Wishing a very happy birthday to comic book artist Alex Saviuk, who turns 70 years old today.
Saviuk’s career in comic books began in late 1977 when he started working DC Comics. Among his early assignments were Green Lantern / Green Arrow, The Flash, Superman Family and back-up stories in Action Comics and DC Comics Presents.
The first time I recall seeing Saviuk’s work was in Action Comics #571, which came out in early June 1985, shortly before my ninth birthday. Behind a shocking, attention-grabbing cover by Brian Bolland was “Mission to Earth,” a rather offbeat, humorous story written by Bronze Age Superman scribe Elliot S! Maggin, penciled by Saviuk, inked by Dave Hunt, lettered by David Weiss and colored by Gene D’Angelo.
“Mission to Earth” sees the alien robot Thresher222 teleport to Earth in search of a cure for the nova radiation that is destroying his fellow living machines. Thresher222 materializes in the Arctic near Superman’s Fortress of Solitude. Unfortunately the journey leaves the robot with amnesia. Before Superman can solve the robot visitor’s identity problem, he has another emergency to tackle: In his other identity of Clark Kent, he’s supposed to interview Superman on television. For whatever reason Batman isn’t available to do one of the impersonations he usually does when Superman and Clark need to appear together, so the Man of Steel asks Thresher222 to don a rubber mask and assume Clark’s identity on live television.
Unfortunately the guest that “Clark” has to interview before Superman is Metropolis Councilman Gregg, who is running for Mayor. Gregg proceeds to spew a torrent of political nonsense, overwhelming the already-unbalanced robot, resulting in his head exploding on live television. Saviuk does an amazing job of depicting the left- side of “Clark’s” head going kablooey, an image superbly complemented by Maggin’s sardonic narration. Even now, almost four decades later, I still look at that page and start giggling uncontrollably.
In 1986 Saviuk made the move over to Marvel Comics. After working on a number of fill-ins for Marvel, including three issues of Amazing Spider-Man, at the end of 1987 Saviuk became the regular penciler on Web of Spider-Man beginning with issue #35. Editor Jim Salicrup also brought onboard writer Gerry Conway and inker Keith Williams with that issue.
Other than very short runs by Greg LaRocque and Marc Silvestri, Web of Spider-Man really didn’t have a regular artist for its first three years, and was frequently plagued by fill-in issues. This changed with Saviuk’s arrival. He remained on Web of Spider-Man thru issue #116 in 1994, and during his nearly seven year long run only missed a handful of issues. For most of his run Saviuk was inked by Williams, with later issues embellished by Sam de la Rosa, Don Hudson and Stephen Baskerville.
I’ve previously commented that I felt that Saviuk was overshadowed by Todd McFarlane high-profile runs on first Amazing Spider-Man and then the adjectiveless Spider-Man series. That’s unfortunate, because Saviuk was doing quality work month after month on Web of Spider-Man. Saviuk’s association with the web-slinger would extend well beyond Web.
In 1989 Saviuk penciled the graphic novel Amazing Spider-Man: Parallel Lives, in which writer Gerry Conway explored the complicated intertwined histories of Peter Parker and Mary Jane Watson. Accompanying Conway and Saviuk were inker Andy Mushynsky, letterer Rick Parker and colorist Bob Sharen.
Parallel Lives allowed Saviuk the opportunity to do his own interpretation of many classic Spider-Man moments, among them the iconic “Face it, tiger… you just hit the jackpot!” scene originally depicted by John Romita in Amazing Spider-Man #42.
From 1994 to 1997 Saviuk penciled Spider-Man Adventures / Adventures of Spider-Man, which was based on the animated series that was airing at the time. After that, from 1997 to 2019 Saviuk was the penciler on the Sunday edition of The Amazing Spider-Man newspaper strip.
So, yeah, Saviuk drew Spider-Man continuously for over 30 years. I definitely consider him to be among the all-time great artists to have worked on the character.
In addition to his DC and Marvel work, Saviuk has drawn for several other publishers. In the late 1990s he penciled several issues of the comic book adaptation of The X-Files published by Topps Comics. In the 21st Century he’s drawn a number of stories for Fantomet, the Swedish edition of Lee Falk’s costumed hero The Phantom published by Egmont, as well working on a few issues of The Phantom comic books published in the United States by Moonstone and Hermes Press. Saviuk also drew several covers for Big City Comics in 2006.
I met Saviuk a couple of times at comic cons, and he came across to me as a good person. He did a really nice Spider-Man sketch for me. I also got several issues of Web of Spider-Man autographed by him, among them the infamous “Spider-Hulk” story from issue #70 plotted by Gerry Conway and scripted by David Michelinie.
Having been exposed to gamma radiation leeched out of the Incredible Hulk in the previous issue, Spider-Man himself became big, green & angry. Of course by the end of the issue Spider-Man was restored to normal. Nowadays if Marvel did this they’d probably give Spider-Hulk his own series, or team him up with all of the other Hulk knock-offs, or something. In any case, Saviuk pulled of the task of rendering “Spider-Hulk” without the character looking too ridiculous.
More recently Saviuk has drawn several variant covers for Marvel, among them on the five issue miniseries Symbiote Spider-Man, continuing his lengthy association with the web-slinger. He is also a frequent guest at comic book conventions, where he draws amazing sketches & commissions, many of which can be viewed on his Instagram account.
Happy birthday, Alex Saviuk. Thank you for all the amazing artwork throughout the years. I hope there’s many more to come.