It’s been a few years since I’ve regularly followed any DC Comics titles. However, over the past several months I have bought a number of DC trade paperbacks.
I eventually noticed a general theme to these TPBs: They had stories that were set on Earth 2, or in the future, or in alternate realities. I’ve come to realize that while I like a lot of DC characters, I long ago got tired of monthly titles where there is a never-ending illusion of change. On the other hand, stories set on other Earths, or eras, or that fall under the “Elseworlds” umbrella provide creators with opportunities to present different takes on familiar characters, and tell stories that are more self-contained, with somewhat greater consequences.
(It’s funny… When I was a teenage comic book fan I was hung up on continuity, on whether or not stories were “real” and actually “counted.” Nowadays I just want to read an enjoyable, intelligent story, and it doesn’t matter to me if it takes place on Earth 67 or Earth B or whatever.)
Gotham City Garage falls into that “alternate reality” category. No, it is NOT a book about the guy who repairs the Batmobile (although that was actually a pretty good episode of Batman: The Animated Series). Inspired by a line of collectible statues that re-imagined several of DC’s female character as tattooed chopper chicks, Gotham City Garage was a digital first series that was then published as a twelve issue miniseries that was later collected into two trade paperbacks.
This past June artist Lynne Yoshii was a guest at the Women in Comics convention at the Brooklyn Public Library. I was not previously familiar with Yoshii, but the art she had on display looked incredible, so I purchased one of the issues of Gotham City Garage which contained her work. I was pleasantly surprised at how much I enjoyed it, and subsequently got the first TPB. The second one finally came out last month.
Gotham City Garage is written by Collin Kelly & Jackson Lanzing. After the majority of the Earth was devastated by an environmental catastrophe, Lex Luthor seized control of Gotham City, which he has rebuilt as a domed city called the Garden. Aided by a fascist Batman and an army of robots known as “Gardeners,” Luthor implanted “Ridealongs” within the brains of the population. These implants pacify negative emotions and instill loyalty to Luthor.
Only a handful of individuals escaped becoming brainwashed zombies in Luthor’s dystopia. They are now based out of the Gotham City Garage, a safe haven in the wastelands built by Natasha Irons.
Kelly and Lanzing utilize the teenage Kara Gordon as the audience identification figure. Seemingly a loyal member of Luthor’s staff, Kara has to hide the fact that her Ridealong does not work. Outwardly she smiles brightly and chants “Lex loves you” but inwardly she is miserable, the only person with free will in a city of lobotomized slaves.
The first issue opens with the Gardeners finally rumbling to Kara’s secret. She is only saved by the intervention of Jim Gordon, who tells her to flee the Garden. He also informs the shocked teenager that she is not actually his daughter, that he adopted her when she was an infant to protect her from Luthor. Escaping the city, exposed to yellow sunlight for the first time, Kara quickly realizes that she has superpowers, and is in fact an alien.
Fleeing the Gardeners, Kara encounters chopper-riding rebels from the Garage: Big Barda, Harley Quinn, Catwoman, and Silver Banshee. Initially suspicious of her, the women nevertheless help Kara defeat the Gardeners and bring her to their headquarters. Although naïve and inexperienced, Kara / Supergirl joins the rebels, quickly becoming an important ally in their struggle to stay free from Luthor’s control.
Gotham City Garage is a female-driven book. The majority of the protagonists are women. Kelly and Lanzing do excellent work writing Supergirl, Batgirl, Big Barda, Wonder Woman, Catwoman, and the other heroines.
I enjoyed the student & mentor relationship they set up between the young, idealistic Kara and the embittered Barda, who all these years later still suffers PTSD from her horrific upbringing on Apokolips. The voices that Kelly & Lanzing give to both Kara and Barda feel authentic.
The series offers up interesting and visually striking re-imaginations of a number of DC’s iconic characters. One of the most effective of these is Harley Quinn, not just visually, but also conceptually. Although incredibly popular, Harley Quinn can nevertheless be a problematic figure. She is a woman who was manipulated by, and is in an abusive relationship with, the psychotic Joker. After she migrated from DC’s animated universe into its mainstream continuity and spun off into a solo title, Harley Quinn’s ties to the Joker were often downplayed. Obviously the writers & editors at DC realized that it would be awkward to have a series starring a character who was a disciple to a mass murderer. Nevertheless, you still had a character whose origins were rooted in emotional abuse and Stockholm Syndrome.
The way that Gotham City Garage improves upon Harley Quinn is by providing her with an agency lacking in her mainstream counterpart. In this reality Dr. Harleen Quinzel was recruited by Luthor to develop the Ridealongs. Agreeing to work with Luthor as much for self-preservation as to satisfy her scientific curiosity, Quinzel perfects the system that gives Luthor control of the city’s populace. Too late realizing that she has enabled Luthor to turn the people into mindless drones, Quinzel rebels. Attempting to both sabotage the Ridealongs and free herself from Luthor’s control, Quinzel deliberately scrambles her own brain patterns. This results in a new, humorously irreverent, sarcastic personality with a penchant for extreme violence.
In what is an effective turn-around, it is Harley who creates the Joker. She inspires Lloyd, one of her former patients who she liberated, to adopt her outrageous sense of fashion and her dedication to cartoonish acts of anarchy.
The twelve issue series is a more or less complete arc that reaches a definite conclusion that nevertheless leaves open the possibility of future stories. There was at least one dangling subplot, namely what happens to Zatanna and Silver Banshee, but perhaps Kelly & Lanzing were leaving that for another day.
The artistic line-up for Gotham City Garage is impressive. Certainly I have to give much praise to Lynne Yoshii, who got me interested in this series in the first place. Yoshii has a really fun, dynamic style. She also does really good work with her storytelling, her layouts delivering both action and emotional character moments. Yoshii’s pencils for issue #2, which are inked by Jose Marzan Jr, were both exciting and humorous. I hope that we see more from her in the near future.
I also like the artwork by Brian Ching. He has a style somewhat reminiscent of Kieron Dwyer and Dan Panosian. Ching’s work has a gritty tone that is also slightly cartoony & exaggerated, which is perfect for the post-apocalyptic setting.
Another effective contributor to Gotham City Garage is Aneke, who illustrates “Bad Seeds” in issue #3, which spotlights Harley Quinn, and flashes back to reveal her origin. Plus I love how Aneke draws Harley’s wacky pet hyenas.
As I observed in the past, it appears to take a particular skill set to work on these “digital first” titles. A penciler needs to be able to lay out the pages so that the top and bottom halves work as separate pieces on the computer screen, but also work together as a single, uniform page in the print edition. I feel that most of the pencilers who contributed to Gotham City Garage did a fairly good job at accomplishing this.
The covers are mostly of the pin-up type. I usually am not fond of these types of covers, since they reveal little about the actual contents inside the books. Unfortunately that seems to be the default style for DC (and Marvel) cover art in the 21st Century. At least most of them are well drawn. Dan Panosian’s variant cover for issue #1 featuring Wonder Woman is certainly striking, and it was a good choice to re-use to for the first collected edition.
Also along for the motorcycle ride are colorist Kelly Fitzpatrick and letterer Wes Abbott, both of whom do good work.
Gotham City Garage is a fun series with good artwork, an enjoyable and thoughtful alternate take on the DC universe.