I finally saw The Last Jedi so I’m now ready to get into pointless arguments about it with other Star Wars fans!
Seriously, from the reactions I’ve seen online, this has been an especially divisive entry in the Star Wars series among fans. Some people absolutely loved it, and others totally hated it. As for myself, well, I guess I liked it. Yeah, yeah, it figures I would have an opinion that’s in-between those two extremes.
Here is my semi-coherent review & analysis of the movie. As always, feel free to disagree.
1) Déjà Vu All Over Again
Whereas The Force Awakens was quite similar to the very first Star Wars movie, The Last Jedi is equal parts The Empire Strikes Back and Return of the Jedi.
The Last Jedi opens with the Resistance, having successfully destroyed Starkiller Base, fleeing from their headquarters, with the vengeful forces of the First Order in hot pursuit. Meanwhile, on the remote planet Ahch-To, home of the very first Jedi Temple, neophyte Rey (Daisy Ridley) is attempting to convince the brooding, aged Luke Skywalker (Mark Hamill) to train her in the use of the Force.
As the movie advances, Rey comes to believe that Kylo Ren (Adam Driver), the former student of Luke who has turned to the dark side of the Force, is still struggling with his conscience, and that it is possible to bring him back to the light. Rey turns herself over to the First Order, hoping to convince Kylo to switch sides, but he instead hands her over to the ancient, evil Supreme Leader Snoke, who is arrogantly confident that he will be able to break Rey.
As well-executed a movie as The Last Jedi is, I periodically found myself rolling my eyes at just how brazen and shameless some of its sequences were in rehashing major elements from The Empire Strikes Back and Return of the Jedi. Look, I’m definitely environmentally conscious, but this is not the sort of recycling that I’m into!
2) This Is How Democracy Dies, Redux
The Force Awakens was vague about whether Starkiller Base had destroyed the entire New Republic, or merely its capital. The Last Jedi, on the other hand, strongly implies that the New Republic has been totally obliterated, announcing the First Order is mere weeks away from gaining control of the entire galaxy.
So only three decades after defeating Emperor Palpatine and restoring the Republic in Return of the Jedi, we are now right back where we started. A tyrannical dictatorship that is all-but-identical to the Empire has totally destroyed democracy, and nothing but a ragtag, outgunned group of freedom fighters stands between them and their final victory.
In case you were curious, that loud sound of screeching tires that you just heard was the storyline doing a 180 and peeling off back in the opposite direction.
3) This Is Not Going To Go The Way You Think
In spite of Disney furiously stabbing at the reset button, The Last Jedi eventually did manage to surprise me. That was especially the case with Snoke.
About two thirds of the way through The Last Jedi, Kylo brings Rey before Snoke. This very much felt like a remake of the throne room scene from Return of the Jedi, with the smug Snoke reeling off some reheated eeeeevil Emperor Palpatine dialogue, prodding Kylo to complete his journey to the dark side by murdering Rey. But then the entire sequence suddenly gets upended. Kylo uses the Force to activate Rey’s lightsaber from a distance, slicing Snoke in half, killing him instantly. Yeah, I definitely did not see that coming, since it felt like Snoke was being set up as the Big Bad of the entire trilogy.
Kylo and Rey then fight side-by-side in a furious battle against Snoke’s elite guard, making a very effective team. It’s one of the best action sequences in the entire movie, even if Snoke’s guards do look like they’ve wandered in from a hockey rink.
For a brief instant it really seems that Rey has succeeded, that she has managed to convince Kylo to turn his back on the First Order. But once again expectations are brutally subverted. Kylo is unable to let go of his anger and resentment. He has no interest in redemption, and intends to become the new Supreme Leader.
4) Female Power
The Last Jedi does offer a new perspective to Star Wars that is both refreshing and very timely… Men are hotheaded, macho idiots, and women are sensible, level-headed leaders who are much more capable of seeing the bigger picture. The movie is very much concerned with deconstructing the idea of the heroic male fantasy figure. One of the ways it does so is through its treatment of Poe Dameron (Oscar Isaac).
