I was a bit surprised when DC Comics announced that one of their latest New 52 titles would be Infinity Man and the Forever People, a revival / revamp of the characters created by Jack Kirby. Although I think the Forever People are cool, I will be the first to admit that they are probably among the lesser-known “Fourth World” characters devised by Kirby. After their initial eleven issue run in the early 1970s, they were not seen again until a six issue miniseries published in 1988. Subsequently they have not been featured in any other starring roles, only making guest appearances here and there.
However it is not entirely unexpected for the Forever People to receive a revival. It is true that DC has actually attempted to launch a number of offbeat and experimental titles in the last three years. The problem faced by many of those fringe books has been that DC put them out there with little in the way of promotion. Most of them ended up falling below the radar, drowning in a sea of Batman related titles. Based on that pattern, I honestly did not know how long Infinity Man and the Forever People would last. But I figured I had might as well give the book a try while it was here. After all, I am a fan of the characters, as witnessed by the Beautiful Dreamer tattoo on my left leg.
Co-writing Infinity Man and the Forever People are Dan DiDio & Keith Giffen. They’ve made revisions to the original set-up by Kirby, altering some of the characters. I generally am not too keen on that, and was underwhelmed by the New 52 re-conception of both Darkseid and Highfather’s origins in Justice League #23.1 last year. That said, I have to acknowledge that the Forever People were never developed in too much detail by Kirby during their all-too-short original series, and their sporadic appearances since then has left them somewhat blank slates. So it is not as if DiDio & Giffen are upending decades of storylines & characterizations.
Mark Moonrider and Beautiful Dreamer so far appear to be pretty close to their original incarnations. Vykin the Black has been renamed Vykin Baldaur and made into a more cynical figure (as much as I love Kirby, I really thought it was unfortunate that the only two non-Caucasian members of the Fourth World mythos were named Vykin the Black and the Black Racer). Serifan has been given a change in gender & ethnicity, becoming Serafina, the younger sister of Vykin. Big Bear is now the oldest member of the Forever People, as well as secretly from Apokolips, apparently having been given elements of Orion’s backstory.
Mark, Dreamer and Serafina are shown to be students on New Genesis who are about to embark on a study abroad type of assignment on the planet Earth, but they are unable to activate their Mother Box. Vykin, who dislikes Mark and doesn’t want his sister going off-world with him, arrives to object, only to find that he is the only one Mother Box will respond to. Reluctantly he accompanies the other three to Earth. They are greeted by Big Bear, who has been on Earth for some time, working with human scientists in an attempt to advance the planet’s technology and bring about greater prosperity.
DiDio & Giffen appear to be focusing on the “rebellious youth” aspect of the Forever People. Back in 1970, when he devised the characters, Kirby was inspired by the hippy / flower children counterculture. Truthfully I do not know how much of that came through in his stories, though. After their devastating cosmic war with Apokolips, the people of New Genesis mostly turned their backs on conflict, and the planet became close to a spiritual paradise. Because of this, I never really understood precisely what the Forever People were rebelling against. They merely seemed to be more impulsive and hotheaded, rushing off to Earth to fight the forces of Darkseid.
In contrast, in the New 52 (both in this title and in the pages of Wonder Woman by Azzarello & Chiang) it is shown that New Genesis is a highly organized, regimented society. Highfather is now a more militant figure, closer to his Izaya the Inheritor days from the Kirby continuity. The Forever People generally, and Mark Moonrider in particular, are rebelling against their world’s “control.”
When the Infinity Man finally makes himself known to the Forever People, he positions himself as an agent of chaos. “The universe relies on chaos. It needs to expand, to grow, to learn. There is a corruption, a corruption brought on by a need for order that prevents the natural course of non-prescribed evolution. Both New Genesis and Apokolips are guilty of imposing their forms of order on the universe. This must stop. That is why I chose you.”
