The Daily Comic Book Coffee, Part 11

Welcome to the 11th edition of Comic Book Coffee. I’ve been posting these daily in the Comic Book Historians group on Facebook. The challenge was to see how many different pencilers I could find artwork by featuring coffee.

51) Wilson Tortosa

Exposure: Second Coming #2, penciled by Wilson Tortosa, written by David Campiti, lettered by Matt Thompson, and colored by Mickey Clausen, published by Avatar Press in October 2000.

I know some of you are probably saying “Coffee? What coffee?!?”  Look, it’s right there.  Those two lingerie-clad ladies are having their morning coffee.  See, I told you so.

Exposure, created by David Campiti and Al Rio, featured the adventures of Lisa Shannon and Shawna Diaz, who investigate cases involving demons, vampires, aliens and other weird phenomena.  Of course Lisa and Shawna deal with all of these unusual menaces while wearing skimpy outfits and stiletto heels.  And in their free time they occasionally work as pin-up models.  I guess you can consider it “The XXX-Files” or something like that.

Exposure was originally published by Image Comics in 1999 as a four issue series.  It returned a year later with the two issue Exposure: Second Coming released through Bad Girl comic book publisher Avatar Press.

This back-up story in Exposure: Second Coming #2 was the first published work of Filipino artist Wilson Tortosa.  He went on to draw Battle of the Planets, City of Heroes and Tomb Raider for Top Cow / Image Comics.

52) Casey Jones & Tom Simmons

Excalibur #99, penciled by Casey Jones, inked by Tom Simmons, written by Warren Ellis, lettered by Richard Starkings, and colored by Ariane Lenshoek, published by Marvel Comics with a July 1996 cover date.

Okay, since the last entry was heavy on the T&A, here’s one for the ladies.  We have the very buff Brian Braddock clad in his boxers drinking his morning coffee.  He’s deep in contemplation, preparing himself for an upcoming encounter with the London Branch of the Hellfire Club.  Brian has redesigned his Captain Britain armor in anticipation of the conflict, and has mixed feelings about assuming his costumed alter ego again.

I definitely felt the best issues of Excalibur were the ones by Chris Claremont & Alan Davis, and the ones where Davis both wrote & penciled the series.  Following Davis’ departure the book took a definite dip in quality.  Warren Ellis’ run was a post-Davis highpoint, and he wrote some stories that I enjoyed.

Casey Jones was brought in to alternate with Carlos Pacheco on penciling duties.  Pachecho was ostensibly the series’ main artist, but in practice Jones ended up penciling twice as many issues.  I really liked Jones’ work.  He’s a talented artist.  This page definitely demonstrates his storytelling abilities.  Jones has also worked on Outsiders, Birds of Prey, Fantastic Four and New Warriors.

53) Jack Kamen & Johnny Craig

“Hear No Evil” is penciled by Jack Kamen, inked by Johnny Craig, written by Al Feldstein, and colored by Marie Severin, from Crime SuspenStories #13, published by EC Comics with an Oct-Nov 1952 cover date.

Beautiful, ambitious Rita has married Frank Reardon for one reason: he’s incredibly wealthy.  Frank is also completely deaf, having lost his hearing in the military.  While Rita acts the role of dutiful, loving wife she mockingly tells him things like “From here on in, your my meal ticket” and “If it wasn’t for your dough I’d walk out on you tonight” knowing he can’t hear a single word she says.

Rita begins an affair with Vance Tobin, a business associate of Frank.  The lovers try to figure out a way be together without Rita losing Frank’s money.  Then one day Frank stumbles into the house, dazed & disheveled, having nearly died in a car accident outside.  Inspiration strikes Rita, and in front of the deaf Frank she suggests to Vance a plan to poison her husband and forge a suicide note.

Rita retrieves some potassium cyanide from the garden shed.  Serving coffee to the two men, Rita tells Vance not to drink the cup on the right s it contains the poison.  A few minutes later, though, it is not Frank but Vance who abruptly drops dead on the spot, much to Rita’s horror.  Wrong coffee cup, Vance!  You can probably guess the twist ending, but I won’t spoil it.

“Hear No Evil” is a EC rarity, one of the few stories not drawn solely by a single artist.  Instead, we have two EC mainstays collaborating, Jack Kamen on pencils and Johnny Craig on inks.  They work well together, effectively illustrating Feldstein’s tale of infidelity and homicide.

Following the demise of EC Comics in 1955, Kamen went into the advertising field, where he had a successful career.  He briefly returned to comic books in the early 1980s to draw the cover of the graphic novel adaptation of Stephen King’s EC Comics-inspired Creepshow, as well as the artwork featured in the actual movie.  Kamen passed away in 2008.

