The past week was insane. I’ve been dealing with personal stuff and not getting enough sleep. So naturally enough I didn’t have a chance to blog about various items that I wanted to. Well, here’s a three day weekend, so let’s see what I get around to covering. First up is Sensation Comics #1, featuring Wonder Woman.
While I would not say that I am a huge fan of Wonder Woman, she is a character who I like, and whose monthly title I have followed on and off throughout the years. That and I have all three DVD box sets of the television show starring Lynda Carter (I eventually got Michele incredibly annoyed at having to listen to that opening theme song over and over again). When it was announced that DC Comics would be publishing a Wonder Woman anthology series with work by a number talented creators I was naturally intrigued.
A bit of reference: after making her debut in All Star Comics #8, cover-dated December 1941, Wonder Woman received an ongoing starring role in Sensation Comics #1, which came out the very next month. Wonder Woman was featured in Sensation Comics for nearly its entire run. Her final appearance was in issue #106, dated Nov-Dec 1951, with the series ending three issues later (credit goes to the Grand Comics Database for that info). Wonder Woman also received her own solo series in mid-1942, which meant that for nearly a decade the character had two regular titles.
I could be wrong (and if I am then I am certain someone will let me know) but I believe that with this new Sensation Comics book it is the first time since 1951 that Wonder Woman will be starring in two ongoing titles. That is pretty darn cool!
Sensation Comics is one of DC’s “digital first” books, which means that the material is offered for sale online before it appears in print. I guess I’m a bit of a Luddite since I prefer having a comic book in hand, rather than reading it from a computer screen, so I’ve decided to wait for the material to hit the comic shops. But that’s just me, and Tim Hanley, author of the excellent Wonder Woman blog Straightened Circumstances, is going the online route.
This first print issue of Sensation Comics was pretty good. The main story is “Gothamazon,” penned by former Wonder Woman writer Gail Simone and illustrated by the talented Ethan Van Sciver, with Marcelo Di Chiara pitching in to help out on a page.
After the various costumed criminals of Gotham City team up and ambush Batman, temporarily putting him out of action. Barbara Gordon aka Oracle calls Wonder Woman in to pinch hit as Gotham’s protector to restore peace & order.
It was nice to have Simone back writing Wonder Woman, as well as Oracle, the latter of whom she always did a superb job scripting in Birds of Prey. By thrusting Wonder Woman into the urban warfare of Gotham, the writer examines the various, sometimes conflicting, aspects of Princess Diana. On the one hand, she is a warrior, a soldier who has fought on myriad battlefields, who will countenance tactics and solutions that other crime-fighters such as Batman would never approve. On the other, Diana is also a force for love and peace, who hopes to find the best in all individuals. Simone demonstrates that while such qualities may appear contradictory, in fact they complement one another. Faced with the absolute ruthless insanity of such adversaries as the Joker and Two-Face, she comes to realize that facing them head on would require fighting them with their own methods, the utilization of lethal force. But because of her nature, Diana is able to perceive an alternate path. She recognizes that when brute strength fails, understanding and compassion may succeed.
Simone’s story highlights how Wonder Woman and Batman are such different individuals. The Dark Knight’s rigid methodology of fighting fear with fear may work in the short term, but Diana, who is more interested in finding permanent, constructive solutions, perceives that openness towards alternative approaches can be more helpful in enacting lasting changes. We even have Diana recruiting Catwoman and Harley Quinn as honorary Amazons to assist her in this mission. It was fun to see the three of them side by side.
That said, sometimes punching the bad guy in the face does work wonders. As Simone writes, “the closed fist has its charms, as well.”
Van Sciver’s art was quite good. It was definitely stronger on the first several pages of “Gothamazon.” In the middle of the story it did get somewhat looser and sketchier, losing some of the artist’s trademark hyper-detail. Perhaps there were some deadline problems? Still, putting that aside, on the whole Van Sciver does solid work, rendering some really dynamic layouts. His characters are very expressive, both in their facial features and body language.
I was not nearly as impressed with the back-up tale, “Defender of Truth,” written by Amanda Deibert, with artwork by Cat Staggs. At ten pages, this one seemed too rushed. Diana has a fight with Circe, who is doing something in Washington DC. It is never explained what the mythical sorceress is up to, just that for some reason or another she’s animating statues at the National Cathedral and turning men into animals.
The strongest part of the story was its final two pages, where Diana shows up to tell a group of young boys that there is nothing wrong with liking “girl stuff.” As she explains, “Being true to yourself is never wrong.” One of the character’s central themes has always been empowerment, be it female empowerment, individual empowerment, or any other struggle to break free of marginalization by the greater part of society.
Cat Staggs is an artist I know from her cover artwork, as well as from Comic Art Fans where a variety of beautiful commissions and convention sketches that she’s created have been posted. This must be the first time I’ve seen any interior art done by her. Her work on “Defender of Truth” is pretty good, but I do think that her storytelling might need some improvement. And some of her figures appear too photo-referenced.
Staggs’ best work was, interestingly enough, on those final two pages. You can really tell that an artist is good at sequential illustration when they are able to make a “talking heads” scene, with characters conversing, compelling and dramatic.
I was also wondering why her rendition of Circe looked nothing like the character has in the past. The sorceress has typically been depicted as having purple hair and wearing green outfits, at least ever since Perez revamped her post-Crisis. Here, however, Circe is a blonde clad in a lavender costume. That might be down to the colorist rather than Staggs, though. And I don’t recall the character previously using a magic wand.
While I would certainly not consider it an unqualified success, I still enjoyed Sensation Comics #1. I definitely like the idea of a Wonder Woman anthology series with a laissez faire approach to continuity. There is a lot of potential to the character of Princess Diana. She is a great character with a rich history, and she lends herself to different interpretations & incarnations. Among the creators who will be working on upcoming issues are Chris Sprouse, Gilbert Hernandez, and Dean Haspiel. It sounds like there’s plenty to look forward to.