It Came from the 1990s: The Power of Shazam part four

My reread of The Power of Shazam by Jerry Ordway and friends enters the fourth year. This is, regrettably, the home stretch. This has been such an enjoyable series to revisit, and I really with it had lasted longer.

We begin with a storyline that literally had my jaw hitting the floor the first time I read it.

Ordway did a very good job of balancing the serious and the whimsical on this series, but with issue #38 the $#^+ totally hit the fan. Mister Mind, the sole surviving member of the telepathic caterpillars from Venus that tried to invade Earth, manages to take control of Sarge Steel, director of Metahuman Affairs. Previously the government had taken custody of the nuclear-powered robot Mister Atom, and now Mister Mind dispatches it to destroy Bill Batson & Mary Bromfield by having it home in on Billy’s Justice League. communicator. Landing in the town of Fairfield, right outside the Bromfields’ house, Mister Atom self-destructs, obliterating the entire town, killing thousands of innocent people!

Billy and Mary in their Captain Marvel forms are in Fawcett City when they see the mushroom cloud on the horizon. They are understandably horrified, especially as they believe their adopted parents Nick & Nora Bronfield are among the dead. The sorcerer Ibis manages to neutralize the radioactive fallout, but he can do nothing for all those who have already perished.

The two Captains fail to prove Sarge Steel is being controlled by Mister Mind. Mary heads over to the laboratory of Professor Bibbowski (the genius brother of tough guy tavern owner Bibbo Bibbowski from the Superman books) and asks him to try to find a way of detecting & neutralizing Mister Mind.

Billy and Mary return to Fawcett, where they are relieved to learn that Nick & Nora managed to survive by pure dumb luck; they were heading out of Fairfield by car to try to find Billy and Mary when the bomb went off.

Mary uses the device invented by the Professor to drive Mister Mind out of Sarge Steel’s head, and to prevent the worm from taking over the President. Mind has already dispatched thousands of clones of himself to take over innocent people, sending them to nuclear facilities across the world, planning to destroy the Earth as revenge for his own species’ destruction. Mind also found out from possessing Sarge Steel that the government had custody of a massive alien exoskeleton another of his species used 50 years earlier, which we saw in the flashback during the Starman crossover.

Mind rampages across Washington DC in the exoskeleton. Jim Barr, aka Bulletman, watches this on TV, and it causes him to at long last remember his encounter with the alien armor during World War II, and to recall that the Green Lantern Abin Sur defeated the alien menace all those years before. Bulletman calls former GL Alan Scott, who in turn contacts current GL Kyle Rayner. Kyle flies to Washington accompanied by a time-displaced Hal Jordan (looooong story). Billy, Mary, and the two GLs have to figure out what is real and what is an illusion caused by Mind, but at last they crack open the armor. Sarge Steel then kills the murderous alien worm, which in turn causes Mind’s clones to die, saving the Earth from nuclear destruction. Whew!

“The Monster Society of Evil” (so named by Ordway after the original Mister Mind storyline from the 1940s) was an emotional rollercoaster. The series had only shifted its setting to Fairfield about a dozen issues earlier, so there really wasn’t too much time for the readers to get to know the new supporting cast, but it’s still a gut-punch to see the entire town destroyed, especially when it appears that Nick & Nora are among the dead.

I was genuinely relieved that the Bromfields had survived. Billy & Mary had already lost their real parents, and the idea that they might be made orphans a second time was horrifying. Plus I like how Nick & Nora, even if they were on the staid, conservative side, nevertheless very quickly adjusted to learning Billy & Mary were the Marvels, and tried their best to be there for the siblings.

POS #38-41 were Peter Krause’s final issues, and he really does a great job on this storyline, conveying the intense emotions and choreographing the dramatic, action-filled scenes. Inker Dick Gordano, letterer John Costanza and colorist Glenn Whitmore fill out the creative team. Whitmore’s coloring definitely plays a major role in setting the mood of these issues. Mike Carlin edited the whole shebang.

With issue #42 writer & cover artist Ordway also assumes penciling duties, with Giordano providing inks / finishes. Ordway is such a great artist, and I was glad to see him now both writing & drawing. Whitmore and Costanza continue as colorist and letterer.

