Over the past two decades I’ve picked up a bunch of issues from the various horror anthologies published by Charlton Comics during the 1970s. Although regarded as a third-tier publisher, with low page rates and cheap printing, half a century ago Charlton was one of the best places for young, up-and-coming artists to hone their abilities. Some of the most talented creators of the Bronze Age of comic books got their start at Charlton.
For Halloween back in 2013 and 2014 I spotlighted a few of my favorite Charlton horror covers and the Charlton horror work of artist Tom Sutton. This year I’m looking at some more great spooky covers from the fearsome folks at Charlton.
Before he gained critical recognition at DC Comics as one of the all-time greatest Batman artists, Jim Aparo contributed to a wide selection of genres in titles published by Charlton, including action, romance, costumed crimefighters… and, of course, horror. Aparo’s cover to Ghostly Tales #79 (April 1970) provides a preview of the atmospheric work the artist would regularly thrill readers with on his Batman stories in just a few short years. That’s the host of Ghostly Tales, Mr. L. Dedd (later known as I. M. Dedd) in the lower left-hand corner.
Wallace Wood protégé Wayne Howard’s career in comic books did not really extend beyond Charlton… which was a great pity, because Howard was undeniably talented. His covers for the anthology series Midnight Tales, for which Howard received a practically unprecedented “created by” credit, showcase both a deft skill at rendering highly-detailed work and a humorously bizarre sensibility. Midnight Tales ran for 18 issues between 1972 and 1976. The series starred Professor Coffin aka the Midnight Philosopher and his coquettish niece Arachne, who each issue presented a different-themed selection of horror & fantasy tales. The cover to #6 (November 1973) offers a good example of the duo’s macabre misadventures.
Acclaimed horror artist Tom Sutton drew a number of hyper-detailed blood-curdling covers for Charlton throughout the 1970s. For Ghostly Haunts #38 (May 1974) he rendered this unsettling depiction of early 20th Century “cosmic horror” innovator H.P. Lovecraft accompanied by his mythic tome of unearthly lore, the Necronomicon.
As I’ve blogged about in the past, one of my favorite creators, who happened to get his start at Charlton, is the great Joe Staton. In addition to co-creating cult classic heroes E-Man and Nova Kane with writer Nick Cuti, Staton was a regular contributor to Charlton’s horror anthologies. For the anthology series Scary Tales Staton designed the book’s hostess, the sexy vampire Countess R.H. Von Bludd. Staton rendered a painted cover for Scary Tales #1 (August 1975) which, even with the rather lackluster printing, still stands out as a testament to his impressive early abilities.
Steve Ditko was obviously not a newcomer to comic books in the 1970s, but he found Charlton, with it’s almost complete lack of editorial oversight, to be a welcome home. Ditko also had a very good working relationship with Charlton’s main writer Joe Gill. Here is one of Ditko’s numerous eerie Charlton covers, for Ghostly Tales #122 (August 1976).
Mike Zeck, who in the 1980s found acclaim at Marvel Comics for such titles as Captain America, Secret Wars, and The Punisher, also got his start at Charlton. Among this various jobs of the Derby, CT based publisher were several striking stories & covers for Monster Hunters. Zeck’s cover for issue #9 (January 1977), which he also colored, sees professional monster hunter Colonel Whiteshroud stalking a werewolf. Or is that the other way around?
If you browse around at comic conventions and on eBay you can often find relatively affordable copies of the Charlton comic books from the 1970s. They’re worth seeking out for some entertaining stories and quality artwork.