The four issue miniseries The Rook by Steven Grant and Paul Gulacy published by Dark Horse recently concluded. I previously reviewed the first issue, so now I’m going to take a brief look at the remainder of the story.
Having been gifted the Time Castle by his older self, Restin Dane aka the Rook travels back from 2015 to the late 19th Century to seek out his great-great-grandfather Adam, the man who first discovered the secrets of time travel. Adam is, in fact, the unnamed narrator from the H.G. Wells novel The Time Machine. In a paradoxical twist, Restin with his knowledge of 21th Century science plays a key role in his ancestor’s development of the first time machine.
Having related his experiences to his friend Wells (who of course goes on to describe them in his book), Adam returns to the far-distant future to lead the Eloi against the Morlocks. Resin follows after him in the Time Castle, only to discover that Adam’s mission has gone decidedly pear-shaped. Adam also has, from his perspective at least, his first run-in with the sinister Quarb.
Grant sets up an interesting relationship between Restin and Quarb. The later is an incredibly long-lived being, having existed for countless thousands of years. Restin, via time travel, has (or will have) encountered and fought against Quarb repeatedly throughout the millennia, but always in a non-linear manner. It was Quarb who organized the “Rook Revenge Squad” (as I like to call them), the assemblage of Restin’s old enemies, in the first issue. That was but one of the innumerable schemes that the immortal plotter has crafted over the eons.
I get the impression that Grant must have some flowcharts to keep track of the timelines of the various different characters, and the points at which they meet. I read issue #4 as soon as it came out last week. Today I re-read the entire miniseries in one sitting. A number of the connections and strands that Grant sets up in it suddenly became much clearer to me.
It’s interesting to see how events unfold. For now Grant leaves it up in the air if various occurrences are the result of time loops and predestination paradoxes, or if history actually is being rewritten by Restin’s actions. As the Rook’s robot aide Man-Rs astutely observes in Dark Horse Presents #14, if you do alter the past then all of your memories of it, and all of the accounts in the history books, are instantly going to change, so you are never going to notice the difference.
Grant is definitely not doing the decompressed thing here. These four issues, plus the DHP prologue, are packed with plot and dialogue. Considering that nowadays most 22 page “pamphlets” can be read in less than ten minutes, it’s a real pleasure to find a comic book that demands the reader’s attention to detail.
Once again the art by Paul Gulacy is amazing. As I’ve written on a few occasions, I am a huge fan of Gulacy’s work. I really think he is such an underrated talent. His storytelling and action sequences are among the very best in the field of sequential illustration. Gulacy demonstrates his versatility, effectively depicting both Victorian London and the far distant era of the Eloi and Morlocks. Jesus Aburtov’s coloring once again looks amazing over Gulacy’s art.
It’s worth mentioning that Grant imbues his stories with a certain amount of humor. Gulacy’s art very ably complements that quality. His style is definitely hyper-detailed, but he also possesses the ability to render comedic scenes through exaggerated figures and facial expressions. The encounter between Quarb and the Morlocks in issue #3 literally had me laughing out loud.
Grant and Gulacy are currently working on a second miniseries. I’m definitely looking forward to it. The Rook was a great read, and I’m anticipating the further adventures of Restin Dane.
Dark Horse will be releasing a trade paperback of The Rook on May 25th. If you missed this miniseries then I highly recommend picking up the collected edition when it comes out.