The long-awaited finale of Doctor Who Series Seven has aired. There was a hell of a lot of anticipation concerning “The Name of the Doctor.” Would writer & showrunner Steven Moffat finally reveal the secret of Clara Oswald, the “impossible girl” who kept reappearing throughout time & space?
First off, a great deal happens in “The Name of the Doctor.” Twelve hours later, I am still absorbing everything that happened in it, wondering about the consequences and implications. But I will say this: Moffat certainly did a heck of a job with this one.
The Great Intelligence, now wearing the form of its deceased pawn Dr. Simeon (Richard E. Grant), and utilizing its sinister, faceless servants the Whisper Men, kidnaps the Paternoster Gang. The Intelligence leaves free Clara, who had been in a psychic “conference call” with the Gang and River Song, to lead the Doctor to the planet Trenzalore. Although he wants to rescue his friends, the Doctor is extremely apprehensive. He reveals to Clara that, at some point in his own personal future, he will die and be buried on that planet.
The Doctor crash-lands the TARDIS on Trenzalore. It is a desolate planet, the surface covered with the gravestones of countless warriors who fell in a battle. And on a hill is a massive monolith, the remains of his older self’s TARDIS, its time energies spilling out, distorting its dimensions, serving as the future Doctor’s tomb. River Song (Alex Kingston), now the disembodied consciousness seen at the end of “Forest of the Dead,” is still in psychic contact with Clara. Following instructions given by River, Clara leads the Doctor into a network of tunnels, hoping to avoid the Whisper Men. Traveling underground, the psychic energies of the fallen TARDIS restores Clara’s memories of events from “Journey to the Centre of the TARDIS,” and she remembers the Doctor telling her how he had previously met two other versions of herself on the Dalek Asylum and in Victorian London.
The Doctor and Clara finally arrive at the TARDIS grave, where the Intelligence and Whisper Men are holding Vastra, Jenny and Strax captive. The Intelligence wants the Doctor to open the doors to the tomb; the key is the Doctor’s real name. If he will not speak it, the Whisper Men will kill the Doctor’s friends. River, still invisible, and unheard by anyone, voices the Doctor’s name. Inside the TARDIS, it is revealed that the Doctor’s corpse is a glowing “scar” of energy, a hole in the fabric of reality linked to the entirety of the Doctor’s past existence. The Intelligence enters the scar, traveling back in time, infecting the Doctor’s past, altering his history, undoing all his victories. The stars above Trenzalore begin to go out, and then both Jenny and Strax are erased from existence. Vastra, still present, explains that all of the evils the Doctor thwarted, all the lives that he saved, all of it is being reversed, leaving the universe a much, much darker place.
Clara sudden realizes that she herself must plunge into the scar in time. She is splintered into a million aspects all along the Doctor’s timeline, living an infinity of lives across time & space. But this puts her in a position to displace the Intelligence in his history and undo the damage, unseen even of the Doctor’s numerous incarnations. History and the proper state of the universe are restored. The Doctor himself now jumps into his own time stream, and he is able to reintegrate Clara. Before they can return to Trenzalore, though, Clara spots a shadowy figure, one she has not witnessed before. The Doctor admits that this is a previously unrevealed incarnation of his, one who has forsaken even the name “Doctor.” The figure turns to face them, and the credits roll.
Whew! That was a hell of a ride. First off, in terms of unraveling the mystery of Clara, Moffat did a top-notch job. The revelation of how she became the “impossible girl” made perfect sense. Jenna-Louise Coleman was absolutely fantastic in this. Really, my admiration for her as an actress has grown by leaps & bounds over the last several weeks. Truthfully, I initially found Clara to be an annoying character, just too smart and witty and competent. But as Series 7B progressed, various writers developed her very effectively, and Coleman took the material and ran with it, turning Clara into a character I really liked. When she sacrificed herself to save both the Doctor and the universe, I was genuinely upset, because I had no idea if this was going to be the last we would ever see of her. And when the Doctor was able to restore her, I felt a real sense of relief.
Also, great work by Matt Smith. As I mentioned it my review of last week’s episode “Nightmare in Silver,” his over-the-top lunacy was the weakest aspect of an otherwise good episode. So I was relieved to see a very restrained, subtle, nuanced, emotional performance from him this time around. Confronted by his inevitable demise, haunted by his past, and faced with the possibility of losing Clara, the Doctor had a great deal to cope with in this episode. Smith certainly rose to the occasion.