Johnny Craig remained in comic books, but he found only limited success at both Marvel and DC, due to his style not aligning with the dynamics needed for superhero stories, as well as to his meticulous approach to drawing leading to difficulty in meeting deadlines.  By the 1980s he had moved into a creative field where he was much more comfortable, drawing private commissions for fans of his now-classic EC Comics work.  Craig passed away in 2001.

54) Sal Buscema & Jim Mooney

Defenders #62, penciled by Sal Buscema, inked by Jim Mooney, written by David Anthony Kraft, lettered by John Costanza, and colored by Bob Sharen, published by Marvel Comics with an August 1978 cover date.

Today’s entry is from the famous (infamous?) “Defenders for a Day” storyline.  Would-be documentarian Aaron “Dollar Bill” English has put together a television special about the Defenders.  In it, touting the Defenders’ “non-team” status, Dollar Bill enthusiastically states “Anyone with super-powers who wants to declare himself a Defender is automatically a member!  It’s a snap… Don’t delay, join today!”

To the Defenders consternation, several dozen superheroes arrive on their doorstep ready to join the team.  Valkyrie, attempting to be courteous, suggests they make coffee for all the guests, and attempts to enlist Hellcat’s aid, but Patsy Walker refuses, stating “No way, Val — this tabby’s through messing around with that cockamamie coffee pot!”  Valkyrie is left with no one to assist her in making coffee but the Hulk… oh, gee, what could possibly go wrong?!?

Soon enough Val and the Hulk are serving up cups of what is apparently the strongest, most pungent black coffee ever brewed in the entire history of existence, leading Captain Marv-Vell to disgustedly exclaim “Not even Thanos could down this bitter beverage!”

Sal Buscema is one of my all-time favorite comic book artists.  He is an accomplished storyteller, and as we see here he does an absolutely superb job illustrating David Kraft’s comedic story.  Buscema’s pencils combined with Kraft’s script results in a laugh-out-loud issue.

Jim Mooney, another very talented artist, effective embellishes Buscema here.  I love their scowling Hulk who orders the Paladin to “Drink it black!” The disgusted expression on Hercules’ face is also priceless.

55) John Byrne

John Byrne’s Next Men #30, written & drawn by John Byrne and colored by Matt Webb, published by Dark Horse with a December 1994 cover date.

Next Men was John Byrne’s first creator-owned series.  A bleak sci-fi political suspense thriller, Next Men dealt with the survivors of a top secret genetic engineering project masterminded by Senator Aldus Hilltop.

By this point in the series the corrupt, ruthless Hilltop has ascended to the Presidency itself.  Bethany, Nathan and Danny, three of the surviving Next Men, have learned that Hilltop is Danny’s biological father, and have traveled to Washington DC hoping to confront him.  They are intercepted by Thomas Kirkland, a time traveler from the 22nd Century.

Over coffee at an all-night diner, Kirkland reveals to the Next Men that Hilltop is destined to become the vampiric cyborg despot Sathanas, who nearly conquered the world in the year 2112.  Defeated, Sathanas traveled back in time to 1955 and met up with the young, ambitious Hilltop, advising him, giving him knowledge of the future, directing him to establish the Next Men project, all of this to ultimately insure his own creation.  Kirkland has traveled back to the end of the 20th Century in an attempt to break this predestination paradox by assassinating Hilltop before he transforms into Sathanas.

Next Men was an intriguing and ambitious series.  I consider it to be one of John Byrne’s best works from his lengthy career.  The series went on hiatus with issue #30, ending on an explosive cliffhanger.  Byrne initially planned to return to Next Men just a few months later, but the implosion of the comic book biz in 1995 delayed this indefinitely.

Byrne at long last concluded the Next Men saga in 2011 with a 14 issue series published by IDW. Hopefully I will have a chance to take a look at those issues in an upcoming blog post.

Spotlight on Streaky the Supercat

It’s a bird!  No, it’s a plane!  No, it’s… Supercat?!?

Sometimes the Silver Age of superhero comic books, specifically the various series published by DC Comics, is considered by contemporary readers to be too silly.  Of course, in the last quarter century the pendulum has swung much too far in the opposite direction, with both DC and Marvel taking everything way too seriously.  They’re often afraid to have any sense of fun about their stories.  I really think you need to have a balance between those two extremes.  Anyone who follows my blog has no doubt noticed that I have very diverse interests, and my tastes run, as the saying goes, from the ridiculous to the sublime.