Following the destruction of Fairfield, the President dedicates a memorial to all those who have died. Billy, Mary and Freddy are all there in their superhuman forms. This is the first time we see all three of them together since Mary changed to her new costume, and so this was the moment when it finally occurred to me that Ordway had now given them red, white and blue uniforms. What can I say? Sometimes I’m not the quickest on the uptake.

Billy, Mary, Nick & Nora move to Fawcett City, where they are joined by Freddy, who has returned to settle his grandfather’s estate. Freddy shows Billy and Mary the classic car he inherited, and the three go for a spin. Unfortunately the metahuman Chain Lightning who suffers from multiple personality disorder is obsessed with Freddy, and she attacks the three teens while they’re driving, causing the car to go off the cliff. The teens try to summon the magic lightning to transform into the two Captains Marvel and CM3, but Chain Lightning somehow intercepts it. Billy, Mary and Freddy all end up in the hospital in critical condition. The magic somehow gives separate physical forms to each of Chain Lightning’s personalities, who go on a rampage in Fawcett City.

Ordway has said that one of his favorite comic books when he was growing up was Avengers by Roy Thomas & John Buscema. The form that Chain Lightning’s personality Amber takes looks like a cross between Arkon the Magnificent and Thundra the Femizon, both of whom were created by Thomas & Buscema.

With the Marvel Family out of action Deanna Barr dons the costume of her late mother Bulletgirl to protect Fawcett, although she uses her Air Force codename Windshear. Her father Jim comes out of retirement to help her, but the two of them can barely hold their own against Amber. Only the intervention of Amy, the “good” Chain Lightning personality, saves them.

Uncle Dudley and Tawky Tawny travel to the Rock of Eternity, hoping they can find some way to heal Billy, Mary and Freddy. The sorcerer Ibis tells Dudley and Tawny that they need to find the Mother Boxes that enable the teens to summon the magic lightning while the Wizard Shazam is on New Genesis.

Issue #42 and #43 are certainly compelling and suspenseful, although I wonder if Ordway would have embarked on this storyline, putting the main characters in the hospital, if he had known cancellation was just around the corner. Fortunately there are still a few more issues to go. Whatever the case, the artwork by Ordway & Giordano is top-notch.

We are now at the editorially-mandated DC One Million crossover issue. This one is a bit painful to read, not because it’s bad, but because the series would be cancelled in just a few short months, and it’s sad that Ordway was forced to cut away from his ongoing storylines to do a totally-unrelated issue set in the far-off 853rd Century.

Nevertheless, Ordway turns in sold work here. We previously saw an ancient Billy Batson having assumed the Wizard Shazam’s role in The Power of Shazam Annual #1. Now, even farther into the distant future, Billy still keeps vigil at the Rock of Eternity, only to have his home overrun by thrill-seeking rich kids from the planet Mercury.

Man oh man, the people in this story are awful. They’re behaving exactly like modern-day humans. Humanity is never going to survive to the 22nd Century, much less the 853rd, if people keep acting like this!

I think Tanist, the new champion of Shazam introduced in this story, popped up in a couple of other DC One Million stories, but hasn’t been seen since. It’s sort of disappointing that Ordway took the time to create this new character and no one else has bothered to use him, because that might have helped save this story from being completely inconsequential.

Anyway, returning to the year 1998, issue #44 resumes the plot of the teens being hospitalized, their powers having been stolen by the multiple personalities of Chain Lightening. Freddy and Mary are attacked by Lightning’s “inner child” and “id” personas. Nick & Nora risk their lives to save her, and the severely injured Mary shows she’s also willing to sacrifice herself for them, all of which surprises Lightning, a survivor of parental abuse. Inner Child and Id make off with Freddy, but he manages to convince them not to kill him, that he isn’t to blame for Lightning’s problems.

Meanwhile, Dudley and Tawky Tawny travel to the Rock of Eternity again, still looking for a way to help the hospitalized teens. Ibis, still suffering from the immense exertion needed to dissipate the radiation from the destruction of Fairfield, is wrapped up as a mummy by his immortal wife Taia so that he can enter suspended animation.

Oh, yeah, I love Tawny’s line… “Dud! Save me! It’s a talking dog!” Dudley and Tawny really did make a great double act.

Taia, working with Dudley, catapults Tawny into the timestream surrounding the Rock, so that the tiger can search for a future incarnation of Captain Marvel to help the teens. Tawny locates CeCe Beck, aka Thunder, previously seen in Annual #1, and is attempting to bring her back to the present when a force knocks them apart. Thunder disappears into the timestream… but don’t worry, she ends up materializing in the 30th Century in Legion of Super-Heroes #110, where she joins the team.

