I want to wish a very happy birthday to the super-talented comic book artist Joe Staton, who was born on January 19, 1948, and who turns 66 years old today. Staton has had a long, productive career, working on dozens of titles from numerous publishers.
Staton, as with a number of other artists who broke into the comic book biz in the 1970s, got his start at Charlton Comics. Beginning in 1971, Staton drew a number of stories for their various horror anthologies, plus licensed titles Space 1999 and The Six Million Dollar Man. With writer Nicola Cuti, he created the cult classic sci-fi super hero E-Man, which I covered in a previous blog.
In the mid-1970s, Staton also worked for Marvel. He inked Sal Buscema’s pencil breakdowns on Avengers and The Incredible Hulk. Staton, however, enjoyed both penciling and inking, and so starting in 1977 he began working at DC, where he would illustrate a wide variety of titles over the next two decades.
Early on, Staton made a lasting contribution to the DC universe when, working with Paul Levitz and Bob Layton, he created the Huntress, aka Helena Wayne, the daughter of Batman and Catwoman on Earth Two. Six years later, in 1983, Staton collaborated with writer Alan Brennert and inker George Freeman on “The Autobiography of Bruce Wayne,” which revealed how Batman and Catwoman fell in love and married. This now-classic story originally appeared in The Brave and the Bold #197 and several years later was deservedly included in The Greatest Batman Stories Ever Told collection. It is one of my all-time favorite Batman stories, and I’ve lost track of how many times I’ve read it. Brennert’s script was very moving & memorable. Staton & Freeman did tremendous work on this. Staton’s layouts & storytelling are incredibly dramatic. He also succeeds in capturing some of the atmosphere of Golden Age artist Dick Sprang.
In late 1979, Staton became the penciler on Green Lantern, beginning a long, well-regarded association with the characters of the GL Corps. Staton actually had three separate runs on the series, first from 1979 to 1982, then from 1985 to 1988, and finally from 1990 to 1992, that last time alternating with artists Pat Broderick and M.D. Bright. During this decade-plus time, Staton co-created several characters in the GL mythos, namely Kilowog, Arisia and Salaak. Although he didn’t create Guy Gardner, Staton is the artist who designed his now-iconic look. Also making their debut in the pages of Green Lantern during this time were the alien freedom fighters the Omega Men, who Staton co-created with Marv Wolfman.
In 1992, Staton was the artist on the Guy Gardner: Reborn miniseries, and then on the first year of Guy’s ongoing series. Throughout the 1990s, Staton continued to work for DC, drawing a number of titles, including several Batman-related projects, in addition to the noir crime miniseries Family Man. He also had work published by Caliber, Topps and Archie. Beginning in 1999, Staton became one of the regular artists on the Scooby Doo comic book.
Staton has often commented that he enjoys working on mystery and detective stories. He definitely has a real flair for that type of material, and in recent years he has fortunately had the opportunity to work in the genre. With writer Christopher Mills, he worked on the four issue miniseries Femme Noir: The Dark City Diaries, published by Ape Entertainment in 2008, and collected as a trade paperback a year later. Set in the fictitious metropolis of Port Nocturne during the rough & tumble days of Prohibition, Femme Noir chronicles the adventures of the enigmatic vigilante known only as “The Blonde.” I really enjoyed this series. Beginning in 2011, Staton has also been the artist on Dick Tracy. His style fits the newspaper strip perfectly.
Joe Staton and his charming wife Hilarie live in Upstate New York, and so I’ve had the opportunity to meet them at a number of comic conventions in the tri-state area over the years. I can honestly say that Staton is one of the nicest comic book creators I’ve ever met. It is always a pleasure to see him at a show and chat with him for a few minutes. I’ve been lucky enough to obtain a few sketches by him, as well as a page of original art from one of his Green Lantern issues.
Once again, have a very happy birthday, Joe. Thank you for all the wonderful, enjoyable stories that you’ve worked on over the years. And here’s hoping for further editions of E-Man and Femme Noir in the near future. I really do miss Alec Tronn, Nova Kane, The Blonde, and all the other colorful characters from those series.