with Orrgo.

Orrgo first appeared in Strange Tales #90, cover-dated November 1961 (the same month as Fantastic Four #1) in a story illustrated by Kirby and inker Dick Ayers.  According to the Grand Comics Database, the story was probably plotted by Lee and scripted by Larry Lieber.

An alien invader of seemingly-unlimited power, Orrgo sets out to conquer the Earth.  All of humanity’s weapons are totally powerless against him.  As seen above, he even freezes the city of Washington DC in a sold block of ice.

Eventually Orrgo decides to hypnotize the entire planet into obeying him.  Having defeated humanity, Orrgo then returns to the circus where he first arrived on Earth and takes a nap under a tree.  Well, even when you are an “unconquerable” menace, I expect that it is still a bit of work to crush whole worlds under your heel, and you eventually need to get some shut-eye.

Pow! Right in the kisser!

Pow! Right in the kisser!

Unfortunately for Orrgo, while he is catching some zzz’s, and the Earth’s population is in a hypnotic trance, the circus gorilla Jo-Jo breaks loose, furious that he hasn’t been fed.  Sensing that Orrgo is somehow responsible for his missing meals, the gorilla smashes the slumbering alien conquerer in the head, killing him.

Yeah, I did mention those last-minute, left-field resolutions, didn’t I?!?

You can read the entire story “Orrgo the Unconquerable” from Strange Tales #90 on The Golden Age blog.

Anyway, this is comic books, and no one ever stays dead forever.  Along with various other “pre-hero” monsters, Orrgo (or at least another member of his race) has been brought back on a few occasions by Marvel.  Most notably, Orrgo resurfaced in the bizarre yet fun Defenders revival by Kurt Busiek & Erik Larsen that ran from 2001 to 2002.  Orrgo was summoned by that supremely weird group of villains known as the Headmen, who used him to temporarily take over the world.

A mesmerizing comic book!

A mesmerizing comic book!

So, yeah, given his penchant for fast-freezing entire metropolitan areas, I would not be at all surprised to learn that Orrgo the Unconquerable is responsible for this awful winter weather.  To which I can only say… knock it off buddy, before I send another gorilla to bop you on the noggin!