And so, even though there was a great deal of nonsense to DC’s books in the 1950s and 60s, I think there is quite a bit that’s fun & charming about those comics.  That includes Streaky the Supercat.

Making his debut in Action Comics #261 (Feb 1960), Streaky was designed by artist Jim Mooney, who in later years would say the character was one of his favorites.  Streaky was one of the only non-Kryptonian members of the “Superman Family” (there was also Comet the Super-Horse, but he’s much too weird to get into right now).  An ordinary Earth cat, Streaky was the pet of Supergirl in her civilian guise as Linda Lee.  In a failed attempt to find a cure for Kyrptonite, Supergirl accidentally created “X-Kryptonite.”  She carelessly tossed it away, but when Streaky later came across it, the substance imbued him with Superman-like powers.

Action Comics 373 pg 7

Here’s a page from “The Battle of the Super-Pets,” which originally appeared in Action Comics #277 (June 1961).  Streaky, jealous of the attention that Supergirl is giving to Krypto the Superdog, begins a rivalry with the Kryptonian canine.  To avoid the inevitable property damage, Supergirl takes them off-world to resume their contest on a small planetoid.  You can see from the artwork that Mooney really invested Streaky with a great deal of personality.  As someone who loved cats, he must have known all about feline “cattitude.”

(I scanned this from a reprint of the story that ran in the somewhat more affordable and easy to locate Action Comics #373, a giant-sized special which collected together several earlier Supergirl tales).

Although Streaky was never a major fixture of the “mainstream” DC titles, he eventually went on to make appearances in stories that were, appropriately enough, geared towards a younger audience.  Streaky was one of the main characters in the Krypto the Superdog animated series which ran from March 2005 to December 2006.  Streaky has also popped up in the Tiny Titans and Superman Family Adventures comics by Art Baltazar & Franco Aureliani.

It was probably inevitable after Michele and I adopted our two cats Nettie and Squeaky that I would become a fan of fictional felines.  And that includes Streaky the Supercat.  Although not a major theme for me like Beautiful Dreamer, I have obtained a few sketches of the heroic housecat.

streakycohn

Scott Cohn is a versatile artist who has worked on such comic books as Army of Darkness, Ben 10, Justice League Unlimited and Tales of the Teenage Mutant Ninja Turtles.  He has also done licensing artwork for various properties, including the Krypto the Superdog series.  So I asked him to do a sketch of the animated version of Streaky.  Hopefully I’ll have an opportunity to get some other sketches by Cohn. He does nice work.

streakyharris

Independent creator Alisa Harris has self-published several comic books.  One of these, Counter Attack, is a whimsical look at the antics of her cats Fidget and Moe.  Harris recently ran a successful Kickstarter campaign to fund the hardcover publication of The Collected Counter Attack!  I’m looking forward to receiving a copy in the mail later this year.  Harris has drawn a couple of cat sketches for me, including this cute Streaky.

darkseid vs streaky franco

When I met Franco Aureliani at the 2013 New York Comic Con, of course I had to ask for a drawing of Streaky.  I requested that he draw “Streaky vs. Darkseid,” because the lord of Apokolips is a frequent fixture of Tiny Titans as the evil lunch lady.  Franco knows his cats very well, because faced by Darkseid’s menace Streaky simply can’t be bothered and decides to take a nap.

Last but certainly not least is my girlfriend, the beautiful and talented Michele Witchipoo.  I was friends with Michele for several years before we started dating.  During that time, she began self-publishing two comic book series: Psycho Bunny features the misadventures of an antisocial alcoholic rabbit living in Astoria, Queens, and Babalon Babes is a collection of sexy pin-up girl illustrations.  Over the past decade Michele has really developed as an artist.  She is constantly creating better and better work.

Streaky Silver Age Witchipoo

Michele has loved cats since she was a little girl, and grew up with them.  When I first told her about Streaky the Supercat in 2009, she did this charming drawing of the Silver Age version of the character for herself.

streaky animated witchipoo

A couple of days ago, I mentioned to Michele that I was going to do a blog post about Streaky.  She insisted that she wanted to do a brand new illustration of him in my convention sketchbook.  Michele decided to draw the animated version of Streaky this time.  And here he is, attempting very much to look like the Cat of Steel.  Michele definitely captured Streaky’s personality in this piece.  The “super tuna” was certainly a cute touch.

Perhaps I’ll get other Supercat sketches in the future.  I have to see which artists I run into at conventions.  I just hope that Nettie and Squeaky don’t mind.  They tend to get jealous, but that’s cats for you!