Tawny gets pulled back to the Rock, but he’s not alone. He’s accompanied by the former champion of Shazam turned villain, the infamous Black Adam. Uh oh!

Issue #45 sees Black Adm back on Earth. Surprisingly, rather than acting in his usual villainous manner, Adam is filling in for the still-hospitalized Billy, Mary & Freddy. Understandably skeptical, the Justice League is keeping a close eye on the so-called “Mighty Adam” as he performs heroic deeds across the globe.

Throughout his run Ordway has been peppering this series with nods to Jack Kirby’s New Gods, with the Marvel Family using Mother Boxes and Boom Tubes, the events of the Genesis crossover being referenced, and the Wizard Shazam relocating to New Genesis. Now we finally get an appearance by one of the New Gods as Orion stops by the hospital to look after Billy and give him advice. And when Black Adam shows up, Orion is more than ready to mix it up with him. Sadly we only get to see them trade blows for a few panels, so who knows how that fight might have gone?

Black Adam insists to the JLA that he is not Theo Adam, the criminal who murdered Billy & Mary’s parents, but an entirely different person, and demands his day in court to argue his case.

If there is a weakness to these last several issues it’s that the story feels somewhat disjointed. First there was DC One Million interrupting things for a month, and now, when #46 opens, events have suddenly leaped forward an unspecified amount of time, with Black Adam having been declared not guilty. The first time I read this I really thought I had missed an issue. Obviously this is Ordway doing the best job he can to fit his storyline into the remaining issues he had left.

For the first time since the accident caused by Chain Lightning, Billy calls on the Wizard’s power, transforming into Captain Marvel, ready to pound Black Adam into the pavement. Superman reluctantly intervenes, as in the eyes of the law Black Adam is not guilty… although it isn’t at all clear as to the specifics of how that works, and how he convinced the courts that he’s not Theo Adam, other than them having different fingerprints. Presumably this is something that Ordway would have explained in more detail if he’d had more issues.

Captain Marvel and Superman trade blows for several pages, until Mary and Freddy also transform, causing Billy’s own powers to weaken enough for Superman to beat him. The Man of Steel departs, and Mary and Freddy finally get Billy to calm down.

Meanwhile, Adam has made his way to the Rock of Eternity where, in an effort to settle accounts, he intends to free his former mistress, the demonic Blaze, from her imprisonment there. Adam recruits the evil Doctor Sivana to help him, and they manage to release Blaze… only to find that they’ve been manipulated into also freeing the Wizard’s ancient adversary the Three Faces of Evil, aka King Ghidorah’s even uglier cousin.

As #47 opens, Mother Box calls up a Boom Tube and transports Billy to the Rock, also bringing the Wizard back from New Genesis. Billy, the Wizard and Adam join forces against the Three Faces of Evil. In a great example of Chekov’s Gun — or more precisely Chekov’s Mystic Raygun — Billy retrieves the mystical Scorpion weapon introduced two years earlier in issue #24 and uses it to seal the Three Faces of Evil back inside the Rock.

The Wizard transports Captain Marvel and Adam to the River of the Dead to settle their differences once and for all. Adan continues to insist that he is a different person than Theo Adam… but if he has to kill Billy to escape the River, he’ll do just that. At the last minute Billy transforms back to his human self, and Adam realizes that he cannot bring himself to kill a child, even if it’s the only way he’ll be free. This convinces both Billy and the Wizard that Adam is sincere, and they let him go on his own way.

The Wizard, having attained godhood on New Genesis, returns to his home on the Rock of Eternity. Billy and Mary’s stepparents Nick and Nora, overjoyed their children are once again healthy & whole, throw a party, inviting over many of the characters we’ve seen over the past four years, and everyone gets a happy ending.

It’s unfortunate the series got cancelled. Ordway revealed in interviews that he had the book plotted out thru to issue #50, and was really looking forward to reaching that milestone, so it’s regrettable that he wasn’t allowed to get there. Still, if you count the graphic novel, the annual, and DC One Million, that is 50 issues. Whatever the official count, POS was a great series.

By the way, looking at these last several issues, it’s now apparent they were a major influence on writers Geoff Johns & David S. Goyer, who just a couple years later made violent antihero Black Adam a central character in their JSA run.

