I’ve been following the ongoing Captain America title pretty religiously since 1989. That’s, what, 23 years? The series has seen a lot of ups and downs in that time. On the whole, I think that Ed Brubaker’s eight year run on the book has been more positive than negative, although I never did prefer his tendency for decompressed storytelling. I also have to admit, as I’ve said in a previous blog, I never warmed up to the current volume of Captain America. But, a few months ago I learned Brubaker would be concluding his mammoth stint with issue #19, and I decided to stick around for the finale.
The current series of Captain America (volume six, for those keeping count… I really wish Marvel would stop renumbering all their series) has seen Steve Rogers cross swords with one-time ally Codename Bravo, who had now allied himself with a faction of the subversive terrorist organization Hydra. Bravo looked upon the political corruption & social decay of contemporary America, and believed that Cap had failed to lead the nation to a better place. Bravo also held a long-standing grudge against Steve for, in his mind, stealing away Peggy Carter from him back in World War II. Bravo joined forces with the Hydra Queen and Baron Zemo to create, as he saw it, a better world. Unfortunately, like most terrorists, Bravo and his allies felt that if they had to shed innocent blood and tear the country apart to start afresh, then so be it, because the ends justified the means.
Captain America #s 15-18, “New World Orders,” is co-written by Brubaker and Cullen Bunn. Hydra has successfully taken control of a popular Fox News-type network, and is broadcasting a 24 hour cycle of character assassination against Cap, the Avengers, and the U.S. government. To bolster the effectiveness of their mass media manipulation, they are utilizing hypnotic Madbomb technology. Hydra has also dispatched robot shock troops, the Discordians, across the globe to cause chaos & destruction, in order to make it appear that the Avengers are ineffective and unable to preserve peace & order. Through their propaganda, mind control, and inducing of fear & panic, Bravo and his confederates hope to turn the general public totally against the government and the American political process, presumably to pave the way for a coup.
I think Brubaker & Bunn do a pretty good job of wrapping up the overall Codename Bravo storyline. To be honest, though, I think “New World Orders” could have used another issue, because it felt rushed in places, especially the final chapter. That probably seems a strange critique, considering I was previously complaining about Brubaker’s decompression. However, I think his earlier arcs on this volume were all a bit too long. It’s a shame that one of the issues from those earlier installments of the ongoing major story was not allocated to “New World Orders” instead. Still, it’s a decent enough wrap-up.
I was surprised that Brubaker did not do anything to address the apocalyptic future vision that Steve Rogers glimpsed at the end of Captain America: Reborn, the one with the War of the Worlds type alien tripods devastating the Earth. For a few years now, I had assumed that Brubaker was going to build up to some sort of major storyline involving that. It looks, instead, that Bunn will be utilizing Steve’s look at the future in the current Captain America & Black Widow comics, although I’m not one hundred percent certain, since I just glanced through those issues in the comic shop.
The artwork on “New World Orders” is of a very high quality. Scott Eaton & Rick Magyar do great work. Likewise, the covers by Steve Epting are magnificent. I was especially impressed with the cover to issue #16.
For his finale on Captain America #19, Brubaker once again assumes to solo writing duties, and Epting, who was there at the beginning of his run, returns to draw the entire issue. This untitled tale is an insightful and introspective conclusion to Brubaker’s time writing the character. The writer once again brings back the insane 1950s Cap, the twisted mirror image of Steve Rogers. Brubaker also addresses something that, truthfully, had never occurred to me until he touched upon it earlier in his run: Steve never set out to be Cap, to become a symbol of heroism & patriotism, to represent an entire nation. The truth is young Steve only wanted to serve his country by enrolling in the military. When finally offered the opportunity to do so by participating in Operation Rebirth, he believed he would become the first of an army of super-soldiers. It was only after Professor Erskine was assassinated that Steve was thrust into the role of Cap, that he was asked by his government to adopt the identity of a red, white & blue super hero, a living propaganda symbol.
What I think Brubaker is getting at is that part of the reason why the 1950s Cap (and by extension some of the other men to briefly adopt the role) failed is because he deliberately set out to assume this enormous responsibility. He looked upon it as a blessing, and was unable to live up to the tremendous burden that it truly was. Steve Rogers, in comparison, never wanted to be Captain America. He took it on only because he felt it was the right thing to do, the best way he could serve his country. It was his humility, and recognition of the tremendous responsibilities that being Cap would bring, which enabled him to succeed where others failed. It is an interesting line of though on Brubaker’s part.
Issue #19 has, once again, some superb artwork from Epting. He is an amazing artist, and it’s great to see how much he has grown as an illustrator, not just over the course of the eight years from when he first worked on Cap, but throughout his entire career. If you look at his work back in the mid-1990s on Avengers and X-Factor, it was decent, and had potential. Over the two decades since then, he has continually grown & developed, becoming an amazing illustrator. I really became a fan when he was over at CrossGen, and my admiration for his work absolutely went through the roof due to his run on Captain America. I’m glad he was able to come back for Brubaker’s finale.
Epting contributed a great cover for issue #19, as did Butch Guice on the variant edition. I really had a hard time choosing which one to get (wish I had the funds to pick up both) but I finally went with the one by Guice. He’s another excellent artist who has consistently developed through the years.
Anyway, that’s that for Ed Brubaker on Captain America. I think that, despite some rough, uneven patches, on the whole he did a very good job on this series. He certainly leaves the book in much, much better shape than it was when he first came onboard it.
So, what’s next? Rick Remender is taking over as writer on Captain America, with art by John Romita Jr. I’m certainly tempted to continue reading the series, since I’m a fan of Remender’s work. At the same time, the $3.99 price tag and the promise of a lengthy opening story arc leave me unsure. Especially the price. Why oh why does Marvel need to charge four bucks for a 22 page comic book?!? I’m rather more inclined to try Uncanny Avengers by Remender. Yeah, it’s also four dollars, but I enjoyed the first issue of that, and I like the idea of Cap leading a mutant team of Avengers against the Red Skull and other major threats. I’ve wanted to see something like that for years. Well, maybe I’ll just wait for the trade paperback collections of the Remender’s new Captain America series.