The Daily Comic Book Coffee, Part Nine

Welcome to the ninth Comic Book Coffee collection. I’ve been posting these daily in the Comic Book Historians group on Facebook. The challenge was to see how many different pencilers I could find artwork by featuring coffee.

41) Ramona Fradon & Mike Royer

We have selected panels from Plastic Man #14, penciled by Ramona Fradon, inked by Mike Royer, and written by Elliot S! Maggin, published by DC Comics with an Aug-Sept 1976 cover date.

It’s a late night at the headquarters of the National Bureau of Investigation, and the Chief tells his secretary Sundae to put on some coffee while he briefs his agents about a dangerous new threat to national security.  The Chief details to Plastic Man, Woozy Winks and Gully Foyle the gruesome origins of the oozing menace known as “Meat By-Product… The Dump That Walks!”  By the time the Chief is finished describing this monstrosity in excruciating detail, Plas and Co are so completely grossed out that when Sundae attempts to serve them coffee, donuts and cream-filled Danishes, they’re ready to toss their cookies.

I love Ramona Fradon’s artwork.  She has such a distinctive, unconventional, cartoony style.  She brought a very offbeat, fun, comedic sensibility to Metamorpho the Element Man, the character she co-created with writer Bob Haney and editor George Kashdan in 1965.  That definitely made her very well-suited to draw Plastic Man a decade later.  Fradon stated in interviews that he was one of her favorite characters to have worked on.

Fradon is inked here by Mike Royer.  Fradon loved Royer’s inking of her pencils on this story, and has said she wishes they’d had other opportunities to work together.  It’s certainly a great collaboration.

42) June Brigman & Roy Richardson

Here is a trio of coffee-related installments of the Mary Worth newspaper comic strip, penciled by June Brigman, inked by Roy Richardson, and written by Karen Moy.

In the November 10, 2017 strip, Iris is having late night coffee with her boyfriend Zak.  Iris and Zak had previously dated, but she wasn’t certain if they should be together, since she was several years older than Zak.  However, following her break-up with Wilbur she decided to give her relationship with Zak another shot.

Paralleling this, in the December 5, 2017 strip, Wilbur has returned home from his travels abroad. Over morning coffee (complete with a Hello Kitty coffee mug) he is catching up with his daughter Dawn.  Wilbur had a disastrous time in Bogota, where a woman attempted to scam him out of his money.  This has left him wondering if he should try to get back together with Iris, not knowing she is now involved with Zak.

Jumping forward a year to the November 26, 2018 strip, Mary agrees to foster Libby, a one-eyed tabby cat.  Libby is definitely a mischievous kitty, and when Mary tries to have her morning coffee the tabby knocks over her milk.  Mary ultimately cannot keep Libby, because her boyfriend Jeff is allergic to cats.  Fortunately Mary’s neighbor Estelle agrees to adopt Libby.

I liked the Libby storyline.  Libby reminds me of Champ, one of my girlfriend Michele’s old cats.  Champ was a one-eyed cat as well, the runt of the litter.  She was a sweet & affectionate kitty, and we were sad when she passed away from old age.

I’ve been a fan of June Brigman’s work ever since she co-created Power Pack with Louise Simonson at Marvel Comics in 1984.  Brigman has often worked with her husband Roy Richardson, an accomplished inker.  June and Roy have been drawing Mary Worth since 2016.  They both love cats, so I’m sure they enjoyed introducing Libby to the strip.  Please check out their awesome cat-centric sci-fi series Captain Ginger written by Stuart Moore from Ahoy Comics.

43) Mark Bright & Bob Layton

Iron Man #228, layouts by Mark Bright, finishes & co-plot by Bob Layton, script & co-plot by David Michelinie, letters by Janice Chiang, and colors by Bob Sharen, published by Marvel Comics in March 1988.

One of the qualities of David Michelinie & Bob Layton’s runs on Iron Man that I have always appreciated has been their ability to write Tony Stark as a flawed, sometimes unsympathetic person while keeping his actions completely in character and believable.  Unlike some of the writers who followed them, they never had Stark acting in a wildly implausible manner simply to advance the plot.

Witness the now-classic storyline “Armor Wars” which saw Stark desperately attempting to destroy the technology he developed that was now in the hands of others.  As the story progressed, Stark became more and more obsessed, manipulative and ruthless, but the execution of this made it feel this progression was genuine.

Iron Man #228 sees Stark planning to attack the Vault, the federal penitentiary for incarcerating super-powered criminals, in order to destroy the Guardsmen armor that was developed from his technology.  While planning their assault, Stark and his close friend Jim Rhodes stop at a nearby greasy spoon for some coffee.  This scene by Layton, Michelinie and Mark Bright allows for a momentary pause in the action, enabling us to see the friendship and rapport that exists between Stark and Rhodes.