This was one of the first times I could actually believe in the relationship between the Doctor and River Song. Their exchange at the end of the episode felt emotionally genuine and real. And when the Doctor kissed River, it felt real, like there truly was this incredible connection between the two. Smith and Kingston played the scene very well.
I also felt that Richard E. Grant had a lot more to do this time around. He seemed sort of wasted in the role of Simeon in “The Snowmen.” But here, portraying the Great Intelligence itself, he was a suitably menacing villain.
The Whisper Men were downright scary. When I first saw them, I thought they might be part of the Silence. But they were quickly reveled to be the creations of the Great Intelligence. They definitely make much more effective servants than its past tools, namely those robot Yeti who looked liked big, cuddly teddy bears, or the animated Victorian snowmen. At the end of “The Name of the Doctor,” the Intelligence has seemingly been destroyed. But if it does resurface again, I hope it will have the Whisper Men in tow.
Oh, yes, speaking of the Silence… was this what they were so worried about? In “Let’s Kill Hitler,” it was stated that the reason why the Silence want to kill the Doctor is that he is destined to be asked the oldest question in the universe, at which point “Silence will fall.” Later on, in “The Wedding of River Song,” it is revealed that this question is the Doctor’s identity, in other words “Doctor who?” We were also told that the question would be asked on “the fields of Trenzalore.” Well, that seems to be just what happens here in “The Name of the Doctor.” The Great Intelligence asks the Doctor what his name is, and the question does get answered, albeit by River Song. And as a result, the Intelligence infects the Doctor’s timeline, history is massively rewritten for the worse, and all the stars in the sky begin to go out. That could very well be interpreted as silence falling across the universe.
In addition to tying in to recent continuity, there was a lot of other material in “The Name of the Doctor” for a long-time fan like myself to geek out to. We saw both the Intelligence and Clara popping into various points in the Doctor’s timeline via the use of stock footage and some clever editing. There is even a very brief scene set in the distant past on the Time Lord world of Gallifrey, as the First Doctor steals the TARDIS, in the process running into one of Clara’s aspects.
Also in the episode, the Intelligence tells Vastra about the darkness in the Doctor’s being, of how he has a great deal of blood on his hands. “He will have other names before the end: the Storm, the Beast, the Valeyard.” Yep, the Intelligence mentioned the infamous V-word. For those who don’t know, the sinister Valeyard made his debut in back in the season-long serial “The Trial of a Time Lord,” and was revealed to be a possible future incarnation of the Doctor, “an amalgamation of the darker sides of your nature, somewhere between your twelfth and final incarnation.” Moffat has quite a few times explored the darker side of the Doctor, having both Amy Pond and River Song warning him of the importance of not traveling alone. Given that, in the back of my mind I occasionally wondered if Moffat would ever return to the issue of the Valeyard. Certainly this shows that he’s very aware of it.
And then we get to the end, with the revelation of an unknown incarnation of the Doctor. Is he a future regeneration of the Doctor? Or perhaps he is from the past? He says that his actions were committed “in the name of peace and sanity.” Could this have been the Doctor who fought in the last great Time War? If so, is he actually the true Ninth Doctor? And would that mean that the current version is actually not the Eleventh, but the Twelfth? Which could mean that the Valeyard might be lurking around the corner? Oh, man, so many unanswered questions to occupy my thoughts for the next six months, before Doctor Who returns for its 50th Anniversary special!
“Introducing John Hurt as the Doctor.” I try to avoid spoilers like the plague. So I totally did not know this was coming. What a shock. I mean, since its revival Doctor Who has gotten some really prominent guest stars: Simon Callow, Derek Jacobi, Timothy Dalton, David Warner, Diana Rigg. And now John Hurt is going to be on Doctor Who. Hell, John Hurt is the Doctor… somehow! I have no clue how any of this is going to play out, but I’m really looking forward to finding out.
So that’s it for Series 7B. It was a bit of an uneven set of episodes. But, on the whole, I enjoyed most of them. And it certainly ended on a high point with “The Name of the Doctor.”