On #45 and #46 Ordway is once again inked by Giordano, resulting in some nice work. Costanza letters #45, with Albert T. Guzman filling in on #46. Whitmore colors both issues.

The finale in #47 has Da Ordster doing full artwork and coloring, with Costanza’s letters. The issue looks great, closing out the series in style.

Ordway’s painted covers for all three issues stand out. Issue #45 has Black Adam fighting the JLA. Captain Marvel and Superman face off on the cover to #46, a homage to Nick Cardy’s cover for Superman #276. And finally #47 has Cap in a fight to the death with the Three Faces of Evil.

If you haven’t read this series then I highly recommend picking up the hardcover collection that reprints the graphic novel & the first 12 issues, and then seek out copies of the other issues. It’s definitely worth the search.

Thank you, Jerry Ordway, for a great read. More than two decades later The Power of Shazam is still incredible.

Comic books I’m reading, part two: trade paperbacks

After I wrote my post about what I was reading from Marvel and DC, I realized that I had left out something crucial: trade paperbacks.

Trade paperbacks have the advantage of containing a complete story or, in the case of the black & white Marvel Essential and DC Showcase Presents volumes, several hundred pages of reprints for twenty dollars or less.  TPBs often give you a lot more value for your money than a single issue “pamphlet” which only contains 22 pages, and they are much more durable.  I find it easier to take a TPB on the train or bus to read, because if it gets knocked around a bit, it won’t end up being destroyed.

I recently picked up a pair of trades published by DC which both featured the artwork of Jose Luis Garcia-Lopez.  The first one, JLA: The Hypothetical Woman, was written by Gail Simone.  It has to be one of the best Justice League stories that I have read in years.  Simone absolutely understands  how to write the JLA’s team dynamics, highlighting the particular strengths of each member while still showing that the whole is greater than the sum of its parts.  And she gives the team a truly worthy adversary in General Tuzik, a ruthless Machiavellian dictator who seems to spend the majority of the story one step ahead of the League.  You really are left wondering how the JLA is going to get through this one.

JLA: The Hypothetical Woman
JLA: The Hypothetical Woman

The artwork is stunning.  This is some of the finest penciling by Garcia-Lopez in his entire career.  He draws a story on a truly epic scale, with both superhuman spectacles and intimate personal moments.  And his Wonder Woman… she is absolutely breathtaking, especially in the story’s second half, when we see her on the field of battle, a commanding portrait of beauty & strength.  Garcia-Lopez is very ably complemented by inkers Klaus Janson and Sean Phillips on this book.

I believe that JLA: The Hypothetical Woman is out of print, but a number of copies are still available on Amazon.com.  I definitely recommend picking it up.

The other TPB with Garcia-Lopez’s pencils is Batman: King Tut’s Tomb, which reprints “A New Dawn” from Batman Confidential #s 26-28.  Yes, the comic books actually use the television bad guy King Tut, but he is completely revamped into a credible, dangerous criminal by writers Nunzio DeFilippis & Christina Weir.  Batman is forced to team up with his long-time foe the Riddler to track down Tut.  DeFilippis & Weir do a great job with that character, making him a very mischievous, devil-may-care rogue.  In a way, you have to admire their version of the Riddler.  Unlike most of Batman’s foes, he isn’t a homicidal maniac.  Instead, the Riddler’s goal is to commit clever crimes and outwit Batman, proving his the superior intellect.

Again, Garcia-Lopez’s artwork is of a high quality.  He is inked by Kevin Nolan, who has an extremely slick, polished style.  I think Nolan can often overwhelm other artists with his inks, but he works very well with Garcia-Lopez.  The finished artwork is a pleasant blending of their styles.  Additionally, I liked the vibrant coloring by David Baron.

Batman: King Tut’s Tomb also contains a trio of Batman stories Garcia-Lopez drew in the early 1980s.  I don’t have any of those issues, so they were a nice bonus.

I purchased Showcase Presents: The Unknown Soldier back in December of last year.  I read the book when I had to stay in the hospital for a few days.  I’m re-reading it now, and thoroughly enjoying it once again.  It contains the character’s appearances from Star Spangled War Stories #s 151 to 188, which were originally printed in the 1970s.