There’s very nice lettering by Janice Chiang on display here.  I love her work, and can usually spot it in an instant.

I’m not quite sure what to make of Stark’s anecdote, though…

“Took me three weeks to get rid of the blueberry stain. Had to tell the guys at the gym it was a tattoo.”

Sounds like it could be the punchline to a dirty story.  Whatever the set-up might have been, I doubt the Comics Code Authority would have approved!

44) Bob Oksner & Vince Colletta

This page is from the Lois Lane story “A Deadly Day in the Life” penciled by Bob Oksner, inked by Vince Colletta, written by Paul Levitz, lettered by John Costanza, and colored by Jerry Serpe.  It appeared in Superman Family #212, published by DC Comics with a November 1981 cover date.

The relationship between Lois Lane and Superman in the Bronze Age was certainly somewhat of an improvement from how it was handled in the 1950s and 60s.  Lois was at least somewhat less catty and scheming and manipulative than she had been previously depicted, and Superman appeared to genuinely care for her.

At the same time, looking at in from a 21st Century perspective, it becomes much more obvious that Lois is in a relationship with a man who is actively hiding a major part of his personal life from her, and who regularly gaslights her whenever she comes close to uncovering the truth.

Nevertheless, given that the Bronze Age writers were required to maintain the Lois Lane-Clark Kent-Superman love triangle, they did fairly good work.  Paul Levitz writes Lois and Superman as two people who are comfortable with each other.  Bob Oksner’s background drawing romance and humor stories made him well-suited to penciling scenes like this.  Likewise, Vince Colletta’s own work in the romance genre results in an effective inking job.

Plus, I love the novelty of Superman using his heat vision to brew a cup of coffee for Lois.  Jim Thompson sent this page my way.  Yes, this IS from the same story he spotlighted where someone hurls a grenade into Lois’ bathroom while she’s taking a shower, and she tosses it back out the window before it explodes.  Good thing she had that cup of coffee beforehand!

45) Stuart Immonen & Jose Marzan Jr

As a follow-up to our last entry, these pages are from Adventures of Superman #525, penciled by Stuart Immonen, inked by Jose Marzan Jr, written by Karl Kesel, lettered by Albert DeGuzman, and colored by Glenn Whitmore, published by DC Comics in July 1995.

Prior issues of the Superman titles had introduced to Clark Kent’s old high school rival Kenny Braverman, who gained superpowers and joined a covert government agency… you know, like pretty much everyone else in comic books eventually does.  Braverman, who adopted the identity Conduit, learned that Clark was Superman and attempted to murder all of Clark’s friends and family.  In a final battle with Superman, the hate-filled Conduit’s powers consumed his body, killing him.

In this issue Clark is reunited with Lois Lane, who he believed had been killed by Conduit.  Clark explains to Lois that he is seriously considering giving up his secret identity to be Superman full-time, to prevent anyone else from being in danger due to their association with him.

Lois tells Clark she wants to go get a cup of coffee in the nearby town, but with one proviso: Clark needs to do it a Superman.  Changing into the Man of Steel, he goes to a nearby diner to order a cup of coffee, only to discover that everyone is ill-at-ease around him.  Some people are expecting a super-villain to attack any minute; others simply don’t know how to act around him.

Meeting up with Superman outside of town, Lois explains to him:

“You NEED a secret identity. It’s what protects you from people… and it’s what connects you to people. Under that costume you’re Clark Kent — you’ll always be Clark Kent. You can’t live without him… and neither can I!”

I feel that the post-Crisis continuity improved Lois Lane’s character a great deal. As I explained before, I was never overly fond of Lois.  I couldn’t understand why Clark / Superman wanted to be with her.  Even the efforts to make her less of a caricature in the 1970s were hampered by the need to maintain the Lois Lane-Superman-Clark Kent love triangle.  I think a clean break was needed for Lois, and Crisis provided John Byrne with that opportunity.

Of course, having subsequently read some of the original Siegel & Shuster stories, I now realize Byrne was actually returning Lois to her original conception, the intelligent, assertive, tough-as-nails investigative reporter of the early Golden Age, and away from the catty, scheming version that existed in the 1950s.

I also like that Byrne had Clark wanting to win Lois as himself, not as Superman, because Clark Kent was his real self, and “Superman” was the secret identity.

Byrne’s work with Lois and Clark definitely set the stage for Jerry Ordway, Roger Stern, Dan Jurgens and others to write the characters in an interesting, adult relationship, and for Lois to finally learn that Clark was Superman.

In this issue Karl Kesel does really good work with the couple.  The artwork by Stuart Immonen & Jose Marzan Jr expertly tells the story.  And, wow, that coloring by Glenn Whitmore on page 19, with the sun setting in a dusky star-filled sky, is beautiful.