During the opening scene, as the Resistance fleet attempts to flee their base, the hotshot Poe disobeys General Leia Organa (Carrie Fisher) to lead a counter-attack against the First Order’s massive Dreadnaught. Poe’s plan is successful, and the Dreadnaught is destroyed, but it is a pyrrhic victory, with much of the Resistance fleet also being wiped out. Poe, instead of being congratulated by Leia for what he sees as bold heroism, is demoted for his rash actions. Worse, the First Order then manages to track their quarry through hyperspace, and the now-diminished Resistance fleet, severely weakened after their assault on the Dreadnaught, is almost destroyed. Nearly all the Resistance’s leaders are killed and Leia is left in critical condition.
Having not learned his lesson from this catastrophe, Poe immediately begins clashing with Vice Admiral Amilyn Holdo (Laura Dern). Poe is convinced that Admiral Holdo is incompetent. Still believing bold, immediate action is necessary, Poe authorizes Rose Tico (Kelly Marie Tran) and Finn (John Boyega) to embark on their risky plan to sabotage the First Order’s tracking device. Later, going so far as to accuse Holdo of treason, Poe leading a mutiny against her, only to finally discover that she had a plan after all, one that she understandably declined to share with the hotheaded pilot.
In the end Holdo sacrifices herself to save the remaining members of the Resistance. As Leia explains, “She was more interested in protecting the light than being a hero.”
Rey, Leia, Holdo, and Rose, the women of The Last Jedi, are the ones who refuse to give up hope, who keep fighting, who are flexible and adaptive, who think outside the box in order to attempt to find constructive solutions. Poe, Finn, Luke and Kylo, the men, are the ones who are impulsive and emotional, who are fixated on their hurt feelings, who find it difficult or impossible to break out of their rigid thinking and behaviors.
5) Who’s Your Daddy?
In the two years since The Force Awakens came out there have been a lot of theories tossed around concerning Rey’s parents, and Finn’s parents, and the identity of Snoke. Some of these have been especially outlandish or bizarre.
The Last Jedi once again subverts expectations by revealing that Rey’s parents are, in fact, no one in particular, and Snoke is just some guy. The movie doesn’t even bother to mention Finn’s parents, since in the end they are probably also no one we’ve ever heard of before.
Considering how ridiculously interconnected certain Star Wars characters have been in the past, it’s actually refreshing to have some major characters who do not have a hidden parentage or an mystery alter ego.
When he is reluctantly training Rey on Ahch-To, Luke tells her “The Force does not belong to the Jedi. To say that if the Jedi die, the light dies, is vanity.” And he is correct. Just as the Jedi do not have provenance over the Force, neither does one family such as the Skywalkers. Rey, we are told, is a nobody, coming from nothing and nowhere, but all that signifies is she achieves greatness not due to her parentage but solely by her own actions and beliefs.
6) Grumpy Old Man
Luke Skywalker in The Force Awakens is a bitter, burned-out, mournful figure. He is weighed down by the consequences of his mistakes and hubris, and by the immense looses he has witnessed. He is a far cry from the enthusiastic, idealistic young man we once knew.
However, in his own way, without quite realizing it, Luke is correct. The galaxy has moved on. Luke has failed to found a new Jedi Order because he was fixated on their ancient dogma, on recreating them as they had existed in the past. Luke’s opposite number, Snoke, is similarly afflicted with a blind desire to recapture the past. Snoke, in his attempt to position himself as the successor to Emperor Palpatine, with the First Order as his new Galactic Empire and Kylo Ren as his own Darth Vader, meets with failure and death, a victim of overconfidence and short-sightedness.
The spirit of Yoda (Frank Oz) manifests itself to Luke on Ahch-To in order to tell him “The greatest teacher, failure is.” Luke, as well as the rest of the galaxy, must attempt to learn from their past mistakes in order to chart a new course forward.
In any case, Mark Hamill does great work with the material he has been given, turning in a very strong performance.
7) Father Figure
I found the scene between Luke and Yoda to be the most touching of the entire movie. It occurred to me that Yoda was, in his own odd way, the closest thing that Luke had to a father. Yes, Anakin / Vader was Luke’s biological father, but he was definitely not much of a parent, to say the least. Yoda was the one who, in the end, was there for Luke when it was most important, who decades later transcends mortality to return and teach his old student a message of hope when it was most needed.
