Due to the Covid-19 pandemic all of the major comic book conventions are cancelled. It’s unfortunate, but certainly understandable. “Con crud” is a real thing at the best of times, and any huge comic con would be a major health hazard.
I enjoy going to comic cons for the opportunity to meet creators and get their autographs on books that they worked on. Obviously that is NOT happening this year. So this summer I contacted a few creators via social media and asked if I could mail them books to get signed.
One of these creators was longtime artist Joe Giella. I reached out to him via his son Frank Giella, who I’ve known for a couple of decades. I’ve gotten a couple of things signed by Joe in the past, but I had a few others I was hoping to have him autograph, so I asked Frank if I could mail them to him to pass along to his father, and he very kindly agreed.
I sent Joe Giella a few Bronze Age comic books. I don’t have any of the really classic issues he worked on for DC Comics in the 1950s and 60s since the majority of those are out of my budget. Whatever the case, I’m happy I had the opportunity to get these books signed.
All-Star Comics #73 (July 1978) has Giella inking the pencils of Joe Staton, another artist whose work I love. The writing is by Paul Levitz. I only got into the 1970s revival of the Justice Society of America in recent years when I picked up the trade paperbacks, but I immediately became a fan. I guess I’ve always liked the JSA a bit more than the Justice League because the JSA members don’t have their own solo titles, which enables more character development to take place in their series. Also, the Earth-2 setting allowed the original JSA members to age, and to mentor a new generation of heroes, which I enjoyed.
Joe Giella began working for DC Comics in 1949, and some of the earliest characters he ever drew for them were the members of the JSA. Then in the early 1960s Giella was one of the artists on the stories that introduced the Earth-2 concept and which brought the JSA back into print for the first time in a decade. Given his historic connection to these characters, I was glad to have him autograph All-Star Comics #73.
Captain America #182 (Feb 1975) was a rare Marvel Comics job by Giella. He inked a few odd issues for Marvel during the 1970s, as well as doing full artwork on various one-off projects such as a few t-shirts and The Mighty Marvel Superheroes’ Cookbook, which was an actual thing. Here Giella is inking Frank Robbins. This was during the period following the classic “Secret Empire” storyline by Steve Englehart when a disillusioned Steve Rogers abandoned the Cap identity and became Nomad.
I know that my experience with Robbins’ work parallels a number of other readers, in that initially I disliked it, over time I gradually learned to appreciate it, and now I now really enjoy his art. I feel Robbins’ work was more suited to war and mystery and horror stories than superheroes, but even on the later genre I find there’s quite a bit to appreciate. I think Giella did a very nice job inking Robbins on this issue, and I wish they had worked together more often.
Superman Family #200 (March 1980) was a really fun “imaginary story” written by Gerry Conway. Set 20 years in the future (late 1999 to be specific) it featured Clark Kent and Lois Lane married with a teenage daughter named Laura.
There were several art teams on Superman Family #200. The portions of this issue that Giella inked were penciled by Bob Oksner, another great artist whose work I have grown to appreciate in recent years. Oksner & Giella made an effective art team. That’s another collaboration I wish we had seen occur more frequently.
Finally, here is the variant cover that Giella drew for the sixth issue of the Archie Meets Batman ‘66 miniseries published by DC and Archie Comics (March 2019). Giella is apparently the oldest living Batman artist, so I really wanted to have him sign something featuring the Dark Knight of Gotham City. This cover is a nice piece which demonstrates that Giella, now in his early 90s, is still going strong as an artist.
Thanks again to Joe Giella for autographing these books, and to his son Frank for arranging everything.