One can discern a state of affairs set up by DiDio & Giffen inspired by Cold War geopolitics. Apokolips, with Darkseid at its helm, is a force of totalitarian order akin to the Soviet Union. It brutally oppresses its citizens, forcing blind obedience & uniformity from them, and it seeks to expand its empire via conquest. New Genesis is cast in the role of the United States, ostensibly working to preserve freedom & democracy. But in the name of preserving its security and opposing Darkseid’s machinations, New Genesis interferes in the affairs of lesser worlds, resulting in unfortunate side effects for those planets and their inhabitants. And while not an identity-crushing police state like Apokolips, the government of New Genesis encourages conformity and obedience lest individuality and the questioning of authority weaken the planet’s strength & resolve.
While I am a bit hesitant to embrace a version of New Genesis that appears to have such common ground with Apokolips, I have to acknowledge that this actually provides the Forever People a very clear-cut political system to rebel against, an ideology to oppose. They are rejecting both Highfather and Darkseid’s paths. They are seeking the freedom to guide their own destinies, and to enable other beings to do the same thing.
In addition to co-writing Infinity Man and the Forever People, Giffen is also penciling the series, paired with the talented Scott Koblish on inking. I very much enjoyed their work on the first issue. Giffen has often had a rather Kirby-esque element to his art, and that very much suits this series. This especially comes into play in a scene where Big Bear reveals his technology and explains “Kirby is my communal reconstruction bio engine. He’s responsible for building and maintaining this environment. Without him, none of this would be possible.” That was a nice tip of the hat to the King of Comics.
Regrettably Giffen involvement in DC’s big Futures End crossover prevented him from penciling the next two issues of Infinity Man and the Forever People. So, yep, we already have fill-in art teams on this book. I hope that does not kill any sales momentum or reader interest. At least the guest artists were mostly good.
On issue #2, the art is courtesy of penciler Tom Grummett and inker Scott Hanna. I’m certainly a fan of both gentlemen. Grummett has always been good at rendering Kirby’s characters, including the New Gods. For instance, Grummett penciled an appearance by the Forever People in the pages of Adventures of Superman about twenty or so years ago. I enjoyed seeing him now having an opportunity to depict the New 52 versions of the characters. Offhand I don’t recall if Hanna has ever inked Grummett before. They definitely go together very well here, creating some lovely art. I was especially taken by their rendition of Beautiful Dreamer.
Everyone’s favorite cosmic comic book creator Jim Starlin is the guest penciler on Infinity Man and the Forever People #3. He is paired with inker Rob Hunter. Truthfully, I was not especially fond of their collaboration. Hunter’s inking is in the vein of the house style of Top Cow, with flourishes reminiscent of Silvestri and Turner. I did not feel this fit Starlin’s penciling. I would rather have seen him inking himself, or by longtime inking partner Al Milgrom, who always does a good job finishing Starlin’s pencils.
That said, the sequence towards the end of the issue, when Dreamer is inside her subconscious, conversing with Anti-Life, is very well done. Perhaps for this surreal tableau Hunter’s inks were somewhat better suited, as they give Starlin’s nightmarish imagery an extra punch. (It appears that DiDio & Giffen are drawing inspiration from the long-ago declaration by Kirby in the pages of Forever People #1 that Dreamer “is one of the few whose mind can fathom the Anti-Life Equation.”)
Nice coloring work on these issues by the gang at Hi-Fi. I’ve always found it to be a good sign when that name pops up in the credits. They are definitely one of the better groups of computer colorists in the biz.
On the whole I did enjoy the first three issues of Infinity Man and the Forever People. DiDio & Giffen did a good job introducing the characters and establishing the premise. I just wish that the comics were a little bit longer. Twenty pages just did not seem like sufficient space. The book really needs an extra two or three pages to enable the story to breath a bit.
I am very interested in seeing what happens with the Forever People next. I know that this month’s installment is a special crossover with the aforementioned Futures End storyline. And then there are going to be a couple of issues tying in with the “Godhead” storyline running through the various Green Lantern titles. Perhaps that will inspire some GL fans to check out this series. Oh, yes, from the pages of Batman Incorporated, there’s going to be an appearance by Bat-Cow! That sounds like just the sort of delightfully offbeat, bizarre humor the Giffen specializes in, and I’m looking forward to it.
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