Who is the Unknown Soldier?  He is an unnamed American soldier who, in the early days of World War II, was horribly disfigured in combat during the Japanese invasion of the Philippines.  Trained as an expert at infiltration and a master of disguise, he is dispatched on missions behind enemy lines to sabotage the Axis war effort.  When not wearing one of his lifelike masks, the Soldier is typically clad in trench coat & fedora, his face completely covered in bandages.

Showcase Presents: The Unknown Soldier
Showcase Presents: The Unknown Soldier

When I first read this collection of Unknown Soldier stories, it occurred to me that the concept was very similar to the Sam Raimi movie Darkman… except that film came out a good twenty years later.  Coincidence or influence?  I don’t know.  I recall that when I saw Darkman in the theater in 1990, I thought to myself that it would make a great ongoing comic book series, and I was right.  What I did not know then was that such a series already existed in the adventures of the Unknown Soldier.

This Showcase Presents volume contains work by a number of talented writers & artists.  The Unknown Soldier was created by the legendary Joe Kubert, and he collaborated with writers Bob Haney and Robert Kanigher on the first several stories.  After the first dozen or so stories, Kubert slips into the role of cover artist, also providing many of the very striking opening splash pages which combine his artwork with photo montages.  Jack Sparling takes over art chores for a time, before Filipino illustrator Gerry Talaoc becomes the regular artist for the remainder of the Unknown Soldier’s adventures.  Other writers who worked on the book are Archie Goodwin, Frank Robbins and David Michelinie.

(It is a bit of a pity that Robbins does not also provide any artwork.  He is one of those artists who when I was much younger I could not stand his work, considering it weird and rubbery.  But over time I’ve grown to greatly appreciate his immense talents.  Nowadays, when I come across a story he has illustrated, it is a real treat.)

I am not generally a fan of war comics, but I instantly became a fan of the Unknown Soldier.  I think a major reason for this is the fact that, at his core, the Unknown Soldier is really an anti-war figure.  His origin is the personification of the horror of war.  There is nothing glamorous about what he does.  Really, the Soldier’s whole reason for being is to bring an end to the conflict that destroyed his life.

I hope that one of these days DC releases a second Showcase Presents collection of the Unknown Soldier’s adventures.  The final half-dozen tales in the first volume are written by Michelinie, who really ramped up the dark moral ambiguity.  His first story, “8,000 to One,” very much drives home just what a grim, horrific role the Soldier has had to take on to carry out his mission.  And the superb artwork by Talaoc is a perfect fit for the tone of Michelinie’s writing.  I definitely want to read the rest of their work on the character.

Before I close out this blog, I would be remiss if I did not mention a magazine that I regularly follow, Back Issue from TwoMorrows Publishing.  Superbly edited by Michael Eury, Back Issue has featured a diverse selection of articles on the comic books of the 1970s and 80s, and occasionally beyond.  The current issue spotlights the Avengers (just in time for the movie) and has some fascinating, informative interviews & commentary from Roger Stern, Steve Englehart, George Perez, Al Milgrom, Brett Breeding, and Mike Carlin, among many others.

Back Issue #56
Back Issue #56

The reason why I had to bring up Back Issue is that many of the articles that have appeared in it have led me to pick up trade paperbacks or, in the absence of collected editions, actual back issues themselves.  I’ve learned about a number of characters, series, and creators of whom I previously only had a passing knowledge.  The Unknown Soldier is one of those.  There was a pair of articles authored by Michael Aushenker in Back Issue #s 37 and 52, the first on the character of the Soldier, the second on artist Gerry Talaoc.  Thanks to these, I was sufficiently intrigued to pick up the Showcase Presents: The Unknown Soldier collection.  So, the magazine has definitely broadened my interests & horizons as a comic book reader.

BI #52, incidentally, covered DC Comics’ horror titles from the 1970s, and also got me to buy one of the Showcase Presents: The House of Mystery volumes. Going back to BI #25, Aushenker conducted an interview with Deathlok creator Rich Buckler which helped motivate me to purchase the Marvel Masterworks collection of that series.  Really, I think both DC and Marvel ought to be paying Eury and Aushenker a small commission for helping to drum up their sales!

Back Issue is definitely worth picking up.  It’s an entertaining, informative read, and you never know what else it might lead you to discover.

Anyway, next time I do one of these “comic books I’m reading” posts, I will definitely be talking about independent (i.e. non-DC and Marvel) titles.  I just need to really collect my thoughts together on what is going to be a very diverse selection of material.