8) Evil Is Lame
I was not impressed by Kylo Ren when he was introduced in The Force Awakens. I found him to be a whiny loser who desperately wanted to follow in Darth Vader’s footsteps.
Well, he is still very much the same in The Last Jedi… but I’ve come to realize that this actually makes him a more plausible, believable villain. This is also true of General Hux (Domhnall Gleeson), a strutting, self-important figure whose smug arrogance masks his incompetence.
In real life, dictators and criminals are not suave, coolly sinister, grandiose figures of menace. In fact, more often than not they are petty, insecure, paranoid and jealous. They are driven by fear and inferiority, by a need to compensate for their own weaknesses. Their grotesque ambitions are often overcompensation for their inner failings, a futile attempt to fill the empty void within themselves that they are desperate to deny exists.
Kylo Ren and General Hux are both small men. They lash out at anyone and anything they perceive as a threat to their well-being and self-image. They are concerned with themselves and no one else. Kylo and Hux demonstrate that evil is not awesome or badass, but sad and lonely.
9) I’m With Her
My girlfriend Michele offered an interesting political reading of The Last Jedi. The First Order, supported by greedy, immoral corporate entities, has set out to crush freedom & liberty in the galaxy. The Resistance is dedicated to stopping them, but it is nearly crippled by internal conflict. Kylo Ren is a selfish, oversensitive, short-tempered, petty man-child who lashes out at the world. Vice Admiral Amilyn Holdo is an experienced, intelligent leader who unfortunately has a difficult time being warm or relatable to the people under her command. Poe Dameron is an impulsive hothead who wants immediate results, who doesn’t have the patience to consider the long-term picture and who is condescending towards the established command structure, undermining the decisions of his superiors.
In other words, the First Order is the Republicans, the Resistance is the Democrats, Kylo Ren is Donald Trump, Amilyn Holdo is Hillary Clinton, and Poe Dameron is Bernie Sanders? That is certainly one way to interpret the movie.
10) Watch the Birdie
One of the few sources of comedy in the otherwise-grim The Last Jedi are the Porgs, the adorable, wide-eyed birds who inhabit Ahch-To, and who stow away on the Millennium Falcon, much to Chewbacca’s consternation.
The Porgs work really well because they are basically just set dressing. The cute critters are not used to drive the plot, or to resolve any crises. There just there to occasionally lighten the mood in a very dark story. If you don’t like them then you can basically just ignore them, and if you do like them then they serve to provide a little bit of comedy that offsets the intense drama.
The Vulptex, aka crystal foxes, on Crait are also interesting, with a distinctive visual. Again, they really aren’t there to advance the story, except in cluing in the Resistance on how to escape from their cave headquarters after the First Order show up, and they also add some local color to the final act.
11) Where Do We Go From Here?
The Last Jedi ends with the Resistance down to a handful of survivors fleeing in the Millennium Falcon, with the First Order now in the incompetent yet very dangerous hands of Kylo Ren. The implicit message of the movie’s last scene is that the Resistance will find new strength in the young children of the galaxy who have suffered under the injustices perpetrated by both the First Order and the war profiteers of the galaxy’s military-industrial complex. Nevertheless, it seems like there’s a lot that needs to be addressed in the next installment.
That task is made all the more difficult by Carrie Fisher’s untimely death. As I understand it, Leia was being set up to be a central figure in the conclusion of this trilogy, and I don’t envy the makers of Episode IX having to write around her enormous absence.
12) See You Around, Kid
On the whole Rian Johnson did a pretty good job writing & directing The Last Jedi. It was an entertaining movie with exciting action sequences. It also presented some interesting and thought-provoking ideas, although it really didn’t spend enough time examining most of them, instead rapidly moving on to the next action piece. The movie also did a fair job at developing some of the characters, particularly Rey, Poe Dameron and Kylo Ren, and in introducing the tough & likable Rose Tico. I just wish that all of this could have been achieved within a story that was not such a retread of previous installments, and that relied so heavily on the formula established in the original trilogy.
The Last Jedi is definitely an improvement over The Force Awakens, but it still falls short of Rogue One, which was successful at both presenting a fresh perspective on a familiar universe and at telling a very different sort of story.