The first “season” of Doctor Who: The Eleventh Doctor from Titan Comics comes to its conclusion with issue #s 14-15. The two-part “The Comfort of the Good” by writers Al Ewing & Rob Williams, artist Simon Fraser and colorist Gary Caldwell satisfactorily brings to a close many of the plotlines set up within the last year.
After the events of the last few issues the TARDIS has rejected the Doctor, leaving him, library assistant Alice Obiefune and the shape-changing ARC stranded in Rome in 312 AD. Elsewhen, future prog rock god Jones has merged with the amorphous Entity. Jones believes he is dead, but in fact the Entity is rocketing backwards in time towards the beginning of existence. Through ARC’s telepathy, the Doctor and Alice are able to contact Jones, who merges with the Entity. Rescuing his friends, Jones brings them to London in 2015, in search of the TARDIS.
Throughout the prior 13 issues, Ewing & Williams had done interesting work exploring the Doctor and the disparate qualities of his personality that had been set up within the television series itself. Simultaneously a lonely god and a deeply flawed fool, the Doctor allowed his long-buried yearning to reunite with the Time Lords to be twisted and used against him by SERVEYOUinc and their Faustian agent the Talent Scout.
Ewing & Roberts open issue #15 in a scene that parallels their very first issue. In The Eleventh Doctor #1 we saw Alice in a grey, rainy graveyard, attending the funeral of her mother. Now a year later it is the Doctor in that same cemetery, mourning his own “death.” He may still be alive, but he has lost faith in himself, and he has lost what is (in certain respects) his oldest friend, the TARDIS. He is marooned on one planet in one time, unable to explore the whole of time & space, which is for him the thing that makes life worth living.
Within these two issues Ewing & Roberts bring to a close the trajectory of character development for their entire cast. The Doctor is able to work on mending his ways and repairing his relationship with the TARDIS. Alice, who was left adrift by her mother’s death, discovers the means to let go of the past and move forward with her life. Jones is able to tap into his full creative potential, setting him on the path to becoming a revolutionary musician. ARC and the Entity are reunited, once again becoming a single being. Even the Talent Scout finds closure.
I enjoyed the scripting by Ewing & Roberts. They do a good job giving each character a unique voice. Their dialogue is both poignant and witty.
“The Comfort of the Good” ties everything together while laying the groundwork for future stories. Alice has a new lease on life and chooses to continue to travel with the Doctor in the TARDIS. And it seems likely that SERVEYOUinc are still lurking about somewhere, plotting their corporate intrigues.
I was extremely impressed by the artwork from Simon Fraser in these two issues. Once again he renders these amazing cosmic vistas as we see Jones, merged with the Entity, gliding through the universe.
Fraser’s storytelling is excellent. In issue #14, there is a two page sequence with the Doctor facing the TARDIS, first pleading and then demanding to be let in. Cutting back and forth between the two, the “camera” slowly zooms in on each, and we see the Doctor become more and more distraught & angry. It is very effectively done.
As I’ve mentioned previously, Fraser’s depiction of Matt Smith’s Doctor is not a photorealistic likeness, but it absolutely works. Fraser superbly captures the personality of the Eleventh Doctor, his facial expressions and body language. It is a very natural, organic rendering of the character. Fraser also continues to bring to life Alice and Jones, two characters he designed, gifting them with nuance and subtlety that effectively complements their development by Ewing & Roberts.
The coloring by Gary Caldwell is wonderfully effective. It works in conjunction with Fraser’s art to create tangible moods throughout these issues.
While the past year of The Eleventh Doctor comic book series was not without some hiccups, on the whole it worked quite well at presenting an interesting, compelling storyline. Certainly these two issues serve as an effective denouement. I’m looking forward to reading the entire series again to see how it works. Much as with various television episodes of Doctor Who, I expect that there are further layers and meanings to discern from reexamining these stories.