There are two things that I really do not like about current mainstream superhero comic books, both of which I’ve mentioned in the past. The first is decompressed plotting. The second, which I am going to go into more detail today, is that the scripting on many series is simply not “new reader friendly.”
On more than one occasion, former Marvel editor-in-chief Jim Shooter has commented that every issue of a comic book series is someone’s first. Therefore each issue should contain enough information so that a new reader can quickly get up to speed. Whatever you may think of Shooter, his is a valid point, one I firmly agree with. I do not necessarily think you need two or three pages recapping previous issues, as typically was done in the past. But a few narrative captions or lines of dialogue certainly would not hurt matters. Regrettably, very few writers currently utilize this technique, and most editors do little to encourage them.
In other words, if someone were to randomly pick up an issue of any title currently published by DC or Marvel that they had never read before, there is a good chance that it would be difficult for that person to figure out what exactly is going on. This problem really presented itself in The Fury of Firestorm: The Nuclear Men #9, which came out last week.
I picked up Fury of Firestorm #9 due to it crossing over with Justice League International #9, a title I have been reading regularly. Firestorm, in contrast, is a character I’ve never been especially interested in. The only time I ever followed the series was when Jamal Igle was penciling it several years ago. So I was coming to this new Fury of Firestorm series without any knowledge about the characters’ current status quo post-Flashpoint. In other words, FOF #9 really needed to be one of those “new reader friendly” books that I’m talking about. Unfortunately, it was not.
FOF #9 is co-plotted by Ethan Van Sciver & Joe Harris, with the script by Harris. Considering that the story was continued from the pages of JLI #9, I feel that Van Sciver & Harris, in writing this issue, should have kept in mind that some brand-new readers, such as myself, would be picking up FOF for the first time. The script by Harris could have informed readers who these characters are, given some background information, perhaps briefly recapped their origins. This would not have been unduly awkward exposition, because the members of the Justice League have never met the Firestorms before. So it would make perfect sense for Booster Gold and Batman to be asking these guys to explain who they were.
Harris, however, passed up this chance to introduce the book’s cast via the device of explaining it to the League. So we have a group of atomic-powered superhumans fighting it out in Paris, and I am not really sure who any of them are. In addition, there were a couple of brief scenes that took place somewhere in the Middle East involving two characters. One was apparently Ronnie Raymond, who I remember as the original Firestorm from way back when. The other…. well, he is not named. I was totally in the dark about what was going on with them.
I feel Van Sciver & Harris missed a perfect opportunity to make Fury of Firestorm #9 a jumping-on point for the series. Instead, I found much of the story to be confusing. That’s too bad, because I was open to trying the series. After all, I recall that when I picked up Blackhawks mid-run, I was in the dark about what was going on, but the writing by Mike Costa was both interesting and comprehensible enough to hook me, which led to me picking up the entire eight issue run. Paul Levitz always does an excellent job at introducing the large cast and multiple subplots of Legion of Super-Heroes each issue. In contrast, at least as far as the writing goes, there wasn’t anything in FOF #9 that made me especially intrigued to continue following the book.
Trust me, I don’t enjoy writing negative reviews like this. Ethan Van Sciver is an incredible artist (also, I’ve also met him at conventions on a few occasions, and he seems like a nice guy). Indeed, his cover artwork for FOF #9 is stunning. Likewise, the interior artwork from Yildiray Cinar, Marlo Alquiza, and Norm Rapmund is equally good. So it’s a real shame that the writing by Van Sciver & Harris did not match that high standard.
Not to single out Fury of Firestorm #9. This particular comic book just seems to epitomize for me a problem emblematic of much of the industry. I really feel it is one of the major reasons why comic book sales have continued to decline year after year.