I know there are fans that are older than me who grew up on the Silver Age or Bronze Age comic books and did not like the changes made to these characters.  I can understand that.  I can only say that I read these stories when I was a teenager.  So for me this will always be MY version of Lois and Clark.

Squeaky the Stressed-Out Cat

Our cat Squeaky is definitely one of a kind.  I’ve blogged about Squeaky before.  Michele and I took her in when her previous human abruptly decided that he had too many cats.  Since Squeaky wasn’t getting along with the others he wanted to drop her off at a shelter.  That probably would have literally been the death of her.  Squeaky is extremely shy and sensitive, plus she had health problems at the time, so she would probably have been put to sleep.

Michele told me that in her former home all the other cats beat Squeaky up whenever she tried to come out to eat, and so she was often hiding behind a radiator.  She was even too scared to use the litter box, and so she scratched out a hole in the back of a sofa and used that instead.  In the five and a half years since we adopted Squeaky she has definitely come out of her shell, though. She was incredibly frightened when we took her in, but now she is more at ease.  She was incredibly skinny and unhealthy, but now she is round and healthy.  Squeaky seems happy.

Squeaky photographed by Michele Witchipoo

That said, she is a quirky cat.  Even after being with us for all this time she is still very jittery.  Loud noises cause her to run & hide, her tail completely fluffed up.  Squeaky still doesn’t like tall men standing near her.  I am 6 feet 2 inches, and when she sees me walking towards her she runs away.  She has no problem with me when I am sitting down or lying in bed.  Actually she is very affectionate at these times, and she loves for me to pet her or brush her fur.  But the instant I stand up she bolts.  Michele believes that Squeaky is still traumatized from whatever craziness went on where she used to live.  I think that there must have been a lot of noise & chaos there.

Squeaky sometimes reminds me of the cat Mooch from the comic strip Mutts by Patrick McDonnell.  Like Mooch, Squeaky is a rather idiosyncratic cat who loves to eat.  Reading the strip in the newspaper often brings to mind our own black & white kitty cat.  That’s especially the case when McDonnell does a strip about Mooch’s love of food.

Mutts comic strip September 3, 2014 by Patrick McDonnell

It must have been because she was starving for all of those years before we adopted her, but Squeaky is obsessed with food.  We normally feed her at 7:00 in the morning.  Well, starting around 5:00 AM she starts meowing incessantly.  She’ll jump on the bed and scratch up the furniture.  She wants food immediately, and she doesn’t want to wait.  When we finally open a can of wet food and feed her, she dives right in.  Nettie also eats at this time, but she likes to pace herself.  She’s a small cat, and has a tiny tummy.  So she’ll have several bites and walk away for a while.  Unfortunately Squeaky will then try to eat out of Nettie’s bowl, and we have to put it on top of the refrigerator until Nettie is ready to eat again.

Around 10:00 AM Squeaky starts meowing for dry food.  We’ll usually give her and Nettie some an hour later.  She’ll devour that right away.  Dinner time for the cats, when they get the rest of the canned food, is at 3:00 PM.  Well, come 1:00 in the afternoon Squeaky will start meowing sadly, pretty much non-stop, circling about in a worried manner.  She really seems to be convinced she isn’t going to get fed.

Of course, every time Michele and I have something to eat, Squeaky must inspect it to see if it’s something she would like.  If it is, she’ll either give us a wide-eyed pleading expression, or she’ll simply try to snatch some of our food with her paw or mouth.  She is incredibly persistent.

This all inspired Michele to draw a cute, funny illustration entitled “Squeaky Loves To Eat.”

“Squeaky Loves To Eat” by Michele Witchipoo

Poor Squeaky.  She can get very stressed out sometimes.  This just goes to show that animals can be very much like people.  If an animal experiences trauma when it is young, that can affect them for the rest of their life.  I definitely think that happened to Squeaky.  She still appears to be coping with some of the stuff she went though before we adopted her.  She seems like a very sensitive soul.

Sometimes I will explain Squeaky’s story to people as a cautionary tale, to demonstrate that it is very important for us humans to treat our four-legged friends with kindness.

Having said all this, I do believe Squeaky is now much happier.  She has food and two humans who love her.  She eventually got used to Nettie trying to play with her, and the two cats are now close.  Squeaky also gets to play, something she never could in the past.  Occasionally she will play-fight with her toy mousies.  But much more often she will grab one of Michele’s pencils, pens or markers in her teeth, carry it off while yowling, and then wrestle with it, chasing it about the apartment as it rolls all over the place.  A good chunk of Michele’s art supplies go missing in this manner.  We often find pens under the bed, or buried in the blankets, or hidden under the rug, or in the laundry pile.

Squeaky photographed by Michele Witchipoo

I am glad that Michele and I were able to give Squeaky a much better home than she once had.  She is a very affectionate cat.  Despite her sometimes-unconventional behavior, Squeaky really does brighten up our lives, and we love her.