Welcome to the latest installment of Strange Comic Books. This entry features an issue I had intended to write up at some point in the near future. But I moved it up to today as February 19th is the birthday of its writer, Donald F. Glut.
(If the name Don Glut sounds familiar to any sci-fi fans out there, it is probably because, among his numerous credits, he wrote the novelization of The Empire Strikes Back.)
Today’s comic book is The Invaders #31, written by Don Glut, penciled by Chic Stone, inked by Bill Black, and edited by Roy Thomas, with a cover by Joe Sinnott. The cover date for this one is August 1978. Set during World War II, issue #31 of The Invaders sees Captain America, Namor the Sub-Mariner, and the original Human Torch facing off against a most macabre foe: Frankenstein’s Monster!
The Invaders was Roy Thomas’ love letter to the Marvel Comics superhero comic books of the Golden Age. Thomas often wondered why, unlike DC Comics with their Justice Society stories, the major heroes of Timely Comics (Marvel’s precursor) had never teamed up. When he was writing at Marvel in the 1970s, Thomas co-created The Invaders title, which he set in the early 1940s, and which featured Cap, Namor, the Torch, teenage sidekicks Bucky and Toro, plus a number of other heroes, join forces to fight against the Axis Powers and their superhuman agents. The team was called “The Invaders” because they were “invading” Hitler’s Fortress Europa. The series ran a respectable 41 issues, plus its inaugural Giant-Size special and an Annual.
During most of the final year of The Invaders, Thomas handed over the writing duties to his friend Don Glut, although he remained on as the series’ editor. One of Glut’s first issues was #31, “Heil Frankenstein!” As we know, the Nazis, among their myriad crimes, conducted terrible medical experiments on their prisoners. This has resulted in innumerable subsequent stories in genre fiction that have depicted the Third Reich as churning out a legion of zombies, mutants, and cyborgs to bedevil the Free World. In his story, Glut takes this trend to its logical conclusion, having the Nazis recruit a descendent of the original mad scientist himself, Doctor Frankenstein.
“Heil Frankenstein” opens with Cap, Bucky, and Namor arriving in the Swiss Alps. The Human Torch and Toro had previously gone ahead to investigate rumors of Nazi activity in the neutral country, but have since gone missing. Arriving in a small town, the three superheroes are greeted by a horde of pitchfork-wielding villagers, who inform them that a monster from nearby Castle Frankenstein has been stalking the countryside. The skeptical Cap and Bucky think the villagers have been watching too many movies, and the pair go on ahead to investigate the castle, leaving Sub-Mariner behind.
The patriotic duo is quickly discovered by a horde of goose-steppers who unleash Frankenstein’s Monster, clad in a Nazi uniform, on the disbelieving pair. The Creature subdues Cap and Bucky. Imprisoned in a dungeon with Toro, they are introduced to Basil Frankenstein who, with the assistance of Kitty Kitagowa, Imperial Japan’s top surgeon, has recreated his ancestor’s work. In addition to his plans to build an army of undead patchwork soldiers for the Nazis, the clearly nutty Basil now wants to transplant his brain out of his crippled body into Cap’s physically perfect form. First, though, he uses the android energies of the Human Torch to super-charge his Monster.
By now, the impatient Namor has come to investigate the castle, and he frees his captive teammates. During a battle with the Creature, its head smashes against a bank of electrical equipment. This shorts out the implant that Frankenstein had placed in its brain. Now free to think and act, the Monster, outraged at its unholy existence, grabs Frankenstein and Kitagowa and leaps from the castle tower, killing them all.
The Invaders #31 is a pretty crazy issue. Yes, it’s a bit on the silly side, but it is still fun. I did like how Glut drew parallels between the android Human Torch and the Monster, causing the former to once again realize that, despite his name, he is an artificial being. Long-time Thor inker Chic Stone draws one of his rare penciling jobs, and turns in solid work. So, too, does Bill Black, who a few years later would go on to create the long-running Femforce series at AC Comics. Veteran artist Joe Sinnott does an amazing job illustrating the cover.
I am quite a fan of The Invaders. It took me several years, but eventually I was able to assemble a complete collection of the entire series run. Roy Thomas and Don Glut both did some nice work with an interesting, colorful cast of heroes and villains. Over three decades later, current Marvel writers are still building new stories on the comic books that Thomas and Glut penned. As for the artwork by regular pencilers Frank Robbins and Alan Kupperberg, plus such talented fill-in artists as Stone & Black, it was all very impressive. In the last few years, Marvel finally collected the entire run of the series into four trade paperback collections, Invaders Classic, which I highly recommend picking up.