In my blog post yesterday I mentioned the recent Nubia: Queen of the Amazons four issue miniseries from DC Comics. I really wanted to take a closer look at it.
Nubia: Queen of the Amazons is written by Stephanie Williams, penciled by Alitha Martinez, inked by Mark Morales, John Livesay & Martinez, colored by Alex Guimarães and lettered by Becca Carey, with cover artwork penciled & inked by Khary Randolph and colored by Emilio Lopez.
It’s been a while since I’ve followed the Wonder Woman series regularly. I decided to get Nubia: Queen of the Amazons because it was penciled by Alitha Martinez, an artist whose work I really enjoy. Martinez has been working in comic books for over 20 years, and I really think she’s tremendously talented.
This is actually the second Nubia series Martinez has worked on with writer Stephanie Williams. The six issue Nubia & the Amazons came out last year… and I managed to completely miss it. Hopefully I’ll be able to find the collected edition soon.
Nubia is a character who has been around for nearly half a century, having been created by writer & editor Robert Kanigher and artist Don Heck in Wonder Woman #204, which was released in late 1972. In pre-Crisis continuity Nubia was Princess Diana’s long-lost fraternal twin sister. Kanigher’s writing is not what anyone would ever consider to be subtle & nuanced, to say the least. I mean, issue #204 infamously opened with Kanigher killing off a very thinly-disguised stand-in for his editorial predecessor Dorothy Woolfolk. But his introduction of Nubia did set up the idea of there being Amazons of other ethnicities. I guess that helped lay the groundwork for George Perez to introduce characters such as Philippus during his groundbreaking post-Crisis revamp of the Wonder Woman series.
Nubia only appeared a handful of times during the Bronze Age. The character was reintroduced to the DC Universe only a short time ago. In the current continuity she is the reincarnation of a warrior princess from the African island of Madagascar. While no longer Diana’s twin, the two women are close friends, and following the death of Diana’s mother Hippolyta, Nubia assumed the throne of Themyscira.
Williams does a good job with her writing, balancing the fact that her script features a large cast of characters & alludes to numerous past events while still making it accessible to readers such as myself who have not picked up the past installments.
The newly-crowned head of Themyscira travels to Brazil with her entourage to show support for environmental activists who are fighting against the destruction of the rainforests. Unfortunately this places Nubia squarely into the sights of a mysterious figure who wants her dead. At first I thought this woman, clad in armor & wearing a full metal mask, was going to turn out to be a new incarnation of old Wonder Woman adversary Doctor Cyber. But, no, this woman is actually Neser, a new character who is revealed to have ties to Nubia.
One of the distinctive aspects of Nubia: Queen of the Amazons is not only are nearly all the characters women, but the majority of them are non-white. Even longtime Justice Society member Hawkgirl is now shown to be Latina. I really appreciated that the cast was so diverse, as well as incredibly well-written. Williams does a fine job developing their different personalities.
Definitely the stand-out aspect of this miniseries was the incredible penciling by Martinez. Her layouts & storytelling on the various action sequences are genuinely animated & dynamic. She also does a very good job rendering the quieter, character-driven moments and dialogue scenes. Martinez’s depiction of Nubia is stunningly beautiful & regal.
Martinez’s line art works very well with Alex Guimarães’ rich, vivid coloring. The final page of issue #3 seen below is especially striking.
I also enjoyed Khary Randolph’s work on the covers for this miniseries. Randolph is another artist whose work I’ve enjoyed in the past. Several years ago I purchased a copy of his hardcover The Black Book which featured some very beautiful, sexy, hyper-detailed pin-up illustrations by him. I really appreciated how he was able to render women with different shapes & sizes. It definitely spoke to his versatility that, unlike some other artists, he enjoyed rendering women outside of the standard “tall, thin & big-boobed” body type you typically see in mainstream superhero comic books.
As with quite a few other DC Comics miniseries, the events of Nubia: Queen of the Amazons lead into another storyline. Unlike some other recent instances where the “endings” of various miniseries were literal cliffhangers — I’m looking at you, Justice League Incarnate #5 — here Williams manages to make Nubia: Queen of the Amazons relatively self-contained. Yes, the final issue sets the stage for upcoming events, but it still feels like a complete enough whole, as well. That was another quality of her writing I really appreciated, and it actually makes me more likely to get upcoming issues of Wonder Woman to find out what happens next.